this is a much needed piece of happiness! everyone involved in this song did their thing! beautiful

The latest songs from the Fantastic Artist's/Bands on Soundcloud.

AB Playlist 120 Part 2

“Just a Boy” is a haunting indie-blues track by Three Photons, crafted in response to a tragic local event. With raw vocals, analog warmth, and soulful instrumentation—including Jeff Roberts on bass and Andrew Borderick on B3 organ—the song captures the ache of senseless loss and the fragility of youth. Mixed with precision and emotional care, it stands as a sonic memorial: intimate, reflective, and deeply human.

A big thank you to Jeff Roberts and Andrew Borderick for playing on....."Just a Boy".

This sad and devastating local story has been on my mind for a long time.... I'm reminded about this tragedy nearly everyday as I run along the Mississippi Blvd and see the memorial. 

------------------------------------------------------------------------------------------

Just A Boy
Written by TJG August-September, 2021


Thank you to Jeff Roberts (@jeff_roberts)for his catchy bass guitar work!
Thank you to Andrew Borderick (@andrew-borderick)for the fantastic B3! 
Thanks to Rene (@para-lia) for feedback on an early draft - always appreciate that. 

----------------------------------------------------------------------------------------------------
Mix 1: September 23, 2021
Mix 2: November 9, 2021
Thanks to Eddie Cilettie for departing some of his wisdom about mixing ;-)

Verse 1
You move like a summer breeze
There's whistling in the trees
You're always on my mind
You were just a boy
Don't leave me alone

Refrain 1 - instrumental and hum

Verse 2
You know I hate Christmas Eve
It brings me to my knees 
You're always on my mind
You were just a boy
You were just a boy

Refrain
How they took your life
What a senseless crime

Verse 3
You said you were going for a ride
But I didn't say goodbye
You're always on my mind
Don't leave me alone!

Refrain
Well they took your life 
by surprise
Such a senseless crime
Such a senseless crime

Verse4
And After all this time
I can't heal
and baby sometimes I can't feel....

Refrain
Yeah they took your life
Yeah they took your life
Such a senseless crime
Such a senseless crime
How they took your life
How they took your life
Such a senseless crime
Such a senseless crime
How they took your life

outro
You move like the summer breeze
and I hear you whistling in the trees....

Just a boy (ft. Jeff Roberts and Andrew Borderick)

First uploaded track in 2022
Photo by Heather Zabriskie on Unsplash

Time

Lyrics:
I tracked down all of my loneliness
I followed it into this place
You were sitting there
How could I not fall in love with that face?
You were getting drunk real fast
You were chasing it
You were trying to make that feeling last
You told me just to let you sit there
And sizzle
(sizzle)
Mmm, when I am gone
I hope you think back on me and smile
And take me where all your good thoughts go
All your good thoughts go
Where your good thoughts go

If you come around town
You'll see me swinging from the trees
When you think back on me
I hope you know
I was pure of heart
I could never follow our plan
I was a bad Buddist
 I was even a worse
Song & dance man
I would always fail
It's like trying to land a 747
Through the mail
When you look back on me
Hope that you smile
Ohh, take me into your frontal lobe
And take me where all those good thoughts go
Take me where all your good thoughts go

Take Me Where Your Good Thoughts Go

Free Download for future collaboration !

- Spitfire Audio - LABS - Vintage Keys : The Seventy Three (Fender Rhodes)
- Spitfire Audio - Ólafur Arnalds Chamber Evolutions - Chamber Waves
- Spitfire Audio - BBC Symphony Orchestra Pro - Bassoon
- Spitfire Audio - Spitfire Appassionata Strings - Violins Legato
- Spitfire Audio - Albion II - HornEuph
- Spitfire Audio - Contemporary Drama Toolkit - Electric Cello
- Spitfire Audio - Contemporary Drama Toolkit - Combi Textural
- Spitfire Audio - Albion - Solstice
- Spitfire Audio - Originals Rare Flutes
- Spitfire Audio - Spitfire Studio Strings - Celli(6) Legato Performance
- Spitfire Audio - British Drama Toolkit - Alto Sax
- Heavyocity - Foundations Emotive Choir

Old Textures

(Texte Français et Google traduction)

LE CRI DES ECRITS

A l’encre bleue indélébile,
Marqués au feu des mots fragiles,
Je vois les pleins et les déliés,
Me dire combien tu m’as aimé.

