Name: Solo estás en mi mente - MTM (Freddie M.-Steven D.- Gabi A.) by MASTERING TRUE MUSIC PRODUCTIONS
Duration: 3 min 56 s
Description: Once again we present ourselves here with a new Pop genre single called "Solo estás en mi mente", performed by Freddie M, Steven Davis and Gabi Alonso ... all produced on the Mastering True Music label. Thanks again to the guys at MTM .

Very nice vocals & harmony track..mesmerizing & electrifying..excellent mix & recording production! Very nice percussion track..Passionate expression..captivating effects..sumptuously infectious..perfectly executed..

Really Excellent, again beautiful voices. Very sensual song and beautiful composition! Wow... 😎👍🤩

this is awesome - expressive vocals, the mix is flawless - top work friends!

It's a beautiful song when you still have something in your soul and you can still shake your head.

Once again we present ourselves here with a new Pop genre single called "Solo estás en mi mente", performed by Freddie M, Steven Davis and Gabi Alonso ... all produced on the Mastering True Music label. Thanks again to the guys at MTM .

Solo estás en mi mente - MTM (Freddie M.-Steven D.- Gabi A.)

It was an honor and a pleasure to sing to the sound of a delightful composition by two wonderful artists such as Debra Buesking(@debra_buesking) on piano and David Dunham(@david-dunhamuser589535203) on guitar. Thanks for this priceless opportunity.
Below the Italian / English lyric

Dimmi dove sei
Torno a casa e non ti trovo più
Le tue calze sopra il letto
Sempre accesa la TV

Non dimentico 
Le tue promesse in bilico
e le domeniche
Sempre spese solo dove decidi tu
Forse ho il cuore troppo piccolo
Per lasciarti la tua libertà
casca il mondo 
quando te ne vai

Mille baci e poi
All’improvviso il vuoto fra di noi 
Non so perché rimango appeso qui
Il tuo canto mi ha ingannato 
e come Ulisse mi salverò
Ma poi ricadrò
nella tua tela ancora

Sei sparita ormai
irraggiungibile
ma è sicuro io ti troverò per dirti che
che non mi arrendo e voglio solo te
Puoi scommetterci
Vorrei sentire ancora i brividi
Mentre stringo la tua mano
 per non lasciarti più
………………..
Dimmi dove sei 


Tell me where you are
I come home and I can't find you anymore
Your socks over the bed
Still on the TV

I do not forget
Your promises in the balance
and Sundays
Always spending only where you decide
Maybe my heart is too small
To leave you your freedom
the world falls
when are you leaving

A thousand kisses and then
Suddenly the void between us
I don't know why I'm hanging here
Your singing deceived me
and like Ulysses I will save myself
But then I'll fall back
in your web again

You're gone now
unattainable
but it's sure I'll find you to tell you that
that I'm not giving up and I just want you
you can bet
I wish I could still feel the chills
As I hold your hand
  not to leave you anymore
……………… ..
Tell me where you are

"Easy to Please" Debra Buesking and David Dunham (vocal version)

｢過去生 ~ ALLEGRETTO CITTA' POP」

Concept music for a graphic novel.

Music written, produced, mixed and mastered by Thomas O'Higgins Horna.

Cover art: "The Golden Stairs" (1880) by Edward Burne-Jones. Edited by me.

PAST LIVES

ＰＡＳＴ･ＬＩＶＥＳ

The Vociferous Mapping Of Your Unlikely Future
https://nomatesensemble.bandcamp.com/album/the-vociferous-mapping-of-your-unlikely-future

