beautiful dynamic transition from very loud to quiet, a bit louder...

@adamaguiar: Thanks for such a full comment/compliment! I very much enjoy feedback from others, helps me see what I communicate after all! :)

My goodness. There is so much life in this!

Pièce composée à partir de sons d'un atelier de sculpture (Jean-Louis Émond).
Composed almost entirely with sounds from a sculptor's workshop (Jean-Louis Émond).

Released on CEC Cache 2012.
Honorary Mention by Destellos Foundation 2013.
Official selection for the 2012 iFIMPaC, Leeds.
Official selection for the 2011 Ai-Maako International Electroacoustic Music Festival of Chile.
http://aimaako.cl/web_2011/obras-seleccionadas/

Toreutique

Conductor - Jurģis Cābulis

Drawing by Atis Jakobsons

/Black raven running through the sky/ for mixed choir and electronic track 2014

"The self-described “anxiety rhythm” of Berlin’s Wilted Woman, dissects the internal processes of technology through post-industrial glitch, punk, and cut-and-copy aesthetics. Barely audible vocals, transmissions, sine waves, 8-bit melodies and pots and pans-like beats intensify the effects of contemporary life on its audience by looking beyond the HD facades to the machines that made them.

The young New York native has already released a large catalog of music through a variety of cassette-based labels throughout the US and Europe and has toured extensively, which has garnered her attention from a thriving underground community as well as larger electronic arenas.

Her debut 12”, ‘Diary of a Woman,’ will be released by She Rocks! in 2017. It includes the "definitive recordings" of four live set classics and two more recent experiments (Lv, Trudeau (dither)), recorded over 2015-2016 in Providence, Montreal, and Berlin. For freaky heads only…"

Digital version available at https://wiltedwoman.bandcamp.com/album/diary-of-a-woman.

Toreutique

Vanessa Massera

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teeth

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Vanessa Massera

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