Name: The Problem by Marxhmallow in Re-Extended 10
Duration: 2 min 16 s
Description: I wrote this song about an abusive, problematic YouTuber named Amber Lynn Reid. Everybody has their day. Karma is real and she's absolutely living the life she deserves.

Music with truth hits different. On repeat 🔁🔥

I feel this dude haha the lyrics are perfect

Re-Extended 10

Munch Squad - All Of This Time

Follow MUNCH SQUAD
Soundcloud: @munchsquadmusic
Facebook: www.facebook.com/MunchSquadMusic
Instagram: www.instagram.com/Munchsquadmusic
Twitter: www.twitter.com/Munchsquadmusic

Devotion

All Of This Time

Forget your limits, live your dreams.

Lyrics:
Love me
No matter where you are
Do you remember me?
My lost love
Set me free
I'm from eternity
My true love
C'est la vie

From You

"Believe" is a whispered confession delivered into the heart of silence. This neo-classical piano piece weaves an emotional narrative with great subtlety, where each note seems to carry the weight of a memory, a promise, or a hope. The opening bars unfold with a delicate, almost fragile touch, as if the pianist hesitates to disturb the stillness. Gradually, the melody grows in depth, the harmonies blossom, revealing a quiet but unwavering inner strength.

Believe

smash and grab of vocals from Midas and Rubi UK garage Legends, edited into a DnB track. 

Futurscape Presents - Midas Touch (Garage/DnB Feat Mc Midas)

Personne n'est atteint du syndrome de l'imposteur ici, mais il existe de  vrais imposteurs qu'on peut  croiser parfois...
No one here suffers from imposter syndrome, but there are genuine imposters all around, and we sometimes encounter one of them...

TRANSLATION - THE IMPOSTOR
I'm this close to confessing everything
I ‘ve nothing to do with it 
It was all fake, rigged, cunning
I did nothing wrong, but I did nothing right 

I thought It was totally in my wheelhouse 
but this time I must admit
It's just a web of lies
I might give up as well

I'm this close to going to confession
To tell everything to the first one to go by
But if someone coax me a little
I hold on to my bad faith, and it works

I thought It was totally in my wheelhouse 
but this time I must admit
It's just a web of lies
I might give up as well

By twisting the truth in my brain
I ended up believing my own nonsense
Pious wishes / head in the clouds / time has come
To resume my life as an impostor

L'imposteur (with translation)

HARAMBE (ft. J.Y.S.A)

◉ Follow Magdalena Meisel:
@magdalenameisel
Malovana website : https://malovana.eu/

Carmen Frida Magdalena

Vocal : Magdalena Meisel
Music : Magdalena Meisel, Jarosław Toifl
Lyrics : Krzysztof Wartak, Lizoń Sylwia
Producer/publisher : Krzysztof Wartak, Malovana

Inspiration: Carmen Frida Magdalena – This piece reflects Frida Kahlo’s internal struggle with self-perception, struggling with deformities and pain. Although she saw herself through the prism of a monkey, others saw her extraordinary beauty and creativity. The question of whether we look at her “without disgust” refers to her desire to be seen through the prism of her talent, not her physical limitations. The lyrics speak of how Frida, despite her difficult life, was able to find joy in her art, transforming pain into works full of symbols. She became an icon whose work gained worldwide recognition, despite her origins at the time from a small city district.

Inspiracja: Carmen Frida Magdalena – Utwór ten odzwierciedla wewnętrzną walkę Fridy Kahlo z postrzeganiem siebie, zmagając się z deformacjami i bólem. Choć widziała siebie przez pryzmat małpy, inni dostrzegali jej niezwykłe piękno i twórczość. Pytanie o to, czy patrzymy na nią „bez odrazy”, odnosi się do jej pragnienia bycia postrzeganą przez pryzmat jej talentu, a nie fizycznych ograniczeń.
Tekst mówi o tym, jak Frida, pomimo trudnego życia, potrafiła znaleźć radość w swojej sztuce, przekształcając ból w dzieła pełne symboli. Stała się ikoną, której twórczość zdobyła światowe uznanie, mimo jej pochodzenia wówczas z małej dzielnicy miasta.