Et je retrace sur chaque phrase,
Les « je t’embrasse » dans nos extases,
Puis les formules particulières,
En majuscule pour mieux se plaire.
Mais les ratures, les gribouillis,
Mettent en bordure les mots d’oubli.

Toutes ces lettres, nos mots d’amour,
Les écrits restent car chaque jour,
Les pages entières à te relire,
Sortent l’enfer que je respire…
C’est le cri des écrits.

Si tant de prose, de phrases folles,
Toutes ces choses qui nous envolent,
Cette dernière de la rupture,
Me met à terre sous l’écriture.

Une mise à fin de l’éternel
Et du parfum d’une vie belle.
Alors je lis les larmes aux yeux,
Quand tu écris qu’entre nous deux,
C’est plus la peine de continuer,
Car tes « je t’aime » s’en sont allés.

Toutes ces lettres, nos mots d’amour,
Les écrits restent car chaque jour,
Les pages entières à te relire,
Me donnent l’enfer que je respire…
C’est le cri des écrits.

Toutes ces lettres, nos mots d’amour,
Les écrits restent car chaque jour,
Les pages entières à te relire,
Me donnent l’enfer que je respire…
C’est le cri des écrits.

THE CRY OF WRITINGS

In indelible blue ink,
Marked in the fire of fragile words,
I see ups and downs,
Tell me how much you loved me.

And I retrace on each sentence,
The "I kiss you" in our ecstasies,
Then the particular formulas,
Capitalized for convenience.
But the erasures, the scribbles,
Border the words of oblivion.

All these letters, our words of love,
The writings remain because every day,
Whole pages to read to you,
Come out the hell I breathe...
It is the cry of the writings.

If so much prose, crazy phrases,
All those things that fly away from us,
This last of the break,
Brings me to the ground under the writing.

An end to the eternal
And the scent of a beautiful life.
So I read with tears in my eyes,
When you write that between the two of us,
It's no longer worth continuing,
Because your "I love you" are gone.

All these letters, our words of love,
The writings remain because every day,
Whole pages to read to you,
Give me the hell I breathe...
It is the cry of the writings.

All these letters, our words of love,
The writings remain because every day,
Whole pages to read to you,
Give me the hell I breathe...
It is the cry of the writings.

Le cri des écrits

LE CRI DES ECRITS (Chanson Française)

Majestic new work that we at MTM have done with the sensational Richard Gonfrier , called "Comme Si On Savait". We are very proud to have made a new song with this magnificent singer songwriter and especially for a great new intervention by Delphine with her fantastic voice.
From MTM we thank them again for their enormous professionalism, in addition to their friendship.

Musical production: MTM
Lyrics and melody: Richard Gonfrier
Singer: Richard Gonfrier/Delphine Portier
Mixing and mastering: MTM Studios
Single cover: Richard Gonfrier & Delphine Portier.
Richard Gonfrier - Soundcloud: soundcloud.com/richardgonfrier/tracks

Lyrics of the song "Comme Si On Savait "

Je voulais juste partir tranquille
Et vivre une autre histoire
Au départ
T'avais l'air si fragile
Que j'voulais pas te laisser
Dans le noir

T'emmener dans mon exil
Et risquer de te donner
D'faux espoirs
C'est un milieu hostile 
Où tout pourrait nous blesser
On f'rait comme si on savait....

On f'rait comme si on savait
Comme si nos vies recommençaient

Toutes ces scènes qui défilent
Nous rappellent nos passés
En miroir
Mais un changement subtil 
Pourrait nous faire oublier
Qu'c'est trop tard

J'sais bien qu'c'est difficile
De tout reconfigurer
Sans savoir
Si tout ça c'était utile
Juste pour ne pas regretter...
On f'rait comme si on savait....

