Name: This furious intensity, pounding fragile and finite, under another skin by martinska in Let's Stick Together#1
Duration: 5 min 47 s
Description: This track is now available on bandcamp! http://martinska.bandcamp.com/album/this-furious-intensity-pounding-fragile-and-finite-under-another-skin

how can I possible have a memory of someplace never traveled ,  it is a very concerning topic  personally, ... totally

Eclectic Electronic Soundscapes - 

Thought I would put together some lists on Buy Music Club, to help support in a small way, artists, labels and collectives at this difficult time with COVID-19 and also simply because it's music that needs to be heard  : )

This playlist is linked to the Buy Music Club - Let's Stick Together # 2

https://www.buymusic.club/list/feminatronic-lets-stick-together-2

It is one afternoon's listening here on SoundCloud. Where possible I have tried to find releases for the artists on Bandcamp to create the Buy Music List.
There are no preferences or order except the order of listening.
This is one of many.....I'm sure.
Be Safe : )
O / Feminatronic

Artists are martinska, Ella Guro, Martina Bertoni, JENNITZA, furiosa aa, Lisa Lerkenfeldt, sabiwa, Susan Drone, Yakui, Laughing Ears, Anna Zaradny, Shannon Sea, Madoka Ogitani, Rui Ho ( Dis Fig Remix), Simina Oprescu, Loise Bulot, Teixido, Sandra Lanuza Bardaji, Helena Gough.

If you are interested in the first list #1 - Collectives and Compilations the link is here -

https://www.buymusic.club/list/feminatronic-lets-stick-together-1

No order. No preferences. Apologies to those I've omitted - Adding where I can.

Let's Stick Together#1

a tale of war-crossed cybernetic love told through modular synths from within the virtual

as performed live at the University at Buffalo

Cybernetic Love during Wartime

don't let your Girlfriend get Degaussed

Falling of the Last Bastion

The last vestiges of the occurrence in the cabin

This track is now available on bandcamp! http://martinska.bandcamp.com/album/this-furious-intensity-pounding-fragile-and-finite-under-another-skin

This furious intensity, pounding fragile and finite, under another skin

flowers

Jia_輪 迴 (Side A)

From the upcoming Album "Vegetal Negatives"
Release Date 29 March 2019
Hallowground.com
HG1901
Vinyl / Digital

”Let us unfold the animal outward: the bronchia will become a thick foliage, keeping its respiratory function, but in reverse, naturally (CO2 absorption), reversed also concerning color, from the tint of calves’ lungs to its complementary cabbage green. The digestive system will become roots, maintaining its role of drawing in nourishment from the outside environment. […] for each animal form there exists a corresponding vegetal form. The man who would find his vegetal negative and unite with it would restore the integrity of the cosmos.”

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination.

Marja Ahti (b. 1981) is a Swedish-born artist living and working in Turku, Finland. She has been an active part of the Finnish experimental music scene for more than ten years. Now arriving at her debut LP under her own name, Ahti explores a new formal language and sonic palette that ventures far from the path of her earlier work.

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms.

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony.

Tracklist:
A1) Coastal Inversion (12:14)		B1) Symbiogenesis (07:22)
A2) Rooftop Gardens (05:44)		B2) Chora (10:47)

Credits:
Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden.
Mastered by Giuseppe Ielasi
Designed by Ruth Stofer

Vegetal Negatives

BUY VINYL/DL

MARJA AHTI - Symbiogenesis (HG1901)

Now in year three, the Slow Alarms project will be entering a final collaborative phase designed to degrade the audio via playback into different acoustic environments.

Slow Alarms

ACCESS

No. 5 Study for SLOW ALARMS

ESCLAVITUD

Blue Dusk

The Smiling Mask

New Moon

4-Smallsong

1986754

GOD 61
Peter Ablinger
Orchesterstücke, 
excerpts
www.godrec.com

GOD 61 - Peter Ablinger - Orchesterstücke, excerpts

https://jfrank.bandcamp.com/track/140902-till-the-next-stampede

Quick drop of a chop from an hour and a half improv session back in 2014. Not sure the rest is worth hearing but this 5 minute cut is reminiscent of the rolling quality of a stampede and the beat keeps it moving while the squelchy synth line sludges through it at sluggish speed..or is it snail's pace?

140902_till the next stampede

Martyna Poznańska is a cross-disciplinary artist based in Berlin. Her artistic research focuses on listening and hearing as a transformative act within the urban sonic environment. Through her installations and live performances she investigates the transience of the affect between different
modes of perception, where the listener’s experience becomes the focal point. Her practice involves field recording, writing, video and photography.

Martyna showed her works at the Akademie der Künste Berlin (DE), Spor Festival (DK),Deutsche Oper Berlin (DE), The Place, London (UK), Cafe OTO, London (UK), Unsound Festival.

Feminatronic

Celebrating the eclecticism of electronic artists who identify as female. A personal journey, ever unfolding and never ending. Yes, there is a lot of music...

This furious intensity, pounding fragile and finite, under another skin

martinska

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