DIAL OUR FIRE AND THUNDER TONIGHT !!

Kit: DubFilter, DrumComputer, GliderVerb, ODYSSEi, Synth One, Launchpad, Model D, Logic Pro X
Acknowledgement: 
1) "Ding Dong" samples (bass synth) circa. 1982
2) "No Ones Keeping Score"(c) by Thespinwires (vocal samples - whistles)
"No Ones Keeping Score" is licensed under a Creative Commons Attribution 3.0 License. [http://creativecommons.org/licenses/by/3.0/]
3) Samples from "Jazz Scat song with Doo, Doot Dat, Bap and Daw" by Ryoki Yamaguchi, RolandChannel (YouTube,2011)
4) Samples from "ROUTE 66 - Jazz Scat patch Roland 700SX" by 7notemode (YouTube, 2006)
5) "Air (Re-upload with Vocal + Instrumental Stems)" by Hector Thillet (coffeeeurope) (vocal samples)
"Air (Re-upload with Vocal + Instrumental Stems" is licensed under a Creative 
Commons Attribution 3.0 License
6) Sample, "F-15 Strike Eagle Best Sounding Military Jet" by Wonkabar007 (YouTube, 2013)
7) Sample, "Ain't Gonna Rain No More" by George Graham Vinton (1938) recorded by Sidney Robertson Cowell

Ain't Gonna Rain No More

The title is from the novel The Man Who Fell to Earth by Walter Tevis (https://en.wikipedia.org/wiki/The_Man_Who_Fell_to_Earth_(novel))

Walter Tevis is a great writer (https://en.wikipedia.org/wiki/Walter_Tevis)

Pic - based on Icarus by Henri Matisse (https://www.matissepaintings.org/icarus/)

Published on SC 11 February 2023

ESO7 WIP

1975: Rumplestiltskin

Hello Folks!

Been quite some time, but being slow, doesn't gladly result in no productivity at all. Haha! After my Collab with @texmex-shaman (thanks again brother for this awesome experience), i was rummaging unfinished projects and thought about "whats next?". I found plenty of stuff which craves for my attention, but too close on the timeline with our first summer vacation at my parents in laws place.

So i came to the usual little drill , like "What equipment will i take with me" ,  "How will it be?" (in terms of my usual unique work and creativity flow) , and "Will i be able to do anything in the usual FY style at all?"...... turns out it was a fast super week there with a lot of various ventures, activities and wonderful weather!

I also used the possibility a few times to take the chosen stuff (i did go for the minimal setup as minimal can be) out in the garden, sat down summerstyle with a cold alc-free Radler and just worked in my DAW with self-built synths and a Studio One "Impact XT" drum preset which i manipulated and bent into the way i wanted it to be. Comparable with the first track you build in the Andrew Huang course, i went full electronic and after that week i had like 90% of it!! 

I have to thank my dear friend TexMex Shaman who did pre-listen ALOT and also encouraged me to build that intro (which took me quite a while to find the right samples, shape them and do some automations and stereo field sweeps - awesome process to push myself into this).

Going mad with the Visual was also predictable... most of you who know me by now, would've expected that, i guess? I love that process, like you have that music and it creates an audible image in your brain, but adding something as close as you want it to look like with a cover, is a complete different and somewhat relaxing process to me. 3 weeks of alot of work and manipulations. So much new stuff i did learn!

I want to thank big big time Chris Ainsworth on Flickr to give me the permission to manipulate his wonderful pic of an restorated "Tron" Arcade Machine!! (https://www.flickr.com/photos/53643381@N00/)

We're soon at the end of this summer and 2021 feels already passing way too fast and there is so much music to listen and also to continue working on. 

Love this SC community! Thanks for being out there and all this exchange!

Yours,
CMD SF

PS: If your'e interested, i start sharing the hq arts on my google drive for those who want to see more detail to the "vision" of my creation here!

https://drive.google.com/drive/folders/1IwcIXWLFPQtvPHYCKoOLpmme0Px0fzMh?usp=sharing

Thunder Runner

A new collaboration of Freddie M, Steven W. Davis and Jason Sands with the great singer and songwriter Karla Lynette. We thank Karla very much again for her great work and professionalism.
Here you can listen and see her soundcloud page: https: //soundcloud.com/karlalynette/tracks

Tonight In Gonna Wait For You- MTM (Feat. KARLA LYNETTE)

This is my second collaboration (that was actually completed in July, but this is me just getting round to uploading to SoundCloud now.) which features satosii and Rylei Nathaniel. It all started with a sequence bass guitar melody from Rylei and a beat and a guitar from satosii. Vocal chops, piano, synth  and the finished melody was done by me and we ended up with two versions.

Version one: Dial Up (https://www.instagram.com/p/CRCYnsCAZQL/)
Version two: サイバーパンクな夏の夜 (https://www.instagram.com/p/CRKIgQQA6rO/)

Videos for both versions are made by Rylei Nathaniel.
You Tube video made by Decan Usmic https://www.youtube.com/watch?v=UUNKdFYc8G0
This song is slightly different from my usual genre, but I hope you find it uplifting. Many Thanks for listening and for all your support!

