The Core Battle of the Dinosaurs

undone slowly

2nd quarter of the album and titled for Ellesmere Island (see my map), it describes the hard final stage of the expedition to the 'Arctica Point', and first effects felt when getting closer, for example odd rhythms ;)

Translated lyrics explain it with more detail, again:

ELLESMERE (AVANZANDO EN EL HIELO)  /  ELLESMERE (MOVING FORWARD ON THE POLAR ICE)

Avanzando en el hielo polar,  /  Moving forward on the polar ice,
mi trineo se desliza hacia ese lugar…  /  my sleigh slides towards that place…
… aunque mi brújula loca está  /  … although my compass is crazy
desde más de cien kilómetros atrás.  /  from more than a hundred kilometers behind.

El sol me guiará,  /  The sun will guide me,
mi corazón me guiará.  /  my heart will guide me.
La aurora boreal me guiará.  /  Aurora borealis will guide me.

Los vientos polares me llevarán,  /  The polar winds will carry me,
los terribles vientos polares me empujarán.  /  the terrible polar winds will push me.
No tiene pérdida el lugar  /  There’s no missing to the place
donde se producen todas las singularidades físicas.  /  where all physical singularities happen.

Avanzando en el hielo polar,  /  Moving forward on the polar ice,
mi trineo se guía solo hacia ese lugar  /  my sleigh guides itself towards that place
y aunque mis perros no lo saben,  /  and though my dogs don’t know it,
esta brújula no cesa de girar.  /  this compass doesn’t stop spinning.

Voy cada vez más deprisa  /  I go faster and faster
arrastrado por mis perros,  /  dragged by my dogs,
acelero, voy cayendo…  /  I accelerate, I’m falling…

Cerca del Punto Ártica  /  Close to the Arctica Point
el tiempo empieza a correr.  /  time starts to run.
Cerca del Punto Ártica  /  Close to the Arctica Point
dejo de envejecer, ¡dejo de envejecer!  /  I stop getting old, I stop getting old!

ER34 PA02 RUIZZO ©1996 ®2019

Ellesmere (Avanzando en el hielo)

Run Away
Music and Bass Paploviante 2019
Vocals and Lyrics: www.Ghosthack.de
Artwork Paploviante with Swift Publisher 5

Run Away - Paploviante 🏃🏃🏃

Can't Get Enough Of Your Words  2019

Instrumental: Freddie M. Band
Mixed, Mastered, Produced: Mastering True Music
Lyrics,Vocal Melody : Janine Levinson
Vocal: Janine Levinson

Janine Levinson: https://soundcloud.com/janinelevinson/tracks

Don’t get me wrong you got an awesome face
And all your pieces are in the right place
You’re a brick built babe but when I’m in your embrace
I’m only thinking about what you say

Can’t get enough, can’t get enough of your words
Can’t get enough, can’t get enough of your words

It’s not ‘cause what you say is complicated
You could be calculating space and time
I hear your words it’s like a song is playing,
You’re the one baby you’re the one

Everybody knows I like your Einstein brain
When you buy me candy I can hardly complain
You’re a Sweet tart babe I like your hand in mine
Your words beat candy, Honey, all of the time
Can’t get enough, can’t get enough of your words
Can’t get enough, can’t get enough of your words
Can’t get enough, can’t get enough of your words
Can’t get enough, can’t get enough of your words
you’re the one baby you’re the one
I got no business being so excited
Just hearing word that anyone could say
That magic comes from somewhere deep inside you
Tell me a cloud so I can float away, float away

my pornography is you talking to me
my pornography is you talking to me
Can’t get enough, can’t get enough of your words

Can't Get Enough Of Your Words  (Feat. Janine Levinson)

ALL THE SAME GAME
Vocals: LOU6 - Ian Greaves
https://soundcloud.com/lou6-224024339/vocal-88-bpm-the-game-deconstructed
https://soundcloud.com/ipg1
Music, Arrangement and Production: Lillithe

ALL THE SAME GAME   LOU6 / Lillithe

I think this track started 2 years ago. I remember talking about the vision with Jamie on the phone and then Jamie sent me a bunch of stems to choose from. I chose the standing bass and recorded my verse with a 90’s vibe in mind. I sent the track over to Russell to add some guitars, he sent that funk rock intro and riff back, and then I don’t know what happened after that? A bunch of other songs got made and the vision for this track expanded to include cutting my second verse and bringing Jon Lock in on vocals. Then the song sat again. Jon and I even started and completed And So You Say and Training Day after we had already got this song started. Since this track was visioned to be part of the first song on the set with Training Day, eventually it had to be completed. Wou-Wou then join in with his synths, rhythm guitar over Jon’s part, and some additional guitar over the first section. This gave the track the final fire it needed and Russell mixed and mastered it like a champ!

As always, massive thanks to Wou-Wou and Russell who have been regular collaborators on so many projects, on SoundCloud, Facebook, and Bandcamp. Wou and Russell will always be the core of my musical team. Thanks for being great friends! 
Big thanks also to Jon, who I have worked with on 3 songs now, with 2 more in the works already! 
And thanks to Jamie for all his patience, support, and for the completion of our second project together!   

This song goes out to all the music nerds, appreciators, and lovers with strong opinions. Keep those conversations going. I spent many, many years, going to the record store several times a week, hanging and talking with the staff, some who became good friends. 