So after 18 months, 50 musicians, artists and poets, 100’s of files, several innocent bystanders and of course some beautiful dogs and cats and I am proud to announce the debut album from Then She Reaches For The Gun. 
It’s been an immense pleasure to work with all this amazing talent! 
The album is titled The Vociferous Mapping Of Your Unlikely Future and features 10 tracks with the final track featuring every single one of the contributors somewhere in its 21 minutes : ) 
Here is the full credit list:
Adam Meredith - Voice
Anita Hustas - Double Bass
Agnostura Elwar - Electronica/Guitar/Piano
Antonella Eye Porcelluzzi - Voice 
Ariad Music- Clarinet/Percussion/Piano
Axel Weiß- Guitar 
Bellai Pelegrim - Electronica
Brendan Corey Benson - Guitar
Carolyn Wigston -Voice
Chicago Word Brigade - Synth/Noise/Poetry/Voice/Voice Guitar
Dane Renshaw - Drums
Dani Kirby - Piano/Voice
Dough Factory - Electronica
ElectroTrek - Vibes Synth/Voice
Fake Stereo Machine - Field Recordings
Frank Wilke - Trombone/Trumpet/Voice
Garbage Truck Disco - Guitar/Pixies Tribute
Gary Rees - Voice
Glenn Ward - Beats/Guitar/Voice
Gonzalo Serrano - Acoustic/Electronic Drums
Holy Shitshow - Digital Strings
Hverheij - Electronica/Guitar/Nursery Rhyme Glockenspiel/Voice
Ilaria Boffa - Poetry/Voice
Juan A Miñana - Electronics/Noise
Life in The Movies - Electronic Percussion/Synths
MatVee - Beats
Martin Pozdrowicz - Organ/Pad
Muterial -Electronica
My Nocturnal Twin - Guitar
Nosensend - Synths
Paolo D’Emilio - Poetry/Voice
Paul Miller - Beats/Keyboards/Synth Bass/Voice
Phil Bywater - Tenor Saxophone
Primaloop -Drums
PuppetXeno- Guitar/Synths
Raöulfr Maganhar - Field Recordings/Voice
TexMex Shaman - Guitar/Talkbox
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Keyboard
Timothy Korstad - Electronica/Poetry/Voice
Tuonela - Drones/Electronica
Widar’s Spiritual Front - Electronica/Percussion
W:I:L-o’ the-wisp - Double Bass/Guitar/Keyboards
Wüst - Electronica
Vartch - Disco/Noise/Synths/Voice
Yui Nikaido- Voice

Hacho, Lola, Neska, Senna, and Yoda - Barks/Hisses/Meows/Purrs/Howls and Heavy Breathing

Mat Ward - Arrangements/Beats/Bass/Digital Orchestration//Field Recordings/Intonarumori/Noise/Percussion/Piano/Voice

Mark Rothko Sex Toys Pt 2(Current Tasmanian Business Speak Mix)

Here's A collab with https://soundcloud.com/frawstakwa

Here's A link to the original vocal;

https://soundcloud.com/frawstakwa/now-that-were-here-lets-go-1

Here's A link to the art work;

https://pixabay.com/illustrations/painting-black-and-white-digital-art-219514/

Frawstakwa & RiZLiX - Now That We're Here

Call My Name

We’re praying for peace
Never losing hope
My faith I keep very close
Dancin out my grave
Seen a Holy Ghost
Yeah I’m on some drugs
But there not even close
See what I use to do is get really high
Then drink enough so I would black out and die
Thought the universe needed me
Well maybe she does
Are you seeing things different like I was
Love can fuck you up
And I can promise you that
There’s never enough
Nope I don’t have the answers
That’s exactly why I keep on dancing.

praying for peace w/ a Sandman07 intro

■概要(Overview)
じゃんけんで負けた！
さらに色々とやらかして状況は悪化してしまった。
はい、自己嫌悪。
・・・・
そんな感じの曲です。
でも大丈夫！どんどん行け、進め！
宇宙規模で考えれば大したことじゃない・・ような気がする。

I lost in rock-paper-scissors!
And the situation got worse with all sorts of other things.
Yes, self-loathing.
・・・・
It's that kind of song.
but it's okay! Keep going, keep going!
I feel like it's not a big deal if you think about it on a cosmic scale.

2023.4.1 楽器の追加を試みましたがやはり最初のバージョンで再度公開。
2023.4.1 Considered adding instruments, but finally released in the original version.