Dial Up (Feat. Rylei Nathaniel and satosii)

Huge Thanks to the https://soundcloud.com/thegats . Please check him out

Mistakes And All - The Brass REDUX By TheGat(s)

These people are driving me nuts.

What is it with these people?

These people who are so desperate to be seen to be heard, and be seen to be part of the herd, that they stand up and say something.

They then apologise for having said it, when, out of a global population of 8bn, someone, like, maybe, I dunno, Quentin from Bishop's Itchington who breeds rare goats, and has an embarrassing skin problem and no friends declares himself offended by the “something” and because his goats look sad and a bit grubby and have floppy ears, twenty other people out of the 8bn declare themselves to be offended too.

Cue apology and retraction.

“These people” have no use or value in society and need to be removed from the gene pool immediately by the empowerment of balanced observers such as me.

For crying out loud.

(The artist wishes to make no apology whatsoever either for the bum notes in this live recording or the loss of his voice.  That's just how it is).

_____________________________________________________________________

Sorry

I’m sorry for whatever I just said,
I’ll now expound the opposite instead.
While what I said is simple fact sure as I’m standing here,
Twitter’s going nuts and that truth will cost me dear.
So I’ll lie right through my teeth, a heinous sin,
To keep them fat endorsement happy dollars rolling in.
Tell everyone what I don’t think, platitudes never cause a stink,
So I’ll bleat them liberal sheep’s opinions.

Now if a non-PC view slips between the cracks,
I’ll get my PR guys to hastily redact.
Get awareness training, counselling claim PTSD,
Identify as sumpin’ else, blame genetic deficiency.
I got pre-recorded “sorrys” for any trans…(gression) day,
I save apologetic time by having “sorrys” stashed away.
Use any heap of steaming crap to retract my previous monologue tract,
The plain and honest truth ain’t never going to pay.

Oh I’m sorry for what I’ve said and what I’ve not
For all the stuff I did and what I didn’t  
I must apologise for my stream of serial lies
For telling it how it is…… then how it isn’t.

Ah thank you - let me answer that by saying “sorry” first,
In case I make an un-woke inappropriate outburst.
Wouldn’t do to confuse you with something that I really thought,
Social media ripples leave my income stream distraught.
So let me for the record unequivocally state my views,
I think you’ll understand if you put you into my shoes.
Well maybe yea and maybe no, couldn’t say, it might be so,
I hope that does and doesn’t make front page news.

Oh I’m sorry for what I’ve said and what I’ve not
For all the stuff I did and what I didn’t  
I must apologise for my stream of serial lies
For telling it how it is…… then how it isn’t.

____________________________________________________________________

Photo by mark tulin on Unsplash

Sorry

cruising pacific coast highway, top down & guided by big sur moonlight.

produced by kid otari
all guitars by ronaldo farelli
keyboards by guillaume pearson
Recorded on tape at the Laundry Room, Oakland California
8-channel 1/2" Otari MX5050
remastered by richard at blitz recording

soundcloud.com/naldeau/tracks
soundcloud.com/guillaumelecompositeur/tracks
soundcloud.com/richard-livoni/tracks

Molly's Moonlight Drive

Here is my isolated guitar solo track with full orchestra for my title track "The Wheel."
The Wheel is a concept song spanning over 20 minutes long, which I wrote in 2017/2018 and recorded in 2019. I uploaded it to my SoundCloud back in early 2020. Here are the last 4 minutes of the song. The song itself is a finale to an album idea that I had, and this guitar solo acts as the grand finale movement. The Wheel was written, recorded and arranged by Louis Taverna
All instruments, including orchestrations were recorded and arranged by Louis Taverna
All rights reserved ©

The Wheel - Guitar Suite Finale

New song from David Cooper and Dan Lockhart.

Dan sent me a set of lyrics and I played around with them and added music/vocals. 

Hope you like it.

Lyrics by Dan Lockhart

Music by David Cooper

Performed by David Cooper.

Lyrics:

Yes money is what you want 
Because we are all not the same  
Getting richer is the name of the game  

Love doesn’t pay the bills  
And nothing else fulfils
And most of us want so much more  

Chorus

Or can you live on what you get  
And not be in so much debt  
Try giving up a few things  
Don’t try to live like kings  

Is it really what you want  
Then don’t be so nonchalant  
Do you really need those material things   

It's been here since time began  
Money is only funny to the rich man  
But to you and me it’s something we work hard for  

Chorus

Bridge

And enjoy the things you possess  
Then you can live on good and less 
That is how you live the rich life  
And not live in a world of strife  

Solo

All of those in first class  
They say life is a gas 
But some think it’s nothing but a crime 

We know there’s so many demands
Others grab the money with both hands  
And dream of all of those things they can do

Grab the money and run

Grab The Money (Cooper/Lockhart Collaboration)

Salvage your damage a song about a rebound relationship that was beyond repair as the damage was already done in the last one.

