Arrangiamenti

arrangement for Ensemble GLI ENARMONICI (http://enarmonici.altervista.org)
Anna Tarca - soprano
Emanuela Baccega - violoncello
Chiara Cescon - flauto
Manuele Pestrin - violino
Luz Irene Valentina Rigato - chitarra
Massimiliano Bigazzi - conducting

Schubert - Ständchen [arranged for ensemble]

Schubert - Erlkönig [arranged for ensemble]

arrangement for Ensemble GLI ENARMONICI (http://enarmonici.altervista.org)
Anna Tarca - soprano
Emanuela Baccega - violoncello
Chiara Cescon - flauto
Manuele Pestrin - violino
Luz Irene Valentina Rigato - chitarra
Massimiliano Bigazzi - conducting

Ravel - Pavane (arrangement)

My own Rag Variations on Scott Joplin's "The Entertainer", published in the Summer 2005 issue of the wonderful magazine "Piano Today" (USA). Enjoy! :-)

RAG VARIATIONS ON THE ENTERTAINER (Scott Joplin - Arr. Riccardo Scivales)

This is an original composition for piano from the album "Piano Works" by Nicola Gabrielli.

Produced by moozart LABS. 
Available in the most important digital stores and streaming services.

Ancient Dance

Arrangiamento mio per archi.
Saggio dell'Istituto Musicale Manzato di Treviso.
Teatro Eden, 10 Giugno 2007

Giuditta Tocchetti, voce
Massimiliano Bigazzi, pianoforte
Ilario Morciano, sax
Orchestra Gruppo d'Archi Veneto
Alberto Vianello, direttore

I Will Always Love You - Giuditta Tocchetti

Massimiliano Ferrati, Pianoforte.
Registrazione dal vivo al Teatro Accademico di Castelfranco Veneto per la stagione Chiave Classica 2016

Sergej Seergevič  Prokof'ev - Sonata n° 7 op. 83 - II tempo

Adeste Fideles (a cappella)

for flute trio

World premiere
June, 9 2016
Strasbourg Conservatoire

Flutes - Irene Silano, Francesco Checchini
Bass Flute - Caterina Stocchi

Epistrophe II - Doina Rotaru

Rain
Music by Yagmur Sivaslioglu
Yagmur Sivaslioglu....Guitar&Voice

Rain

RNCM Brand New Orchestra. 08.10.19
Conducted by Riley Court-Wood
Guest lead by Benedict Holland

This work is second in the cycle for orchestra, IRIDESCENT FLARES, inspired by the visual idea of light striking crystal and the explosions of colour produced.  Using my personal sense of synaesthesia I am choosing to represent this experience through live painting and capturing 'glimpses' of this unseen colour world.

IRIDESCENT FLARES II, for Orchestra (2019)

This is a sharp and refreshing departure from conventional books about sex and relationship that are based on psychological theories and principles. If those really worked, writes Gary Douglas, wouldn't you have been free, expansive and joyful in your relationship a long time ago?

Funny, frank, and delightfully irreverent, Sex Is Not A Four Letter Word But Relationship Often Is, offers readers an entirely fresh view of how to create great intimacy and exceptional sex, and provides answers to questions you may never have thought to ask.

Find the book in the Access Consciousness shop here http://bit.ly/330k6Q3

01 - Sex Is Not a 4 Letter Word but Relationship Often Time Is 

Sex Is Not A Four Letter Word But Relationship Often Times Is

Renato Zero Feat Toto Cutugno & Duran Duran - Italiano Durano

"Good body, I thank thee!" for soprano, baritone and orchestra (extracts)
Music by Elisa Quarello 
Text by Elisa Quarello based on poems by Fernando Pessoa and William Shakespeare

Live Première 13th July 2019, Fundação Calouste Gulbenkian, Lisbon
Gulbenkian Orchestra
Pedro Neves - Conductor
Lara Martins - Soprano
Tiago Matos - Baritone

Álvaro de Campos, Hamlet, Falstaff. ‘Se te queres matar, porque não te queres matar?’, one of the most famous poem by Campos-Fernando Pessoa, is undoubtedly indebted with Hamlet’s famous soliloquy ‘To be or not to be’ by William Shakespeare. In the poem, Álvaro de Campos deconstructs the logic of Hamlet’s fear of the ‘undiscover’d country’ and argues that nothing is known in any case, moreover he presents an opposite worldview example against Hamlet: Falstaff. Starting from the selection of verses by ‘Se te queres matar’, ‘To be or not to be’ and by Falstaff’s monologue from II act of 'The merry wives of Windsor', the composer has created a new text in Portuguese and English with a rich dramaturgy between the voices. Analogies and contrasts between Campos, Hamlet and Falstaff follow continuously each other, resulting in a fascinating composition with tragic, suggestive, sarcastic and even grotesque tones.

Good body, I thank thee! (extracts)

On the evening of March 14th, 2020, during the middle of the night, I was connecting with what could be referred to as the Lord or Spirit of the Akashic Records. His presence could only be referred to as collosal and I saw him within as a giant celestial cosmic human form wearing illuminating armor that radiated his being tremendously. As his presence was vast, I was unable to reach REM sleep and decided to channel what he was willing to share as a message to humanity. The audio recording was his message.

Lord Of The Akashic Records Channeled Message

PIANIST, COMPOSER, IMPROVISER
I play and improvise in any musical genre, combining different styles.
I love moving between modes and I really like the Lydian one.
www.maxbigazzi.com

I Will Always Love You - Giuditta Tocchetti

Max Bigazzi

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