hello, very nice construction, I like your approach of sound close to mine. bravo

Several layers of a Nord 2 through chorus units. Also used a TC M350's delay and reverb. Added a layer of tube preamp noise for contrast. At the end is a dusty sound from NASA archives called Passing Comet Tempel 1. Find more NASA sounds here: (it's an amazing resource) https://www.nasa.gov/connect/sounds/index.html

nord sketch 4.21.22

GRFTPS018
Chelidon Frame - Transience
limited edition cassette / digital - now on bandcamp
https://giraffetapes.bandcamp.com/album/transience

Transience

B3. Chelidon Frame - Transience [GRFTPS018]

piano degrade sketch

a composition comissioned by composer and founder Laurie Schwartz for the Itinerant Interludes #8 to accompany Anna Clementi's live vocal-movement performance within Jana Linke's visual installation  @Liebig12 in February 2021.

Disquiet Contingencies, 2021

Blocking Behaviours concerns the real-time interpretation of two simulations of complex behaviour through an agent-based system. The simulations enforce a way of thinking that revolves around balancing behaviours. An attitude that considers musical output as something that emerges from an interaction with an autonomous system.

The simulation acts as a generative, rule-based system producing output that is subject to different kinds of observation algorithms. The idea is that evolving processes are set in motion where the creator/composer becomes an observer of various developments. The output can not always be controlled in detail but is instead interpreted and further processed. The interpretation involves a mapping between different modes of representation in order to simplify or combine. In Blocking Behaviours the idea is to explore the boundary of generative behaviour, control and and direct access to computer sound synthesis.

Blocking Behaviours premiered during the ICLC (International Conference on Live Coding) in April 2023.

https://www.youtube.com/watch?v=NJQ1mNvPo9k&t=784s 

https://soundcloud.com/bjarni/blocking-behaviours-iclc-example

Blocking Behaviours (excerpt)

This is a recording of Eurorack patch using four analogue oscillators scorched through the MI Clouds 8bit stereo mode.

Photograph Hannes Häfele

Nattvandring

an improvised performance that took place during Oooh festival in Ragusa, 2022
three woman from Iran, Israel and Ukraine, tired of repressions, fighting and war. 
Mahsa Salali - voice, movement 
Dorit Weintal - voice, movement 
Snezhana Reizen - live electronics 
and 
Vittorio Ballato - didjeridoo 



the picture made with AI in photoroom with code-words "there is no freedom, only the process of becoming free, lightning in the body, realistic, 3D"

Oooh Raguza 22 Mahsa Salali, Dorit Weintal, Vittorio Ballato, Snezhana Reizen

"Free the party, for the people"

Modular synth + compressor

Mixed in synth
mastered

F-T-P Drone

I plundered my treasure trove = sample library of custom-made samples, and this is what came out after a lot of tuning and fine tuning in Ableton.

Thanks to Dave De Rose (https://soundcloud.com/ddr) for the excellent drum loop!

And of course thanks to all of you listeners, for taking the time & for your comments!

More on this 277th weekly Disquiet Junto project — “Chew Concrète: Make music inspired by C. Reider’s Chew Cinders album procedures” — at:

http://disquiet.com/0277/

More on the Disquiet Junto at:

http://disquiet.com/junto/1

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

llllllll.co/t/chew-some-concrete-sounds-disquiet-junto-project-0277/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted from Thomas Jung's art for the cover of the album that inspired the project, C. Reider's Chew Cinders:

midnightcircles.bandcamp.com/album/chew-cinders

Schpool {disquiet0277}

Alina Kalancea - Salt

Martyna Poznańska is a cross-disciplinary artist based in Berlin. Her artistic research focuses on listening and hearing as a transformative act within the urban sonic environment. Through her installations and live performances she investigates the transience of the affect between different
modes of perception, where the listener’s experience becomes the focal point. Her practice involves field recording, writing, video and photography.

Martyna showed her works at the Akademie der Künste Berlin (DE), Spor Festival (DK),Deutsche Oper Berlin (DE), The Place, London (UK), Cafe OTO, London (UK), Unsound Festival.

Disquiet Contingencies, 2021

martinska

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