J'voulais juste partir tranquille
Et vivre une autre histoire...
Au départ

Song: Comme Si On Savait
All copyright MTM & Richard Gonfrier

* Mastering True Music * copyright ©. 2023

Comme Si On Savait - MTM Feat.Richard Gonfrier/Delphine Portier

Krosan by Night

Krosan By Night

Frida's Wings – The Skeletons
April 2024
Duration: 2:50
A shorter version was previously included in the “Art Expressed in Music” series
Painting: Frida Kahlo Painting Self Portrait.
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing Frida's Wings, a ballet based on the life and works of Frida Kahlo, June 2024 in Colorado.
Thanks to John-Marc Ventimiglia @john-marc-ventimiglia for creating the “rattling bones” sound library
Frida Kahlo was a Mexican painter known for her many portraits, self portraits and works inspired by the nature and artifacts of Mexico.  Her paintings often had strong autobiographical elements and mixed realism with fantasy. She is also known for painting about her experience of chronic pain. In most of her self-portraits, she depicts her face as mask-like, but surrounded by visual cues which allow the viewer to decipher deeper meanings. Aztec mythology features heavily in Kahlo's paintings in symbols including skeletons and skulls.  In the painting, Dream of The Bed, painted in the year of 1940, Frida expressed her feeling and interception of death, which depicts a skeleton on the canopy of her bed (as she had in her real life). Her husband, Diego Rivera called the Juda, Frida's lover, but Frida said it's just an amusing reminder of people's mortality. Frida Kahlo spent much of her life in pain.  As As a teenager she suffered a horrific bus accident which left her unable to have children and meant she needed more than 30 operations on her spine. Eventually her withered leg had to be amputated and she died at 47. She said in her diary: “Feet, why do I need you, if I have wings to fly”
For guitar, accordion, trumpet, violin, double bass, sound effects and percussion

Frida's Wings - The Skeletons

Nothing escapes the scrutiny of the neighborhood watch dogs!

A sequel to Old Howlers, https://soundcloud.com/sunnybeck/old-howlers

Synth bass and pianos set to hip hop and Latin beats @ 85 bpm. Audio of dogs barking, howling, and ambulance siren recorded live in March, April, and May 2024.

Background photo of ambulance by Kurt Kaiser, CC0, via Wikimedia Commons.

Little Girl, the dog, is from my personal photos.

Neighborhood Watch

The words behind this song of ABBA is very different to the title, which is very appropriate during this years Olympic Games.
So I was tempted to create this instrumental cover.
Hope you enjoy the experience.

