this is my vibe 🫶 this is my vibe 🫶 🇧🇪🙏🛋️🤖🙏🙏🤟🏻👍🏼‼️⁉️❤️‍🩹👺❤️⛔️‼️⁉️🥰😍😘😗😙‼️⁉️🤟🏻👍🏼☮️☯️⛎✡️✝️🕉️☪️‼️⁉️⛔️‼️⁉️🤟🏻👍🏼⁉️🙏🛋️🤖‼️⁉️
🙏👍🏼🛋️🤟🏻🤖‼️⁉️❤️👺❤️‍🩹❤️♥️💔❣️

Daddy G is the OG!!!!! what a legacy 🙌🙌🙌❤️

fullidity

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Going Wrong':

“This song is just delicate. It starts delicate, and stays delicate – even when it expands a little bit, it still has this quality of warmth and delicacy. It never needs to become ironic and cynical and step back and see what it’s doing; it’s just this little jewel box of a song.”

Innocents

Going Wrong

Buy & Listen

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Almost Home':

“One thing that makes L.A. great is you live in your cars, so you listen to a lot of radio; there, public radio stations like KXLU and KCRW are actually valid, big stations that people listen to. One day, I was listening to ‘Morning Becomes Eclectic’ on KCRW, and I heard a Damien Jurado song. I simply fell in love with his voice – this most beautiful, vulnerable, pristine, angelic voice. Originally ‘Almost Home’ was a fully finished song, but I love Damien’s approach to melody and lyrics, so I gave it to him as an instrumental. What he did was much better than anything I’d come up with.”


Almost Home (feat. Damien Jurado)

Buy on iTunes

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'Everything That Rises':

“I just thought this song had a really odd, strangely beautiful quality to it, which is why I used it to open the record. I like the idea of starting absurdly small and then getting quite big and epic about two-thirds of the way through. Hopefully, people won’t turn up their stereos really loud at the beginning to compensate, because it does get quite loud at the end; but when it begins, it’s just so thin and strange. When you first listen to it, there’s a chance you’ll wonder what’s wrong with your stereo! 

It’s hard to talk about instrumentals because… they’re instrumentals: It’s difficult to say, “The song is about this,” because technically it isn’t about anything. And I never know what to name them, either, so I figure, why not pay homage to my favorite writers and borrow their titles? I’ve named a few of my songs after Southern Gothic stories, and this one comes from “Everything That Rises Must Converge,” which is a Flannery O’Connor story.”

Everything That Rises

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'The Perfect Life':

“Wayne Coyne and I ended up doing a duet on ‘The Perfect Life’: we sing the choruses together, and then go back and forth on the verses. Wayne and I first met in 1995, when The Flaming Lips and I were both opening up for a Red Hot Chili Peppers’ European tour. We became friends, shared a dressing room and the same bad craft services, and watched the Chili Peppers from the side of the stage. I thought of Wayne for this song because The Flaming Lips have evolved in this very open, celebratory band when they play live, and that was the perfect vibe for what I was imagining for ‘The Perfect Life.’ I texted Wayne and said, ‘Hey, I have a song – want to sing on it?’ Thirty seconds later, he texted me back: ‘Yes, send it to me, it will be great.’”


The Perfect Life

The Perfect Life (feat. Wayne Coyne)

Show Soundtrack (R.O.W-1) compiled and mixed by James Lavelle
Music by UNKLE 
Additional production and edit by Steven Weston 
Scratching  by DJ Nonames 

>>> UNKLE - INTRO 
>>> UNKLE-AR.MOUR (RONIN DUB) 
>>> UNKLE- LET IT BEATS 
>>> VIRGIL BEATS 1
>>> VIRGIL BEATS 2
>>> UNKLE - THE OTHER SIDE (RONIN DEF MIX INSTRUMENTAL )
>>> UNKLE -DO YOUR SELF SOME GOOD (RONIN DUB)
>>> UNKLE - OUTRO

UNKLE x Off White - FW21 / Laboratory of Fun - R.O.W-1

An excerpt from the second edition of 'Discoteca' recorded at the 303, New York. Quantic & Beto exchange tropical sounds and latin rhythms. 

