False Action - [Detriti Records] "Serpents With Spirit And Body"

NAUSEA

Consisting of two parts, ’New Flesh’ is a new digital various artists series on the label featuring a broader selection of our favourite local and international artists in the field of Techno, EBM, Electro, Italo disco, Industrial and many more.

Pre-order: murderrec.bandcamp.com/album/new-flesh-ii

1. Neon Warrior - Bye
2. The Hacker - Etoiles Froides
3. Neu-Romancer & Radondo - Take Me
4. B1980 - Together
5. Leroy Se Meurt - Forceps
6. Kay Mascara - Dopeman
7. Asymetric80 - Souls in Disguise
8. Hecate Legacy - Phantasm Severance
9. Boyd Schidt - Sasjeli
10. Low Order - High Life
11. Randstad - Morning Dancer
12. Chloe Lula - Weight Of The Earth

Artwork: David Japaridze
Mastering: Luminescent Mastering

Release date: 16.09.2023

Follow Murder here:
IG: www.instagram.com/murder_tbs/
FB: www.facebook.com/Mvrderrecords
SC: @murderrecords

www.murdertbs.com

Bandcamp

Hecate Legacy - Phantasm Severance [New Flesh II]

Years of Denial is the project of French musician Jerome Tcherneyan, in former times drummer of cult British band Piano Magic and music producer since 1997, and Czech performance & music artist, songwriter, and poet Barkosina Hanusova.

Active since 2016, the duo has become known across the globe for their well-crafted sharp productions and electrifying live performances.

ORDER HERE:http://gwimyeonrecords.b7ndc7mp.com

https://soundcloud.com/yearsofdenial
https://soundcloud.com/volnost
https://soundcloud.com/rangelova
https://soundcloud.com/comarobot

PREMIERE: Years Of Denial - Sensory Box [ GWI MYEON RECORDS ‘⻤面 ]

MAD LAB

Binary Decay

WAV52 | 36 | Weekly Audio Ventures

This week, I spent some time exploring the CC Control MIDI effect. I didn’t overuse it, but it still found its way into seven out of my ten MIDI tracks. MIDI CC is like a hidden toolbox that extends the possibilities of a MIDI message — letting you control things like the mod wheel, pitch bend, and pressure.

For me, it was mostly about pitch bend. It’s quick, expressive, and easy to shape ideas with. Still, I often find myself reaching for my Push 2 when I want to work with pitch bend, the mod wheel, or pressure. There’s something more immediate and tactile about doing it directly on the Push 2 rather than through Live’s interface.

Maybe my habits will shift over time, but for now, the Push 2 wins hands down. This weeks scale is C Locrian.

WAV52 | 36

Wir sehen uns später

Taken from "Visage" (LPC007)
https://collectiflapetitecompagnie.bandcamp.com/album/visage

mixed by https://soundcloud.com/kujo-project at Modular Mind Mastering
mastered by Boris Arnal

Sept, 2018.

L'orbite vide

[RND.R031] - GEWALT

In this EP, 8 tracks incl. 6 originals mix by GEWALT and 2 remixes by End of Mortal Life & Mind Matter.

Written & Produced by GEWALT
Mastered by DIAPASON MASTERING. 

www.facebook.com/rndrecords0/

Gewalt - Courir Apres la Mer ( Mind / Matter remix)

Velvet May returns on “ Tears On Waves” with the 4-tracker EP 
“Unknown Bodies”. This time he is joined by the live duo Years of Denial and the northern-irish artist Autumns who delivered their own interpretation and vision of the tracks in the B side.

"Unknown Bodies" tell us a story, a contorted story of lust and infernal gazes, yet divine that spread infamy and glory, grief and bliss. A story of lost inhibitions and sensations. A story of burning breasts. Now is the time when each flower fades away like incense and sounds and scents turn in the evening air.

“Bodies entwined
Hearts resounding
The shivers of sweat
Coming and going”

The artist wants to show something. A natural desire which finds its fulfillment in the body, but that instantaneously dies at the end of the sensations. Sensations too much strong to last so much time. That’s exactly why he doesn’t never renounce to let go his inhibitions completely, having fear to be burnt, devoured and thrown in the deep end.

On the B side, the original tracks find a completely different vision, but especially a new light, leading the listener to a different path of the same perverse and twisted nature.

Years of Denial is the alter-face of French musician/DJ/ producer Jerome Tcherneyan and Czech performance artist/DJ Barkosina Hanusova. With the use of hardware combined with vocals and a plethora of dub devices, YOD are re-visiting the dark corner of Post Punk, Industrial music movement and rave culture. Its remix fully distorts the mood, introducing a new color and identity, juxtaposing acid sounds and sharp groove elements. The vocal has a new touch, and processed in another way, drags everything to it creating a vortex. Autumns is the solo project of Christian Donaghey, from Derry, Northern Ireland, an outlet for electronic postpunk with a lethal pulse. He delivered a train-shaped remix, making the bass line a key element for the whole track and finding the perfect “carpet” where to express in a powerful and straight groove, based on his beloved Roland 707.

Written, produced and performed by Andrea Davide
Remix produced by Jerome Tcherneyan, Barkosina
Hanusova and Christian Donaghey
Picture by Alex Aptsiauri
Design by Jacopo Severitano
Mastering by Andrea Merlini

Velvet May - Unknown Bodies [TWS002]

https://soundcloud.com/mosaiquelabel/msq004dg-the-ultimate-sounds-of-universe-out-now

Kill Body

Mas is the collaboration between audiovisual composer Samantha Corti and sound creator Théo Fernandez. 

They organize fragments of images and sounds, collected at different times and in various recording qualities, into a single organic unity. However, the material is never used in its pure form; it is inseparable from its alteration, distortion, and tearing - an attempt to sketch the dream of the sleep-deprived insomniac. 

To transcribe these nocturnal visions, they divert the primary function of electronic machines (tape recorder, microphones, printer, cathode-ray TV...) and, more recently, AI-powered synthesis tools. 

Their artistic research revolves around these dialogues between images and sounds, with a recurring theme being the relationship with memory and sensory memories. They embrace dystopian and cinematic universes, causing fictional characters to lose or regain their memories. 

In their installations, they also compose with space by multiplying listening and viewing points.

L'orbite vide

MAS

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