Jamie Rhind: Standing Bass 
https://soundcloud.com/jamie-rhind
Jon Lock: Lyrics and Vocals
https://soundcloud.com/jon-lock-5
Wou-Wou & the Wormling: Guitar and Synths
https://soundcloud.com/wouwouandthewormling
Russell Sinfield: Guitar, Mixing and Mastering
https://soundcloud.com/russell-sinfield
Couch King: Lyrics, Vocals, Production, and Art

Lyrics 

Everything changes 
Nothing stays the same 
I used to hate it when my people would say it's a shame 
Stating that the games gone lame 
Claiming that today the music is wack 
At times I would refrain and take a step back
But most of the time I would counter attack 
Back in the day, we would say, Clever repartee 
When we were clowning around 
But now a days we taking the things a bit more serious 
Or maybe it's just me, see 
I ain't playing around as much as I used to be 
Conversations at a minimal 
It's not that I'm more critical or cynical 
It's that I am a more apathetic individual
I  just don't care 
Call me hypocritical 
I be like that's fair 
Yo
What happened to all the innovators, rhyme slayers, originality generators
You know
There really all still there
Back in the days we had to dig in the crates
Looking for the lessor known greats
I guess that's still the way it operates 
Hates a narrow minded state 
And It take effort to educate
So 
I’ma stay open and keep on diggin’ 
Vibin' on the sounds that I be hearin’ 
Yea 
And you know it's like that 
And you know and you know and you know it's like that 
Keep keep on, keep keep on
keep keep keep on

And you know it’s like that

Here comes the backup plan
The man without a name
Don’t want to be no star
Just musical acclaim 
Brush back those famous hats like children in the street
I’m gonna sing a bit while Couch King cracks the beat
Whoa baby now shake
Like momma told you now
Whoa baby now shake
Like this was made for
This is a slice of funk
USDA prime
Let it get to your head
You will feel fine
Poetry in motion
Images in time
Back beats and refined commotion 
Aged like fine wine 

Any you know it’s like that

Jamie Rhind, Jon Lock, Wou-Wou, Russell & the Couch King - You Know (It's Like That)

2019
Full album: www.youtube.com/watch?v=jrJpSfVhb…&feature=youtu.be

Vernulsya

Somewhere. Music by Leonard Bernstein. Lyrics by Stephen Sondheim. 
 Arranged, performed and recorded by Steven Pierce 1990.

Id At Large-Remastered

Somewhere

Your Scars - Written, performed and recorded by the Neurotic Beauties: Wheelman Getaway-Driver and Neli CoKo. Bremen, April 2020, all rights reserved.

Lyrics:
I love all your scars
Each one everywhere
On your skin
And on your soul.

They are the markings 
From the stations
Of your life

We recognize each other
I have as many as you.

I exactly know
What you´re talking about
When you´re talking to me.

Neurotic Beauties - Your Scars

One topic of interest I am perennially attracted to 
is the study of consciousness.
I imagine that we all become aware of our universe 
on many planes of existence,
such that our individual physical bodies 
are but a momentary fluctuation of that awareness.

A recurring concept is one of always being 
on the threshold of a waking dream.
In building this composition, 
I was also reminded of the title of a song
written by one of my favorite masters, Johann Sebastian Bach:
“Wachet Auf”, or in English, “Wake Up”.
Alternatively, we have also called it “Sleepers Awaken”.

I wanted to create some new (to my ears) instruments,
that would seem to evoke a sense 
of just coming into that wakeful state,
and picking up on the theme of Bach’s melody, 
just as the song is ending.

I also wanted to try to alter the chords somewhat
to generate a set of harmonics,
which might correspond to that same mood of wakefulness.

In searching for an image for this composition,
this photograph, which seems so like a painting,
left me feeling unsure whether I was seeing reality or illusion.

Photo by: Kamala R Chakravarthy
https://www.photo.net/8445037#//Sort-Newest/All-Categories/All-Time/Page-2

Sleepers Awaken

Lyrics:
I come and visit you every month or so
Or when I can find the time
I wheel you out to the gardens
And down to the Dining Room
You don't seem to know who I am
You tell me that you've "taken 7 lovers"
One for "every continent in your mind"

TV  Stars they never let you down
They come around
They follow you through the years
The re-runs and the tears
TV Stars they never let you down
The way i've let you down
The way I let you down

I feel you every time I laugh
I feel you when I fight my prejudices
I feel you when I question those who control the master switches
TV Stars
Goddamn It, come back to the land of the living
TV Stars, they never let you down

At 3 o'clock, you turn the TV on
You can't hear a word I say...

Dirt Dauber

A remake of an old one from the 80s, main guitars and vocs are live recording with two mics in the room, then some overdubbing. Part of our new recording sessions where we are both remaking some old songs on the new, better equipment and recording some new songs as well. We'll keep posting as we go. Morry and I are both singing on this one. Slowly working through the mixing and mastering on the Tascam DP24. Hope you enjoy these.

I’ve Been Dreaming

noxpox - spleen3

Original by FPMORINSTUDIO/Francois Pierre Morin ,Composer

THEME Guitar And Synth 13 12 2020

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Can't Get Enough Of Your Words (Feat. Janine Levinson)

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