Słowa:

Czy to ja, czy też moje odbicie.
Dlaczego właśnie takie mam życie.
Lustrzanie postrzegam kobiety
Patrzę do wnętrza, stalowe pręty
Odrywam ciało od mej duszy
Spójrz na mnie bez odrazy
Może coś Cię jednak poruszy.
Obserwuj , na mojej twarzy

Ref.
Carmen, Carmen, Magdalena
Frid, Frida , Calderon
Carmen,Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.

Nie jest jej po drodze z miłością.
Twarzy lustra odbicie jest radością
Symbolami znaczony demon
Światu prezentuje Frida Kalon

Moje oblicze czy małpy odbicie.
Troskliwa, kobietę skrywa.
Cierpienie, na nogach słania.
Czasem, długie naprawia rozstania
Odrywam ciało, od mej duszy
Spójrz na mnie, bez obrazy (dograć zmianę)
Miejsce, ciało, umysł, czas, otoczenie
Wszędzie masz szansę na nie zapomnienie

REF
Carmen, Carmen, Magdalena
Frida, Frida, Calderon
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.
Carmen, Carmen, Magdalena
Frida, Frida, Calderon.

Malovana : Estrado

Carmen Frida Magdalena

A response to the terrible state our world is in.

The World is Going Crazy.(Blood  on many hands.)

Track from upcoming EP 'Chemical Weapons'

Decontamination Process

The flower song

I wrote this song about an abusive, problematic YouTuber named Amber Lynn Reid. Everybody has their day. Karma is real and she's absolutely living the life she deserves.  

The Problem

Album - Aurora (2024 - 2025)
Spotify : https://open.spotify.com/intl-es/artist/0clNb8T1awEpGKxdg97zwl
Apple Music: https://music.apple.com/ar/artist/tomas-peiretti/1829015919
Instagram: https://www.instagram.com/tgpeiretti/

Templo

1 Abide with me: fast falls the eventide;
the darkness deepens; Lord, with me abide.
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.

2 Swift to its close ebbs out life's little day;
earth's joys grow dim, its glories pass away.
Change and decay in all around I see.
O thou who changest not, abide with me.

3 I need thy presence every passing hour.
What but thy grace can foil the tempter's power?
Who like thyself my guide and strength can be?
Through cloud and sunshine, O abide with me.

4 I fear no foe with thee at hand to bless,
ills have no weight, and tears no bitterness.
Where is death's sting? Where, grave, thy victory?
I triumph still, if thou abide with me.

5 Hold thou thy cross before my closing eyes.
Shine through the gloom and point me to the skies.
Heaven's morning breaks and earth's vain shadows flee;
in life, in death, O Lord, abide with me.

1. WA ba mi gbe! ale fere le tan,
Okunkun nsu; Oluwa ba mi gbe,
Bi oluranlowo miran ba ye,
Iranwo alaini, wa ba mi gbe.

2. Ojo aiye mi nsare lo s’ opin,
Ayo aiye nku, ogo re nwo ‘mi;
Ayida at’ ibaje ni mo nri;
‘Wo ti ki yipada, wa, ba mi gbe.

3. Mo nfe O ri ni wakati gbogbo;
Ki l’ o le segun esu b’ ore Re?
Tal’ o le se amona mi bi Re?
N’nu ‘banuje at’ ayo, ba mi gbe.

4. Pelu ‘Bukun Re, eru ko ba mi;
Ibi ko wuro, ekun ko koro;
Oro iku da? segun isa da?
Ngo segun sibe, b’ Iwo ba mi gbe.

5. Ki nr’oro Re ni wakati iku,
Se ‘mole mi, si toka si orun;
B’ aiye ti koja, k’ ile orun
Ni yiye, ni kiku, wa ba mi gbe.

Abide_With_Me_Hymn

Those familiar with the Tarot will know that the Hierophant is usually depicted as a Pope. However, at the time of the ancient Greeks, when horns meant wisdom, the word ‘hierophant’ meant ‘revealer of the sacred mysteries’ . 

For an increasing number nowadays, our understanding of these mysteries has grown through the study of quantum physics, cymatics and sacred geometry, and so my song expresses that vision of the Hierophant.

5. The Hierophant

Galaxy

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

The Problem

Marxhmallow

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