Deep with the 4 count beep

This blend of Classic Underground & Modern Deep House goes deep into the basement with the elements of raw Saxophone by renowned player Mike Eyia and Spoken Word bringing you back to the positive roots of House Culture. Produced by Christi Mills and Mr. Bootsauce.

Exclusive Pre-Release:
TraxSource: 10/8/13
Beatport: 10/15/13
Juno: 10/22/13
 
Official iTunes Release date: 11/5/13

Follow Christi Mills
http://www.twitter.com/christimills
http://www.facebook.com/christimills

Follow Mr. Bootsauce 
http://www.twitter.com/mrbootsauce/
http://www.facebook.com/mrbootsauce/

Spoken Deep feat. Mike Eyia [PREVIEW] - Out on TraxSource/Beatport Oct. 8th & 15th

Cranky Owls "Mouse On A Bun" part 1

Police - Roxanne - (Master Kev & Tony Loreto MKTL RMX)

Cranky Owls  "Mouse On A Bun"  Part 2

It’s an absolute honor to present the first installment in a new series from one of my most-played and beloved producers in the game—Hotmood. With this single, he further cements his status as a master of the sample and groove, delivering a track that’s equal parts powerful and hypnotic. On the flip, Shabi’s remix offers the perfect counterbalance: deep, dubby, and irresistibly smooth.

For fans of: disco edits, soul music, warm Rhodes dubs, and timeless music with a message.

Pre-order on Traxsource: https://www.traxsource.com/title/2569039/hotmood-and-friends-1
(Official release date: 7/31/25)

ABOUT HOTMOOD & FRIENDS:
Hotmood & Friends is a special series of groove-filled musical episodes on Hotmood's Discoweey label featuring special guests, friends, and collaborators, creating high-quality remixes ready for the dance floor.

FOLLOW DISCOWEEY:
https://www.instagram.com/discoweey/
https://soundcloud.com/discoweey

FOLLOW HOTMOOD: 
https://www.instagram.com/hotmood78/
https://soundcloud.com/hotmood

PREMIERE: Hotmood - Raised In The Ghetto [Discoweey] (128 kbps)

With Let Me, Harre delivers an effortless blend of disco house warmth, subtle nostalgia, and laid-back summer energy. This EP grooves with intention - crafted from spontaneous sessions, driven by feel rather than formula. From deep-pitched vocals to smooth guitar licks and glowing synths, each track carries the easy confidence of a producer in flow. Whether it's the dancefloor or the open road, Let Me is the perfect soundtrack for long days and longer nights.

Let Me

Miami Vice

Bandcamp

Harre - Miami Vice (Extended Mix)

Mashup Of Dirty Marguerite & thats the way love goes inspired by a fluke bootleg , of Inland knight & Janet Jackson ,,,... Downtempo R&B second room vibes Composed by  myself JakkiD  in the early leaps of  learning ,sampling ,bootlegs and mashups , very happy with the outcome and the way these two tracks work together and  very kindly sharpened up ,polished & mastered by  Laurence Ritchie .

MARGARITA LOVE GOES DIRTEE….

Do Yo Thang EP
Label - Tunes Delivery
Released - 1st September 2025
Format - Vinyl
BUY FROM - https://www.juno.co.uk/products/i-gemin-do-yo-thang-vinyl/1089038-01/

Mike Popov is the musician behind the I Gemin project, which was conceived as a way of working disco style and sampling into his house tracks. And the results are brilliantly effective and charming. 'Introfall (Autumn)' makes for a low-slung downtempo start, 'Come Together' brings horn-led disco house fun and 'Black Tea Groove' sinks into a fat-bottomed and dubby rhythm alive with magical synth flourishes. The blissed out 'Summer Breeze' is an escapist charmer, and the flipside features three more exquisite genre studies that have real heart and authenticity.

