Live concert performed by Silvia Corda at Chiostro del Carmelo in Bosa (Sardinia isle Italy). Silvia played toy piano, glockenspiel, dulcimer, tibetan bowls, sound objects. The concert was held during Silvia's workshop "il suono organizzato" one of the activities included in the Festival "Sesto Continente 2021". August 29th 2021

Live at Chiostro del Carmelo Bosa - Silvia Corda solo

A long night (Under a sad sky)

No Peace No Gain (Stop the War!)

Lost in a Midsummer's daydream - Perduto in un viaggio verso mondi lontani...

Adriano Orrù plays a solo double-bass version of Gianni Mimmo’s "Esercizio della Distanza” (2014)

The score of the composition can be seen here: 
https://www.giannimimmo.com/it/scores

The piece has been recorded on October 1, 2018.

Esercizio della Distanza

These audio excerpts have been prepared for preview purposes only, so their sound quality is lower than the found on the 8 audio tracks contained in any str013 format.

‘The 5th Apple’ is the debut album of sound artist Alina Kalancea, produced at Störung Studios between 2017 and 2018.

The album is both a deep spoken word within an impressive sound structure whilst also being a multilayered sonic composition complimented by profound introspections. The way string instruments, field recordings, voices and other sources have been intimately utilised to enhance the profundity and power of the spoken word is remarkable. The truths exposed, the fears revealed, the images created with text, all appear more incisive, more definitive, more compelling. On the other hand, the insight and understanding the texts profess provide meaning to the sound sequences. The hypnotic loops receding into the background, the deep and pulsating reverberations, the water dropping frequencies, the disturbing and unsettling string sounds become spaces where what has been conveyed or what it has awoken in ourselves can unfold, or recede into the unknown.

It is an impressive journey, along which sound artists Alex Gámez (Asférico), Julia Kent and Raven Bush have collaborated, producing astonishingly rich sonic environments and venturing into inner abysses, fears and repressed emotions on the way. If we listen close enough we will find an incredibly elaborate and meticulous sound composition with remarkable subtleties, layers and sonic nuances, if we plunge deep enough we may find the prowling fictions which stand in the way of life and could even discover some liberating truths.

Release date: 21/12/18
Format: Deluxe 2x12" Edition, Standard 2x12" Edition and Digipack CD
catalog #: str013
8 tracks with total lenght of about 53 mins of audio
Produced, mixed and mastered at Störung Studios
Artwork by Sergi Ferrando
© & p Störung, 2018

more info: https://storung.com/catalog/label/str013/

The 5th Apple

str013 - Alina Kalancea - The 5th Apple (excerpt)

After years of collaboration in various configurations, the trio of guitarist Bill Nace, drummer Chris Corsano and tenor saxophonist Paul Flaherty met in the studio in 2015 to create these three extended tracks of gut-wrenching and fierce free improvisations.

Wherein we come upon three visceralists who have been collaborating for years - innumerable instances in a roulette wheel of settings - finally shacking up in a studio and fashioning a proper trio record. Glory be. Let's listen in...

"These." It's a phrase that never gets started, and an apt title for this record, which right off bolts from the barn and burns so brightly it nearly gets away from you by the time you're done twisting your head around looking for whoever it was that left the door open. He asked me when I planned to come back. Always, I said.

Nace's guitar mines savage depths, egging on the propulsive swing of Flaherty and Corsano. The results are as beastly as the heart itself. Swing. Bounce. Joust. Jab. Uppercut. Flutter. Wink. Sneer. They all play with anguish and ecstatic rupture - the frustrating joy of pushing an instrument to its limits, fashioning a necessary and brutal needlepoint. They move with all the otherworldly elegance and mania of moths at a lamp show.The music asks no specific questions, but wrenches open a space for all manner of questions - this is one of art's most vital functions!

It deals in shades, no matter how sharp the apparent angle.

Check out "Blue Water": the solemn bells of Bill's guitar signal not so much a funeral, but a new dawn after a tragedy. Flaherty's saxophone sounds innocent, almost tentative at first, but as Chris' drums chime in, Paul starts to wrench the fabric loose. The track builds into a fierce and alien vista, charting a territory all its own - a simmering judgement. It becomes hard to talk about.

Didn't you ever try to eat your own tail in the midday sun?

No?

These three, whose veins are coursing straight through with a nuanced emotional lexicon and the smarts to harness it, have given us a record that expands potential with each listen."- Matt Krefting, Holyoke, MA 2017

OM50 - Nace / Flaherty / Corsano "Free Gutters Vast Fish"

Registrazioni effettuate  nel 2019 nel mio studio , un set ridottissimo di percussioni autocostruite  come nella migliore tradizione industrial. Un grosso ringraziamento a Z'ev per averci aperto la mente a sonorità uniche e che solo lui riusciva a rendere speciali .

Requiem For Z'ev (demo) - Performance by Massimo Olla

from the forthcoming CD album 
"Cautionary Tales"

soon out on st.an.da.

Requiem For Z'ev (demo) - Performance by Massimo Olla

Massimo Olla

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