■歌詞
「どうして僕は・・」

どうにもならない
気を付けていても
くじ運悪いし　気持ちも弱いし

やりたくないのに　じゃんけん弱くて
町内会の面倒な役をやる羽目になったんだ

おまけにさ
電話番号を
教えてしまった
聞かれてないのに
責任感じて空回りする
僕はひどい奴だ

僕の居場所はないよ
愛想尽かされ　さよならさ
情けなくて消えたい
ねぇ、神様、どうして僕は・・・
(いつもこうなんだろう)


どうにも頭が
ずきずきしてきた
子供のころから　気持ちが弱いし

対人恐怖が影響している
大事なじゃんけん
見透かされていた
涙の　じゃんけんぽん

おまけにさ
電話番号を
聞かなきゃいけない
空気が漂い
迷惑気づかず　順番に聞く
僕はひどい奴だ

僕の居場所はいつも
自分で壊し　それまでさ
最初からわかってる

ねぇ、神様、どうして僕は・・・
(いつも余計な事ばかりしてしまうんだろう)


忘れたころに　「逃しはしない」と
再び僕に「烙印」を押す

いくら逃げても　隠したとしても
弱い部分が　「忘れさせない」と・・

月夜の枝垂桜が揺れている

僕の居場所はないよ
愛想尽かされ　さよならさ
情けなくて消えたい
ねぇ、神様、どうして僕は・・・
(いつもこうなんだろう)

■ lyrics(google translate)
"Why am I..."

I'm a hopeless person.
Even if I'm careful, the lottery is bad and my feelings are weak

I don't want to do it, but because I'm weak at rock-paper-scissors, I ended up playing a troublesome role for the neighborhood association.

moreover,
I gave everyone my phone number
Even though no one asked me to teach them

Feeling responsible and panicking
I'm a hopeless person

I have no place
Goodbye to being exhausted
I want to disappear without pity
Hey God, why am I...
(why is it always like this)

I can't help but have a head
I'm getting a throbbing pain

Ever since I was a child, my heart has been weak

social phobia affects
important rock paper scissors
was seen through
Rock, paper, scissors of tears

In addition
phone number
There is an air that you have to ask,
Listen in order without noticing the nuisances around you
I'm a bad person

I always destroy my own place.That's it.
I know that from the beginning

Hey God, why am I...
(I guess I always end up doing unnecessary things)

When I forgot, "I won't let you go"
brand me again

No matter how much you run away, no matter how much you hide
The weak part chases after you forever, saying "I won't let you forget"

The weeping cherry tree on a moonlit night is swaying

I have no place
Goodbye to being exhausted
I want to disappear without pity
Hey God, why am I...
(why is it always like this)

doushite_boku_ha(Why am I...)

Kirk (Kirk's Trax on SC https://soundcloud.com/kirk-evans-604267716) has created some wonderful compositions which I discovered recently. A few e-mails were exchanged, ideas were explored, and a process was set into motion, all leading to the smooth jazz song that is presented here - Love Is.  

My starting point for inquiring about collaborations is simply the answer to the question, "Does the music make me feel like singing?"  Kirk's music ticked that box and so we began the process of getting to know each other, and learning to trust each other's sense of next steps.  I asked about Smoke Rings (https://soundcloud.com/kirk-evans-604267716/smokerings) as a song I'd like to explore vocals and lyrics with. Kirk sent a pre-mixed lo-res file for me to do what I do: hear how it needs to go for a vocal-friendly structure. So, after a little cut and paste and adding some vocal melody ideas, I sent a mix to Kirk. At this point, you never know what the other musician's reaction is going to be, so you have to be prepared for the plug to be pulled after a, "What did you do to my perfectly good song?" reaction.  I was pleasantly surprised that Kirk wanted to work on his bed tracks and facilitate a smoother final integration of voice and music. So, he edited his original tracks and sent along individual instrument tracks, which I placed into my working file, with additional instrumental flourishes and a vocal from me resulting in the song below. This is just another example of the joy and work involved in a collaboration. The joy is hearing a song through someone else's eyes (or ears). The work is finding a pathway that is agreeable to everyone involved, and going through iteration after iteration so everyone is satisfied and pleased with the result. Kirk was easy to work with, and that always bodes well :)

The lyrics, which usually, for me, come from an open mic, pressing record as the song plays, and trusting that intuition to get the ball rolling. The final form is seldom far off the mark from the original improvisation, and that was the case here. Once the vocal melody was established, the form of the message was relatively easy - 2 verses, each with a focus on a three-syllable rhythm to demonstrate the contrasting qualities of Love (Elusive and Effusive - I love alliteration). 

* note - the art for the song reflects the elusive quality  as a scrabble tile game of chance, while the roses in the background relate to the effusive quality of romantic expressions ;)

Smoke rings, the instrumental, became, Love Is - a lounge lizard,  crooner song. 