Salvage Your Damage ~Conscience of Kings

℗ © Copyright Ian Stokes. All Rights Reserved
Recorded and mixed using Logic. Mastered in Soundcloud
Guitars played: Morris Nylon String in standard tuning
Photography: Thanks go to Nigel and Libby Hume at Hume Photography.
I thought it was time to start writing and recording some new songs, with a view to putting together a new solo album over the winter. For this song I have returned to my nylon string Morris guitar. Hope you like it!
LYRICS:
Sitting…. In my rocking chair
Rollin…….. with the beat
Pickin …..out a tune
Keeping time… tapping my feet

Maybe I’m getting old 
Maybe I’m getting slow 
Maybe things don’t seem like they used to do
Maybe, maybe not…. I don’t know 

Sitting….. in my rocking chair 
Close my eyes and see
All the places I have been
Just rollin … with the beat

Maybe I’m getting old 
Maybe I’m getting slow 
Maybe things don’t seem like they used to do
Maybe, maybe not…. I don’t know

My Rocking Chair

Synesthesia is main motif for this song, first because of original lyrics, then as I felt like adding it more flavor with female vocals*, & finally when I recently watched some paintings about this matter**.

*Great vocal performance by https://soundcloud.com/maraoldfield is most notorious matter in this piece, where riffing parts toggle with bass-guided proggy ones.

**Due credits to https://soundcloud.com/wouwouandthewormling for ad hoc painting of the song’s artwork.

Letra  /  Lyrics:

QUIERO SABER SI HACE CALOR  /  I WANT TO KNOW IF IT IS HOT

En verano, insoportable,  /  In summer, unbearable,
todo está lleno de ruido.  /  everything is full of noise.
El invierno, silencioso,  /  The winter, silent,
que congela los sonidos.  /  which freezes the sounds.

No quisiera quedarme sorda  /  I don’t want to get deaf
sin saber cuándo hace frío.  /  not  knowing when it’s cold. 
No quisiera quedarme sorda  /  I don’t want to get deaf
para saber si hace frío.  /  so as to know if it’s cold.

Los días soleados  /  Sunny days
acompañan al estío  /  go along with the summer
y cuando llega el invierno  /  and when the winter comes
el cielo está oscurecido.  /  the sky is darkened.

No quisiera quedarme ciega  /  I don’t want to get blind
sin saber cuándo hace frío.  /  not  knowing when it’s cold.
No quisiera quedarme ciega  /  I don’t want to get blind
para saber si hace frío.  /  so as to know if it’s cold.

ER24CH04 ©1995 ®2015

Quiero saber si hace calor (Vocals by Mara​Oldfield)

Para Lia
Fire (My Chemical Imbalance)- with Fady on synth
from the album ‘Gone With The Flow’
paralia.bandcamp.com/album/gone-with-the-flow
Vinyl / CD / Digital

What's the story behind this  song and the album as a unit? Find it out: Visit the 3D virtual art exhibition, realized by SophisticatedApe, with the great work of Louis Renzoni and the music of Para Lia with a lot of background information here:
https://www.sophisticatedape.com/gone-with-the-flow-exhibition/
It is like an interactive visit in a gallery: Use your mouse and the left button to walk around, use the arrow keys on your keyboard or the W-A-S-D keys (forward, left, back, right, respectively). On mobile devices, touch and drag in the direction you would like to move. 


words and music by René Methner
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover artwork based on Louis Renzonis '6th floor walk up'

Follow Para Lia on:
www.facebook.com/paraliamusic/
www.instagram.com/paralia.music/
twitter.com/para_lia_band

Head over to the awesome @fadysporz to listen to some wonderful indie gems! 

i don't know
where to go
where to flow
where myself has been

if i was
here with me
'now!' i'd say,
'now i'm free'
but i am somewhere else and out of reach

sometimes my mind games
keep me under control
there's nothing i could do
my chemical imbalance turns into
fire

i know the fire
it keeps me under control
it's never far away
it never takes too long, you know
one, two, here it comes
fire

everything is an up and down
everything is an up and down
all my me's are running up and down
everything is an up and down
everything is an up and down
i'm trapped by this
fire

Gone With The Flow

get the album

Fire (My Chemical Imbalance)- with Fady

Free Thinking

★MTM Productions★
✯Realization of musical productions (Recording, mixing and mastering).
Mastering True Music is composed of:
☆Founding Partners and Presidents:
- Miguel Sepulveda Arnau (Mastering engineer)
- Richard Jones Belloch (Mixing and mastering engineer, producer)
☆Music Department:
- Freddie Maier López (Musician, producer)(Attention social networks)
- Steven Davis Williams (Musician, producer)(Attention social networks)
- GABI Alonso Hernández (Musician)
☆Technical Team:
- Christine Sampson(Recording, editing and mixing)
- Martín J. Alonso Umpiérrez (Recording, editing and mixing)
- Alessandro Giordano(Recording, mixing and mastering engineer)
☆Administrative Department:
- Amanda Bernard Thomas 
★ MASTERING TRUE MUSIC ★ 2023 MTM Ⓒ

(Don't follow me here, best on my main page ;)

Tonight In Gonna Wait For You- MTM (Feat. KARLA LYNETTE)

Mastering True Music Productions

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