You do realize before he goes through with this dormin warns him that killings all colossi would have a heavy price. Wander himself says that he doesnt care. Soooooo... yeah, he had a choice

he kinda desirvred it cause he killed monsters that were just making their way and he killed them for no reason

But do they help him in the end? He can have no choice as well, think about it. Your a kid you wounder around to get help for person you love. And if a glowing light tells you to kill some big ass colossi. Would you still go foward? Just morale

The Farthest Land

Attack ~Fight With Colossus~

Wander's Death

Silence ~Fight With Colossus~

Green Hill

Mysterious Guest

Baldur's Gate 3 - Walk Inside My Heart [ Druids Grove ], Borislav Slavov, game version

Трек к озвучке сцены "Изумрудная роща" Baldur's Gate 3

Baldur's Gate 3 - Walk Inside My Heart [ Druids Grove ], Borislav Slavov, game version

Elden Ring: Shadow Of The Erdtree - Putrescent Knight

Gwynevere, Princess Of Sunlight - Dark Souls Soundtrack

MISE-EN is a collection of works that share a common sound ideal and conceptual instrumentation. Work on this collection began in 2018 while collaborating with the Ensemble MISE-EN in South Korea under the auspices of the Oil Tank Culture Park Global Network in Seoul.

The resulting work, MISE-EN Series I, is an electroacoustic work scored for Flute, Clarinet, Violin, Cello, Piano, Percussion, Ableton Live, and Acousmatic Sound. This work was meant to reflect the aesthetic agenda of Ensemble MISE-EN, whose name roughly translates from Korean to English as meaning “decorative beauty.”

To achieve this goal, I decided to write a work for chamber ensemble which would reflect a larger sonic landscape than what might be considered traditional chamber writing. I thus included live and prerecorded electronics in the scoring and composed with two divergent but complementary musical components: “sound tapestry” (“beautiful”), and ornamentation (“decorative”).

Series I is the first of a series of works based on this concept of “decorative beauty”. To simplify logistics, the Ableton Live part, which would otherwise be performed by a seventh ensemble player, can be mixed with the Acousmatic Sound recording. The World Premiere of MISE-EN, Series I in November 2018, was performed by the Ensemble MISE-EN with this alternative version.

It only occurred to me after completing this first work that I could expand and extend MISE-EN as a series of works. To implement this while retaining the underlying sound ideal of “decorative beauty” for all works of the series, I decided to pair electroacoustic devices with a different legacy or standard acoustic ensemble for each follow-on work. Thus, Series I is scored for a slightly modified “Pierrot” ensemble. Series II, this work, is scored for Amplified String Quartet and Acousmatic Sound. In 2021, the first Episode of Series II was selected by the Sirius Quartet for recording by PARMA to be released on the Navona Records label, CD and streaming audio. The opening Episode presents a tightly woven contrapuntal texture that is eventually painted against a contrasting broad and richly scored melodic line. The juxtaposition of this contrasting content awaits further exploration, as this first Episode ends with a question marked by the remnants of an ascending and fading contrapuntal cascade. The ornamentation of the contrapuntal texture frames the beauty expressed in the soaring cantabile, thus delineating a formal framework that harkens back to a bygone era, an era that nevertheless remains alive and essential in my creative work.

Wander's Death

~Shadow of the Colossus~

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