Discoteca at the 303: Quantic & Beto

In Hour 2 we welcome Maribou State to Solid Steel with a beautiful mix to take us into the weekend. There's no track list available, but you're sure to recognise some of the artists present and quality is of the highest order.

www.soundcloud.com/mariboustate
http://twitter.com/mariboustate
https://www.facebook.com/mariboustate

Artwork by Matthew Cruickshank http://crookiesblog.blogspot.co.uk/

Check out the Solid Steel website <a href="http://www.solidsteel.net">here</a> 
and you can follow Solid Steel on <a href="http://www.facebook.com/pages/Solid-Steel/175027509192663">Facebook</a> and <a href="http://twitter.com/DK_SolidSteel">Twitter</a> 

Solid Steel Radio Show 28/3/2014 Part 3 + 4 - Maribou State

Still Smokin.III.

Waiting A Minute

Continuous Blend of Music

Mixed by The Getaway Driver

DJ Frane - Every Cloud Can Cause Amazement + Intro
Zero 7 - Give It Away
Blockhead - Carnivores Unite
Nujabes - Horizon
Jazzual Suspects - Funkin' Koobad
Little People - Marzipan Children
Long Arm - Blue Birds Red Flowers
Bullitnuts - Heavy Air
Gramatik - Late Night Jazz
Printempo - Daybreaker
40 Winks - The Nightowl's Theme
Arts The Beatdoctor - Decreasing Daylight
Cinematic Orchestra - Channel 1 Suite
Dday One - One Giant Step
TM Juke - Grounded In Fargo
Jon Kennedy - The Messenger
Mr. Cooper - Four
Frenic & Hugo Kant - Luiz Ville Groove
Thievery Corporation - Fragments
Emancipator - Valhalla
Sofa Surfers - Sofa Rockers [Richard Dorfmeister Remix]
DJ Cam - Bounce
Jenova 7 - Catchin' A Ride
Glen Porter - Tragedy Herself
Savages - Getting Crazy Sometimes
Jazzanova - Another New Day
Free The Robots - Jazzhole
DJ Krush & Toshinori Kondo - Ki-Oki
Bonobo - Recurring

Enjoy!


Downtempo & Trip-Hop Mix 2 [2 Hour Mixtape]

Mystic Funk V - Trip Hop Breakbeat Funky World Flava

A DJ mixtape selection of the songs and styles that influenced the Western Transient recording. 

Western Transient Influences Mixtape

Live recording of great Richard Dorfmeister dj set @ 2.patro Prague

Richard Dorfmeister live @ 2patro Prague 7.10.2016 Pt. 1

Late Night Tales: Trentemøller

Late Night Tales: Trentemøller (Continuous Mix)

Minimix of Kid Koala's album '12 bit Blues' by Solid Steel's DK

'12 bit Blues' is out now on 2LP, CD and digital, with the first run of physical releases coming with a build your own, cardboard turntable kit (http://youtu.be/iH1GGBvI_Yk)

Buy at the Ninjashop: http://bit.ly/12bitblues
Buy at Amazon: http://glnk.it/1hx
Download on iTunes: http://glnk.it/1li

Listen to the entire album now at Spin - http://bit.ly/Prkufc

http://www.kidkoala.com/
http://ninjatune.net/

Buy at Ninjashop

Kid Koala - '12 bit Blues' Minimix by DK

Daddy G - BBC 6 Music Session

Buy 'Innocents':
Deluxe CD: http://smarturl.it/innocents2cd?IQid=soundcloud.description
iTunes LP: http://smarturl.it/innocentsitunes?IQid=soundcloud.description
Double Gatefold LP + CD: http://smarturl.it/innocentslp?IQid=soundcloud.description

Hear more from 'Innocents':
http://innocents.moby.com

Moby on 'A Case For Shame':

“I had this idea to make a video for ‘A Case For Shame’ which actually ended up informing the entire visual scheme of Innocents. In the video, someone dies – maybe they killed themselves out of a sense of shame – and they enter this other world, populated by these ghost creatures wearing masks. They look scary, but they’re actually covering their face because they’re ashamed. When you see someone wearing a scary mask, the first thought is, “What’s going on? That’s intimidating.” But they’re actually hiding – it’s the most blatant act of concealing oneself. ‘A Case For Shame” is one of two songs I collaborated on with Cold Specks. She’s quite shy, and preferred to be left alone in the studio, so I’d hit ‘record,’ go have some tea, then come back in and press ‘stop.’”


Daddy G - BBC 6 Music Session

MASSIVE ATTACK

Recent comments

ja no

Pablinho

Pablinho

tommorsebrown

Related tracks