Radio POUSH w/ Master Phil 16/04/2021

When asked about episode #57 @kryptic_dj just said “It was a warm and sun-filled Saturday, so honestly I just felt like putting a big batch of records to my side and have some fun with them for the show”.

The Past Forward radio show is hosted and aired on Cashmere Radio. Find more info and other episodes on the Cashmere Radio website - https://cashmereradio.com/episode/past-forward-57-with-kryptic-dj/

Past Forward #57 w/ Kryptic DJ

YT: https://www.youtube.com/watch?v=BK3IHz-SOBM&t=1725s

Mutant Radio x Heads Radio Special
Heads Radio 0093

18.00-19.00 – Lucas Brell
19.00-20.00 – Wilted Woman *Live
20.00-21.00 – Oscar der Winzige
21.00-22.00 – Diamin
22.00-23.00 – Eva Geist
23.00-00.00 – Katzele

TUNE IN HERE:
https://www.sameheads.com/headsradio
https://www.mutantradio.net
https://www.youtube.com/c/HeadsRadio

Oscar der Winzige - Mutant Radio x Heads Radio Special 0093 - 27.04.2022 - @ Sameheads

Mattias is back! This time alone with an eclectic bag of records from all corners of the world. Expect a well dug cocktail of tunes which definitely holds up the vibe inside the Nitty Gritty men's store. Lock in!

@lodding for IDs

NItty Gritty Store Hours - Mattias Lodding

Welcome to Gaststätte Essighouse, you'll find the DJ booth near the slot machines right next to the restrooms  .
(A little mix I made to get into the right mood for preparing my DJ Set at Acephale/Cologne - nothing tricky, just a giddy acidy trance thingy that happened along the way with most of the tracks played in full)

Earl Orlog's "Gaststätte Essighaus" (Revised Full Length Version)

https://poush.fr/en/radio-poush/

B2B with my friend / cow boy / guitarist, mr Romain Rodrigues.

Master Phil - Episode 03 - avec Romain Rodrigues - Live 11.04.2023 // Radio Poush

this ones for new york

never possible without J. Rowe & R. Cronk

STONER LONERS 6

Krossfingers Podcast 4 - Pata & Fonque

Prior to the release of his second EP on Second Circle, label friend and artist Dazion (@thedazion) delivers the 6th mix in the series. Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Hey Cris, you're originally from The Hague and still live there, correct? How is the music scene over there, is it different from the rest of NL?

D: Yes, born and raised! Well, The Hague has always had a big Indie and Rock reputation. Needless to say, electronic music has always been there, but maybe not as exposed to daylight as it does right now. For me the foundation has always been the Cybernetic Broadcasting System. There used to be kind of a government issued ban on ‘house’ and ‘dance’ music, because of some stupid ass brawls in a club. Luckily there’s a whole new crew of young guns, clubs and organisations, doing amazing things for electronic music in The Hague. So I’m super stoked to be here at this time and place. I guess you can say, that there’s kind of a difference between The Hague and the rest of NL. We’re a small town hahah. 

MFM: How important is playing instruments to you in the process of producing music as Dazion?

D: I would say, it really does give me a lot more playroom, if I add more instruments to my process. I mean, it’s so sick to learn how to play a new instrument. Last year I picked up the flute, and just decided to give myself a deadline, so I have to do it in front of a live audience. Hahah I know it sounds crazy, but it really works for me! In general I feel like people tend to be a bit hesitant towards learning to play instruments. But you would be surprised, how fast it can go, once you dive into it. I can’t read notes, and most musicians would probably kick my ass, if they would ever analyse my consistency, or use of notes hahah, but I am friends with my imperfections. So buy a kazoo! Do it!

MFM: Do you have certain traditions or workflows when in the studio?

D: Oh, I’ll start anywhere….hooking up cables, and spend 30 mins looking for a power supply, or just randomly press some keys. The thing is: I have this super tiny workspace/studio, that is kind of packed with gear. I’ll probably start with my go-to tool, which is a set of Samson c-02 condensator mics, and start recording percussive stuff. Could be a piece of wood, or metal. I’ll probably end up shaping the audio file, and start tweaking with effects. I really love looping stuff through guitar pedals. It hisses a ton of white noise because of shitty connections, but that, to me, adds to the sound. Once I have something I like, I’ll start experimenting with some of my rack synths. I Have a Roland Super JV that I’m really fond of. Most of the time, some weird combinations emerge, and I’ll take it from there!

MFM: Your new EP again includes vocal contributions. Do you seek for collaborations on purpose while writing music, or do they happen spontaneously as well maybe?

D: It’s not a real ‘must’ for me, but in a certain style of production, it just gives it an extra dimension. Especially if it’s in a different language. It’s actually more like…’oh this might sound sick with a (let’s say) so and so vocal on it’! I’ll have a vocal melody in my head, and once I’m meeting with the artist, I’ll start singing it to them. As a guideline. I always get a great reaction, because I REALLY can’t sing. But I somehow manage to get my intention through. It’s always a combined effort, because they know how to approach certain steps better that I do, so I’m like: ‘lets do it your way!’ Hell, I’m the one that takes notes here haha.

MFM: Did you have any particular idea or goal in mind when preparing or making the mix?

D: Well, as far as doing a mix, I think it might be cool if it’s more of a listening thing…I love to get out the weird stuff. I’ve been making rips for like two days, so yeah let’s see how you guys like it hahah.

MFM Mix 006: Dazion

"OK so I have been struggling for a while with describing the aesthetic that this mix is communicating. The placeholder for me has been post-balearic which is fine in my own internal vocabulary because I know what I mean but fuck me in the outer world it’s even more abstract a concept than the bloody B-word itself.

I’m coming at this from a few angles; Ibiza, obviously, but also Manchester, and that moody cyberpunk place where dub echoes fade into city smog. Gigs at the Salon Des Amateurs showed me the direct link between Baldelli’s cosmic tapes and all the wonky punky drums that spill out of Düsseldorf these days and I want to push the Balearic lineage that way.

But what to call it? It came to me this morning as I was washing the dishes listening to Klaus Weiss - it’s the BALEARIC-INDUSTRIAL-COMPLEX. Ur new favourite sound." Ruf Dug.

Ruf Dug

The @hiptherapy Guest Mix series is happy to share this composition with you by the lovely people behind @editionhawara. A viennese based record label that made available Krems' finest Jazzrock, Funk and Pop Band (tastier than any Federspiel Veltliner) and that killer seafood EP crediting names no other than a Karl R., Robert P. and Linda S. to a larger part of the world.

Keep up with Hip Therapy here @hiptherapy

Hip Therapy #15 w/ Edition Hawara (Julian & Jonny)

Dj/Producteur/Dirigeant chez Plaisir Partagé et Edits Du Plaisir.

New Single "IBIZA" 1st december 2023

Listen Vagabond du coeur --> https://masterphil.lnk.to/VagabondDuCoeur

Booking dj et live: lemaitre.tanguy@gmail.com

Demo: plaisir.partage.rec@gmail.com

Radio POUSH w/ Master Phil 16/04/2021

Master Phil

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