Die Nickerchenzeit

Different Constituents

Void

Output Three

exaco

Euforia

Evening Focus Music

Desert Oasis

Der Traumfänger

Frosty Fern Retreat

overthink

Immerse yourself in the calming and soothing sounds of my latest instrumental meditation ambient album. Designed to create a peaceful atmosphere, this collection of tracks is perfect for meditation, relaxation, studying, or winding down after a long day. Let the gentle melodies and ambient textures guide you to a state of tranquility and mindfulness.

Inspired by the serene beauty of nature and the desire for inner peace, each piece is crafted to help you find your zen and escape the stresses of daily life. Whether you're looking to meditate, relax, or simply enjoy some background music, this album is your perfect companion.

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🌊 Elemental Drift 🌊

Elemental Drift explores the harmonious connection between the natural elements and the flow of the human spirit. Each track is a serene fusion of ambient melodies and rhythmic undertones, evoking the calming essence of earth, water, air, and fire. Perfect for meditation, relaxation, or grounding practices, Elemental Drift invites you to align with the elemental forces and find peace within. 🌿✨

#ElementalDrift #TranquilSoul #MeditationMusic #NatureInspired #RelaxationJourney #InnerBalance #PeacefulMelodies #SereneSoundscape #MindfulReflection

🌐 Explore Tranquil Soul Music 🌐
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Contact: relax@tranquilsoulmusic.com

Let me know if you'd like any adjustments!

Gravitational Push

Distant Star

I had a long break from work for the end of 2023 and was mostly at home with a piano, my daughter, partner, some synths, a notebook and a lot more time than I was used to. I was finding it hard to do anything except play the piano basically. The surface level simplicity of it and the immediacy made it easy to become embroiled in and over those couple of months I wrote the 6 piano pieces. At the same time over those months I was also writing heavily in my notebook, something I hadn’t done consistently for years. It was towards the end of the projects I noticed the two things had been created side by side but without interaction. Looking back through the notes I’d noticed that I'd been writing about things I was thinking and feeling which to me was interesting because I was doing the same thing with the piano. 

Of course I'm really into film and drama so the thought of combining the words and music felt completely natural and interesting. Originally I recorded them myself just as voice notes and it felt like something. It was interesting but to me it felt too close and maybe too self-involved. This is when I thought about getting someone else to read them. I watched Alan Clarke’s “Road” (1987) a few years back at a screening and was blown away by it but also by Jane Horrocks. Her performance in that and also in Mike Leigh’s “Life Is Sweet” I was completely captivated. With “Road” I hadn’t encountered that much writing that dealt with the frustrations, tragedy and beauty of growing up in a working class part of the UK, it really resonated with me. Having someone else read the notes did two things for me. I wanted someone who was a good actor who would bring something to it but also I wanted a northern, Greater Manchester or close to, accent and a woman. I grew up mostly around women and I like to hear those accents and rhythms represented. It feels a bit like home. But thinking about it now my Grandma especially, would have loved to hear an accent like Jane’s speak those words that are close to a diary, poetry and prose. The second thing, having someone else read it, to me, made it more interesting and a bit safer. It made it feel more like theater or a film. I could detach from my own words that i didn’t ever really plan to share and experience them in a slightly more removed way, maybe it made it easier to assess them or incorporate them thoroughly. Also simply, it was more fun and interesting to do.

Using them to almost frame the piano pieces and add context but not too explicitly is a pretty interesting idea too. Usually you don’t get context with music. You can read the press release or the liner notes but you don’t get an expansion on it as part of the work itself in the form or some prose. Even with the words people add those two things together, the music and words and still get something I don't expect or I didn’t mean, like music, art, they project themselves on it still a lot, the words just mix that pot a bit more.


Leave Beneath Your Feet (Longer Version)

Maryam Mirbagheri aka “Maryama” is an award winning Iranian American composer/performer/music producer currently residing in Los Angeles, California.
Born and raised in the middle east to an art loving family, she was surrounded by great music from early childhood. Growing up she studied guitar with rock stars Ardavan Anzabipour and Homayoun Majdzadeh. 
Maryama has performed in prestigious international music festivals such as Fajr International Music Festival and Monterey Jazz Festival(student)and have competed and placed in competitions such as Iranian International Youth Competition : Music Composition category(semi-finalist) and Music Association of California(2nd place in state of California). She has won a Jazz Downbeat Award with ARC Advanced Vocal Jazz Ensemble, was nominated for two Hollywood Music in Media Awards and has worked with prestigious figures such as Deborah Lavine, James Franco, Michaell Skloff(composer of FRIENDS), prestigious groups such as Vox Musica Vocal Ensemble and many more.
She holds two Associate Degrees in Jazz Voice and Music Composition from ARC where she studied with one of her biggest inspirations, Joe Gilman. She holds a Bachelor of Fine Arts (Music Composition, Film Music) and a Master of Fine Arts from the California Institute of the Arts where she studied with Ulrich Krieger( Lou Reed), Pirayeh Pourafar, Houman Pourmehdi, David Rosenboom, Larry Koonse , Miroslav Tadic and many more. Maryama has studied with Usher and Christina Aguilera through MasterClass inc.

Maryam’s musical style is derived from a fusion of jazz, soul, persian and classical music and inspired by endless number of artists. She has been the featured artist of the month in renowned publications such as GIRLTRIP, Muzik magazine, HuffingtonPost, DW Germany, POPDOSE, Obscure sounds, Girls underground, VENT Magazine, Celebrity cafe and many more. She is said to be one of Los angeles’s most unique and up and coming acts and has been compared to the likes of Sade, Dido, Natalie Merchant, Lianne Lahavas and Adele. 

in 2017 Maryama's new music video/single “Where The Mermaids Are” gained spectacular feedback making it one of the artist’s most critically acclaimed piece of work. Maryama’s record with the same name mixed and mastered by GRAMMY award winner Marc Urselli and Scott Hull, was released August 2017.
As of November 2017, the album has been nominated for a Hollywood Music in Media award, won a Music California Award and has been playlisted amongst artists such as Hozier, Beck, Brion Eno, Gustavo Santaolalla and many more. 
As of 2022 Maryama's music has been performed and play-listed internationally.  She is currently working with the iconic Universal Music Group and is a proud member of female lead groups Shesaid.so and Sheisthemusic.

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MARYAMA

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