The Winner Takes It All-tribute to ABBA

Triple C.Killer or Duke (AntiCommunist Cowboy Clown Killer) lies on the cold, unforgiving table, the harsh fluorescent lights above him feel too bright, piercing through the darkness of his past that he can’t escape. The straps dig into his wrists and ankles, a reminder of the control he once had over others, a power that now slips away like sand through his fingers. It is May 9, 1994, and he knows that time has ticked down to its final moments; the impending lethality of the injection looms larger than his regrets. Near him stands Father Tommy, but in the Duke's disturbed mind, he is more than a preacher. This is Tommy Zygote, the enigmatic founder of Thrashing Zombies. The Duke chuckles quietly, the irony of seeking solace from someone who might turn his story into a twisted anthem not lost on him. As the IV needle pierces his skin, the Duke feels an unsettling pang of vulnerability wash over him. Memories flood in: the faces of the boys, the laughter that filled his home, now mere echoes of a haunted past. Once a celebrated community figure, he now lies bare on this table with nothing but shame to adorn him. “Father,” he begins, words slurring with a mix of fear and catharsis. “I didn’t know I was lost until they started to disappear.” Each word scrapes against his soul. He recalls the terrible grip he had on life, snuffing out the lights of so many young men, intertwined with memories of a stunted childhood where the shadows of his father loomed large, twisted lessons learned through fear. Father Tommy listens, eyes piercing yet strangely understanding. The Duke’s mind drifts, racing through 1970s Chicago, the bustling streets, the secrets whispered behind closed doors, the nights when he donned clown makeup to entertain children. In stark contrast, he realizes his mind housed a jester’s facade that concealed a monster. Heat from the lethal cocktail intensifies as he begins to shake, heart pounding faster. “I wanted to be loved, Tommy,” he confesses, tears breaking through his bravado. “But all I found was this emptiness… this insatiable hunger that gnawed at me.” Each moment ticks by, the weight of time pressing upon him. The Duke remembers the thrill of a hunt, chilling highs that flickered like distant stars, only to fade into the bleak darkness he now inhabits. The taste of blood and betrayal intertwines in his mind, recollections morphing into nightmares swirling around him. “I don’t want to die, not like this,” he murmurs, voice shaky and uncertain. “I wish I could take it all back. I wanted to be someone… anyone.” The IV fluid drips steadily, pulse thrumming louder against the silence surrounding him. “Your sins can’t be unmade, but you can find peace if you truly seek it,” Father Tommy responds, his voice laced with an odd blend of compassion and authority, something the Duke didn’t expect from the man he imagined was merely a conduit to the afterlife. Conflicted emotions swirl; how could peace exist when he has sown chaos? The seconds stretch as if mocking him, every tick resonating within the confines of his torment. As the final wave of the drug courses through him, the Duke’s resolve softens; he feels a strange acceptance settle in, the fabric of his existence unthreading, revealing the faces of his victims one last time. “I’m sorry,” he gasps, not just to Father Tommy, but to the universe, to the innocent lives extinguished by his hands. The world fades, colors dulling like a scene from one of those horror films he admired. “Forgive me,” he whispers, surrendering to the oblivion that beckons him, drowning out the remnants of his broken psyche as death embraces him like a lover he never knew. In those final moments, the tortured mind of the Duke falls silent, enveloped in darkness, leaving behind only echoes of questions reverberating through the void. Tommy leaned down and sung, "You anticommunist motherfucker, Elizabeth Proctor was innocent".

What`s for breakfast

Tripple C Killer

Triple C.Killer.

2025 Mixtape
All recents and less recents dance sounds I wanted to pull out for you to dance and love.

U got the hook / I got the pain

To Midamio Aftab Mishavad ( Khosro Shakibaee )

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Youtube

ALEX ACEA - LUNA BALA (Original Mix)

01 - SA - HZS - 60 Cellos All Standard - C Sord PP Long Soft CS
02 - SA - OPW - Ice Piano
03 - SA - OS - Woods High - Combo Swarm
04 - SA - Aperture - Refractions - Tremolo_Refractions - Normale
05 - SA - WE - Intense Sirens
06 - SA - BDT - Ensembles - Flute & Pic.soft_Ensembles - Bass & CI Soft

On The Way Back [Hans Zimmer Strings]

★MTM Productions★
✯Realization of musical productions (Recording, mixing and mastering).
Mastering True Music is composed of:
☆Founding Partners and Presidents:
- Miguel Sepulveda Arnau (Mastering engineer)
- Richard Jones Belloch (Mixing and mastering engineer, producer)
☆Music Department:
- Freddie Maier López (Musician, producer)(Attention social networks)
- Steven Davis Williams (Musician, producer)(Attention social networks)
- GABI Alonso Hernández (Musician)
☆Technical Team:
- Christine Sampson(Recording, editing and mixing)
- Martín J. Alonso Umpiérrez (Recording, editing and mixing)
- Alessandro Giordano(Recording, mixing and mastering engineer)
☆Administrative Department:
- Amanda Bernard Thomas 
★ MASTERING TRUE MUSIC ★ 2023 MTM Ⓒ

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

Comme Si On Savait - MTM Feat.Richard Gonfrier/Delphine Portier

Mastering True Music Productions

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