Kirk Evans - music
Terry Wigmore - additional synth, strings, lyrics, vocals and production.

 Lyrics:

V1
Oh love, love is so elusive,
So hard to see in a heart,
that's been battered and bruised by the dark

Oh love, love is so elusive,
Like water that flows through your fingers then  it's gone,
All gone, all gone

Instrumental

V2
Oh, love, love is so effusive,
It can bubble and glow
doesn't care who knows,
Playfully smitten, carefree and driven

Oh love, love is so effusive
It begins to take hold and won't ever let go
Of your heart -

Love Is

Texte et chant :  Philippe Janin
Musique : Alain Illos

La misère mise en scène
Est toujours un problème.
Ho certes pas pour tout l’monde
Pour entrer dans la ronde
Ça peut toujours servir
On va pas se mentir
C’est même un beau diadème

Mais c’est obscène

Un très bel éclairage
Une parfaite mise en page
Et toutes les références
À la misère humaine
Ça peut faire une semaine
Au top des infos rances
Au fond quand on y pense

C’est juste obscène

Alors quoi ? On se prive
De nos indignations ?
Et tous les sans maison
Et tous les sans chemises
On les laisse où ils sont ?
J’crois pas que j’ai dit ça
C’est juste qu’il faudrait pas
Faire du gras avec ceux
Qui n’ont plus de chez eux

Ce s’rait obscène

Alors tant pis pour moi
Si mes bons sentiments
Sont pas mis à l’affiche
Et tant pis tout autant
Si l’on croit que j’m’en fiche
Mais les images en toc
Montrant des gens en loques
Pour qu’on s’en gargarise
Faut que je vous le dise

C’est obscène

C'est obscène    Janin / Illos

A Kinsâme song with :
https://soundcloud.com/kiyotoyoshihara

1. Si l'hexagramme de Pikachu zèbre ces zombies de la raie alitée, le pilier est speed. Mare nostrum.

2. Les dix mille multi-clonages du gemme impérial lunent tes yeux mi-clos en cloque d'un sexy jutsu. Semper fidelis.

3. Quelques kicks ainsi connectés car San ku Kaï par terreur amère circule sans ceinture effaçant le centre délétère sous ses astres sismiques. Missi dominiqui.

4. Alors, l'omission du feu onde Kira qui inscrit sur son carnet d'onyx l'ode des erres érodées. Sator arepo tenet opera rotas.

5. Allez coquin, cache-moi cet arc-en-ciel dans ton cœur que je ne saurais entendre sans secret sanguin cerclé sous le sanctuaire de Shiryu. Res nullius.

6. En action, ce Vogue Merry attelé de six dragons soufflant dans des escargophones les mérites du Gum-Gum. Yo ! Yo ! Yo ! Jugula ! Ne...

7. Les super nanas singent Sailor Moon pour plaindre d'autres week-ends ascensionnistes au ping-pong des planètes. Non fui, fui, non sum, non curo.

8. Quelle roue tourne toujours ? Onizuka en perd son sombrage à l'âge sonique des perfections digitales. Dente superbo.

9. Voici que l'arène s'est suspendue distillant sa silice aphrodisiaque dans les iris de tous les tamagotchis, frères de l'écho et du mirage. Morituri te salutant

Tamagotchi - Moi - KY32 - XT444  -  Kinsâme

★MTM Productions★
✯Realization of musical productions (Recording, mixing and mastering).
Mastering True Music is composed of:
☆Founding Partners and Presidents:
- Miguel Sepulveda Arnau (Mastering engineer)
- Richard Jones Belloch (Mixing and mastering engineer, producer)
☆Music Department:
- Freddie Maier López (Musician, producer)(Attention social networks)
- Steven Davis Williams (Musician, producer)(Attention social networks)
- GABI Alonso Hernández (Musician)
☆Technical Team:
- Christine Sampson(Recording, editing and mixing)
- Martín J. Alonso Umpiérrez (Recording, editing and mixing)
- Alessandro Giordano(Recording, mixing and mastering engineer)
☆Administrative Department:
- Amanda Bernard Thomas 
★ MASTERING TRUE MUSIC ★ 2023 MTM Ⓒ

Solo estás en mi mente - MTM (Freddie M.-Steven D.- Gabi A.)

MASTERING TRUE MUSIC PRODUCTIONS

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