Indefinite Pitch PREMIERES. Edition 766

Blazej Malinowski - Beyond The Veil Of Sleep

Vivendum V
[FSR009 | Fur:ther Sessions]

Production | Blazej Malinowski
Mastering | Giovanni Conti at Artefacts Mastering
Artwork | Frank Weidenfelder

Format | Limited Edition 12" Vinyl. Digital

Released by Fur:ther Sessions from Bad Kohlgrub, Germany
Release Date: April 11, 2025

Blazej Malinowski

https://soundcloud.com/blazejmalinowskiofficial
https://www.instagram.com/blazejmalinowski
https://www.facebook.com/malinowskiblazej
https://ra.co/dj/blazejmalinowski

Fur:ther Sessions

https://soundcloud.com/furthersessions
https://instagram.com/further_sessions
https://facebook.com/furthersessions
YouTube: https://bit.ly/3irNAR4

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

Vivendum V

Beyond The Veil Of Sleep

Buy & Support

Indefinite Pitch PREMIERES. Blazej Malinowski - Beyond The Veil Of Sleep [Fur:ther Sessions]

DJ-Mix by Januar
150-158bpm


📸 by Katharina Schäffer

Flowing Upstream 005

Blaque Mystery Club Mix recorded live at TOYTOY - 29 November 2024

Blaque Mystery Club Mix at TOYTOY - 29 November 2024

This mix is a one-of-a-kind auditory experience that encapsulates the spirit of human exploration beyond the confines of Earth. Designed to evoke both the adrenaline of departure and the vast stillness of space, it guides the listener through a sonic journey that mirrors our eternal quest to reach beyond. From atmospheric textures and mechanical pulses to moments of near-silent introspection, each soundscape tells a story — not just of where we’re going, but of who we are when we leave everything behind.

Let this be your soundtrack to the stars — a tribute to curiosity, courage, and the infinite unknown.

Part 2 : Where To Next?

It’s always our pleasure to welcome a new artist onboard, this time the chosen one is VSK a skillful producer from Rome with a plethora of releases on the best labels out there, causing a solid impact on the scene since the early 2000’s.

As is our tradition lately on Warm Up the album format is how we can showcase the artist’s whole sound palette and this Polarization LP truly does.

Like a game is the beatless opening track, the sound of an imaginary spaceship aligning its machinery. Once all is set up Ethical design starts the movement, combining a broken groove with assorted bleeps and hi pitched frequencies, setting the pace for The evil speech a track stepping directly into the dancefloor with a solid groove and white noise washes swinging along.

Tension division penetrates mind and body with piercing continuous sequences and a relentless rhythm while Limitless increases the pace and goes one step further in hypnosis with a more intricate arrangement.

Polarization introduces gummy and elastic sounds on the equation, maintaining the anabolic groove, now almost industrial, providing all the necessary elements to create a peak time monster.

It could be the end keeps the energy untouched, at a higher BPM rate becomes an orgy of white noise and sub frequencies, again created to demolish any proper sound system out there as well as Extreme close up, bringing nothing but heat to the collection.

The urge for dance stops suddenly with Don’t think and don't speak, acting as an interlude to the last cut, Veloce come il vento, a sibilant and roaming spiritual drone to close this sound voyage.  

Support

Preview: VSK - Polarization LP [WU105d]

016 - MICHAEL IUS

(interview below)
For our 16th podcast episode we introduce you to the romanian DJ and producer Michael Ius who blends classical roots with a deep passion for techno.

INTERVIEW
You took classical guitar lessons for 14 years and studied music at university – what was the decisive moment or thought that led you to dedicate yourself entirely to techno production?

All my life I performed other people’s music, whether it was classical or pop. Later I was a guitarist in multiple cover bands. In 2012, I attended a music festival in Bucharest where Luciano was playing. It was melodic techno and it was also the first time I connected with myself on a deeper level. My musical synapses suddenly opened and I instantly fell in love with synthetic sounds. Loved the lowend and the punch! I started producing electronic music in 2016, step by step, and in 2023 I found my current sound and stayed consistent with it.

You're part of the Techno Diatom collective in Bucharest – how would you describe the collective's musical vision and vibe, and what makes your approach different compared to the international scene?

Me, together with Techno Diatom, wanted to bring something different to the local techno scene on a bigger scale. We wanted to actively promote it (via social media ads) to reach more people who like techno and let them know that a “new” subgenre is now present in Bucharest through Techno Diatom. Here in Bucharest and Romania in general, most techno events are focused on Rominimal (which is really good) with slow BPM, Tech House (very commercial), and Hardcore Techno (very fast). Nothing in between.
Compared to the international scene, there’s no real comparison – we’re basically inspired by the international Deep Raw Hypnotic Techno scene, and we’re grateful for that. Western Europe’s electronic music has been going on for generations, and here in Romania we’re just starting to scratch the surface.

In classical music, you work a lot with sheet notes, but these days you probably work more with software and sounds – how has your creative process changed since switching from sheet notes to electronic music production?

Having strong music theory behind me, plus jazz harmony and colorful chords, helped me understand a lot of things faster. I used that knowledge a lot when producing melodic techno in the beginning. But when I went deeper into the real underground minimal techno sound, the theory became useless. Techno has a lot of tension, and if you stay in key, it often sounds too static or melodic. Now the only thing I really use is the octaves. If you “play” the “lead” or “stabs” in the right octave, it works. Everyone can do this by analyzing techno tracks with a frequency analyzer, hovering the mouse on the frequencies when you hear something, and you’ll see in which octave it was played.

@michael-ius-techno
Artwork by Janu Krohm

6D. Podcast 016 - Michael Ius

CONCEPTUAL returns to non white series with a stunning, cerebral, 5 tracker minimalistic ep for his first solo work on the label.

CONCEPTUAL - Between Sand and Roses [nwhite020]

Support: https://analoguenetwork.bandcamp.com/album/cosmic-structure-an018

Duplicity is proud to present "Desired Person” by The Opponent. Forthcoming on Analogue Network 08.10

Support the artist
SC: @theopponent-music
IG: www.instagram.com/theopponent_techno

Support the label
SC: @analoguenetwork
BC: https://analoguenetwork.bandcamp.com/album/cosmic-structure-an018
IG: https://www.instagram.com/analoguenetwork_UA/

PREMIERE: The Opponent - Desired Person [AN018]

BERLIN HARD BOUNCY TECHNO

Triple Six (Twilight Night Techno Trance)
Still Twilight Night Techno Trance But At 150 BPM. A Blend Of Almost Hard Dance & Hands Up With Uptempo Technotrance. The Triple Six Guys, They Mean It, But They Don't Write It, GOT IT!!!
Enjoy, Like, Repost Etc, I Would Love & Appreciate Your Feedback. Just Glad Your On The Journey.

Triple Six (Twilight Night Techno Trance)

The World Outside

Nocturne

Lets go on a journey to Outer Space 👽
Let the Frequencies run through you 🌀
Yawayla is new to this planet, join him as he navigates around planet earth and far beyond into the galaxy🌌

Yawayla is all about those flowy hypnotic alien arpeggiators, deep basslines, goosebump inducing swooshes and spacey effects that will make you feel like you are on a trip to outer space, preparing to meet some foreign entities. Who knows ... maybe you will? 🖤

Through all of his sets you will be sure to go on a journey, and that journey is all determined in your mind. 🛸Lets float in the soundscape of the outer atmosphere together! 

Buckle up and prepare for liftoff. 🚀

YAWAAAA!! 💥

Bookings: Mflaianibusiness@gmail.com 🇿🇦

Part 2 : Where To Next?

YAWAYLA

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