Support ➟➟
https://soundcloud.com/i-gemin
https://www.instagram.com/igeminhousehead/
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Support Gazzz696 ➟ https://www.paypal.com/paypalme/Gazzz696
Buy Me A Coffee ➟ https://ko-fi.com/gazzz696
Gazzz696 on Soundcloud ➟ https://soundcloud.com/gary-j

Vinyl

PREMIERE: I Gemin - Come Together [Tunes Delivery]

What You've Got

What You've Got (Reconstruction) (Remix)

Feel free to subscribe to my Soundcloud page! Full of good vibes, underground house music

FOR MY OLD SCHOOL HOUSE MUSIC DJ SET & DEEP HOUSE GARAGE PRODUCTIONS REMIXES & EDITS :
LISTENING ON SOUNDCLOUD : https://soundcloud.com/sebastien-jesson
LISTENING ON YOUTUBE : https://www.youtube.com/@thedeepness
AVAILABLE ON BANDCAMP:  https://thedeepness.bandcamp.com/
AVAILABLE ON TRAXSOURCE: https://www.traxsource.com/artist/473752/the-deepness?ipp=100
FACEBOOK : https://www.facebook.com/sebastien.jesson.5

Danny Tenaglia Featuring Carole Sylvan – Look Ahead (the deepness P.P.I.T.H edit)

Daisuke Miyamoto - It's Over (Original Mix)

NITE

the time is here... soul jam is out now. grab some toast and put on ur fav jam ;) hope u enjoy! thx for listening! share with ur friendz

Soul Jam

Buy on Bandcamp

Tris10- Soul Jam

Edit The Edit ‘Two Sides Of Sympathy’ (greg wilson edit of pta mash-ups)

112 bpm

Previously limited vinyl only in 2007 & 2009.

Of all the tracks I’ve played since my DJ return at the end of ’03, this has been undoubtedly the most requested. It was very much a signature track for a number of years, and still makes an appearance from time to time nowadays.

It all stems from when I picked up a 12” from Piccadilly Records in Manchester during the summer of 2005. It was by The P.T.A (Paul Martin and Tyrrell) on Throw Away Records, and included two mash-ups, both of which used the vocal from Amerie’s ‘1 Thing’, which had been a big R&B hit earlier that year. On one side of the 12” it had been mashed with Massive Attack’s ‘Unfinished Sympathy’ (this was titled ‘Unfinished Thing’), whilst on the other, ‘Sympathy For The Devil’ by the Rolling Stones (‘One For The Devil’). Not only had each of these combinations melded brilliantly, but both had ‘Sympathy’ in the title. This impressed me no end – some genius juxtaposition going on there.

Listening closer it was clear that there’d been some tampering, but it wasn’t until much later that I realised that, apart from the Amerie acappella, everything had been re-created by Canadian producer / DJ Tyrrell, including Keith Richard’s iconic guitar solo, which sounded better than ever - I’d presumed that the version of ‘Sympathy For The Devil’ he’d used had come from some Andrew Loog Oldham type instrumental (as was the case when The Verve famously sampled Oldham’s orchestral arrangement of the Stones’ ‘The Last Time’, on their 90’s classic ‘Bitter Sweet Symphony’), so this only added to my awe at what Tyrrell and Paul had somehow managed to magic up.

Brilliance on vinyl is all good and well, but I’d bought the track with the dancefloor in mind, so it was now a case of how it walked the walk. Straight away I had a problem – which side to play? They were both really strong and I couldn’t make my mind up at first, but then I went between the horns of this dilemma and decided to mix one straight into the other, as though it was a single continuous track. I originally did this live (they appear together this way on a recording from Birmingham’s much lamented Jigsaw night, where I played in August ’05), but then I decided to put together an edit so I could take the combined length down by about three minutes and tighten the idea up. I called this version ‘Two Sides Of Sympathy’ – I utilized the percussion from ‘One For The Devil’ for the intro, before moving into the main body of ‘Unfinished Thing’, which then mixes back into ‘One for The Devil’ during the breakdown, reaching its climax with the guitar solo. To round things off I gave it a customary peppering of samples and spins.

The edit went Big with a capital B for me, and everywhere I went people were asking for it – it was one of those tracks you couldn’t stop playing because you knew that people would be disappointed not to hear it. When I came to put together my Essential Mix for Radio 1 in January ‘09, ‘Two Sides Of Sympathy’ was probably the first track on my list (the mix focusing on the tunes that had served me best since my comeback five years previous).

A limited 12” on the Edit The Edit inprint was made available in 2007 – as the name suggests, this was for my edits of other peoples edits (or mash-ups, as in this case). The original P.T.A release was fully credited on the label – I’d made contact with Tyrrell via email and he’d given his blessing for the 12” to be pressed. We got to meet for the first time when I was in London appearing at Plastic People in April ’07, where he’d hear me play ‘Two Sides’ over that killer system.

In 2009 it would re-appear on vinyl, this time as the second release in the Reactivate series (following on from ‘I Was A Teenage DJ’ / ‘Gotta Keep Workin’ It’), a new wave of DJ demand resulting from its Essential Mix inclusion.

Given that I can’t list the artists as Amerie, Massive Attack & the Rolling Stones (because two thirds of that trio are Tyrrell in disguise), I’ll stick to Edit The Edit ‘Two Sides Of Sympathy', which is how it’s been listed most often, Essential Mix included.

When I asked Tyrrell if he was happy for me to upload it here he told me to ‘go ahead, spread the love’. So here it is, maintaining the bi-yearly sequence – 2005 original P.T.A 12”, 2007 Edit The Edit 12”, 2009 Reactivate 12”, and now 2011 SoundCloud download.

Greg Wilson – August 2011


Edit The Edit 'Two Sides Of Sympathy' (greg wilson edit of pta mash-ups)

Master Kev’s victory in a mix-off contest in the 1990’s proved that the years of obsessing over the mixes of Merlin Bobb, Timmy Regisford, Tony Humphries and others on radio and in clubs, studying underground dance and beat syncopation and accumulating a killer collection of records finally paid off . And as the number of shows soared, so did Kev’s talent. Soon after, hero Tony Humphries called Kev to ask him to join forces with him on his Yellorange Label. His answer? A triumphant ‘Hell Yeah’.
After spinning in his first WMC in the year 2000 and embarking on several trips to Europe, Asia, Australia, South America and beyond, with Tony Humphries and even solo, his DJ career was officially on the rise. Playing in some of the most prominent clubs in major cities all over the world and playing alongside some of the prominent names in the industry including Louie Vega, Timmy Regisford, David Morales, Danny Krivit, Kerri Chandler and so many more. Also, in 2000 Kev along with founder Marlon D and others helped form the Underground Collective - a collection of DJ’s, performers, musicians..etc created to draw exposure in the dance music industry to major labels and beyond.

While working with Tony Humphries at Yellorange from 1999 - 2004, Kev had many ‘Net Shows’ on the site along with Tony Humphries and the other Yellorange DJ’s that were updated once a month. Then in 2004, Kev started a weekly radio show on CyberJamz Radio (cyberjamz.com).  The show has grown more and more each year, with many producers giving Kev the upfront heat and unreleased jams. Also, many labels send Kev promo’s in hopes that those tracks/songs will be played on his very highly listened to radio show.  With the amount of weekly hits in the archives it was no wonder they would think of Kev to help promote the new music.These days u can find the Master Kev Mixshows on Soundcloud (https://soundcloud.com/master-kev) which are updated frequently.

In 2006 Kev partnered up with long time friend and former Yellorange/Underground Collective DJ partner David ‘Vibes’ Tobon and keyboard wizard John Crockett to form MKDV.  They produced their first track together titled ‘Twisted’ which gained a lot of early support from the biggest names in the dance music industry and was a very popular release on DJ Spen's imprint Code Red as well as Defected Records and even being licensed by the one and only Carl Cox for his mix compilation that was released on Defected Records.  They also worked on original tracks for Tony Records and remixes for Louie Vega’s imprint Vega Records remixing Sara Devine’s ‘Special’ as well as remixes for Mel Cheren’s and Kevin Hedge’s (Blaze) West End Records.  In 2007 Kev partnered up with good friend Scott Wozniak to produce more tracks for Code Red & Defected titled ‘String Thing’ and ‘Uncooked’ .. ‘String Thing’ became the number 1 download on Defected and Traxsources website for weeks .. They also did some remixes on Stevie Wonder’s ‘My Cherie Amour’ and Joe Cocker’s ‘You Are So Beautiful’ (high in demand since the 2007 WMC) which were never released to this date.  Later that year Kev also partnered up with Abicah Soul and worked on original tracks and remixes as well. One of those tracks ‘Kora’ was released on Iwanni Records from Toronto.

With an abundance of traveling and playing in major clubs as well as major clubs back home in NYC such as Cielo, Santos, Sullivan Room..etc..work and the frequently updated podcast shows on Podomatic & Soundcloud, Kev was once again back in the studio this time with very talented Tony Loreto from Italy forming the MKTL brand. They have been working together a lot throughout 2009-2013. They have done remixes for Tortured Soul ,Arnold Jarvis, Kenny Bobien, Peven Everett, Underground Collective,Michelle Weeks, Boddhi Satva's Offering Label, DJ Spen's 'Code Red' label, Louie and Anane Vega for Vega Records and scores of others.

Police - Roxanne - (Master Kev & Tony Loreto MKTL RMX)

Master Kev

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