Michael Hoffman begins the discussion of his new book, Twilight Language, with an overview of Freemasonry beginning in the late 15th century Church of Rome, and delineates the role of the Jesuits; the master builders competition with the natural world; Cryptocracy, or rule by secrets keeping; the alchemical processing of humanity; the revelation of the method, or making manifest what is hidden; the meaning of twilight language; synchronicity; the coming transition from virtual reality to the metaverse; analysis of these mostly unknown concepts within their historical context looking at the occult imperium over the ages.

Aired: October 20, 2021

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Guns and Butter 438

The Twilight Language Zone - Michael Hoffman, #438

Michael Hoffman begins Gateway 21 and the Occult Imperium with an explication of the Reign of Dead Matter and its supposed inevitability shepherded by spirits of agents on earth working for the coming of robotics; predictive programming; the Era of Must Be; the invisible empire; symbol manipulation; ritual murders; time is influenced by space; the Black Jack progression from 2001 to 2021; the psychological effect of a sub rosa reality; Cryptocracy as the shadow side of the government; Masonic symbolism in the Kennedy assassination; sorcery; taking unnatural means to acquire power on earth; magnetism and the waking group mind; an eerie indifference; pattern detection; nigredo; the Truth or Consequences factor is no longer in play because now the truth can be told and there are no consequences.

Aired: November 17, 2021

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Subscribe to our newsletter at: eepurl.com/bmg4zf

Gunsand Butter 439

Gateway 21 and the Occult Imperium - Michael Hoffman, #439

JIM RIGGS at the Paramount Theatre, Denver, Colorado
ATOS Rocky Mountain Regional Convention 1986
Friday, December 10, 1986, 8 p.m.  4/20 Publix Wurlitzer (original installation)
Recorded with a PCM F1 Digital Processor by Jack O'Neill
Transfer from reel-to-reel tape by Matias Bombal, June 21, 2022.
Program:
2 selections by THE MOUNTAINAIRES vocal group
Convention introductions
My Sweet Tooth Says I Wanna, But My Wisdom Tooth Says No
Moonlight On The River
Softly, As In A Morning Sunrise
Lulu's Back In Town
Masquerade
When Love Came To Me On A Little Balcony In Spain
Love In Bloom
Dance Of The Blue Marionettes
The Motion Picture Herald March (Jim Riggs composition)
I n t e r m i s s i o n
Chansonette
Blue Moon
My Silent Love
South Of The Border
Stormy Weather
King For A Day
Honeysuckle Rose
Warner Bros. Medley (5 selections that follow:)
Sittin' On A Backyard Fence
Shadow Waltz
Pettin' In The Park
I'm Like A Fish Out Of Water
Shuffle Off To Buffalo
Hot Dog

Photo: One of two Wurlitzer consoles of the Denver Paramount Theatre, 
ATOS photo.

Jim Riggs- Denver Paramount- October 10, 1986

JIM RIGGS- Oakland Paramount Theatre
ATOS National Convention,  July 5, 2003.
4/26 Wurlitzer - Recorded by William O. Schlotter, NorCal ATOS
Transfer from DAT master tape and editing by Matías Bombal, June 29, 2022
Program:
Introduction: Ken Double, convention emcee
Paramount On Parade (house theme)/Lulu's Back In Town
Nickel in The Slot
Medley from SINGIN' IN THE RAIN (next 5 selections)
Broadway Rhythm
You Are My Lucky Star
Would You?
You Were meant For Me
Broadway Melody
Get Happy
Softly, As In A Morning Sunrise
Taking A Chance On Love
I Concentrate On You
One For My Baby
Medley of George Gershwin compositions (next 8 selections)
S'Wonderful 
A Foggy Day
Someone To Watch Over Me
Liza
But Not For Me
Nice Work If You Can Get It
Our Love Is Here To Stay
I've Got Rhythm
I n t e r m i s s i o n
Introduction to second half: Ken Double
On Screen: 
1956 National Screen Service re-release trailer for KING KONG (RKO, 1933) (1 min. 32 seconds)
King Kong March
Stars In My Eyes (slight DAT tape deterioration, sections joined)
My  Funny Valentine
Lullaby Of The Leaves
Medley from THE BAND WAGON (next 7 selections)
New Sun In The Sky
By Myself
Louisiana Hayride
Dancing in the Dark
I Guess I'll Have To Change My Plan
I Love Louisa
That's Entertainment
Dizzy Fingers
Americans We
Paramount On Parade (house theme)
Photo: Jim Riggs at the Paramount Wurlitzer console by Matías Bombal

Jim Riggs- Oakland Paramount- July 5, 2003

JIM RIGGS- Paramount Pops
HOLLYWOOD'S  MUSICAL LEGACY
March 18, 1995. Paramount Theatre, Oakland.  4/27 Wurlitzer
Composite of recordings by William O. Schlotter (up to intermission) and Jack O'Neill (after intermission). Transfer and editing by Matías Bombal, July 6, 2022, from Maxell high bias type II cassette tapes made from original DAT tape (DAT now lost) with Dolby B NR and marked "COPYMASTER".
Program:
Introduction- Peter Botto, General Manager, Paramount Theatre.
Opening Medley (next 3 selections)
If I Had A Talking Picture Of You (from SUNNY SIDE UP, FOX-Movietone, 1929)
(elements of) You Oughta Be In Pictures (My Star Of Stars)
Hooray For Hollywood (console up)(from HOLLYWOOD HOTEL, Warner Bros., 1937)
Medley from silent films (next 2 selections)
Karma (from THE FALL OF A NATION, Vitagraph, 1916)
Ramona (from RAMONA, United Artists, 1927)
Medley (next 3 selections)
Oreintale
Hindustan
Japanese Sandman
Makin' Whoopee (from WHOOPEE!, Samuel Goldwyn, 1930)
Medley of Shirley Temple songs from 20th Century-Fox musicals (next 8 selections)
On The Good Ship Lollipop (from BRIGHT EYES, 20th Century-Fox, 1934)
But Definitely (from POOR LITTLE RICH GIRL, 20th Century-Fox, 1936)
An Old Straw Hat (from REBECCA OF SUNNYBROOK FARM, 20th Century-Fox, 1938)
We Should Be Together (from LITTLE MISS BROADWAY, 20th Century-Fox, 1938)
Early Bird (from CAPTAIN JANUARY, 20th Century-Fox, 1936)
When I'm With You (from POOR LITTLE RICH GIRL, 20th Century-Fox, 1936)
Goodnight My Love (from STOWAWAY, 20th Century-Fox, 1936)
At The Codfish Ball (from CAPTAIN JANUARY, 20th Century-Fox, 1936)
Stormy Weather (from STORMY WEATHER, 20th Century-Fox, 1943)
Medley of motion picture themes/title music/scores (next 3 selections)
Tara's Theme (from GONE WITH THE WIND, Selznick Studios, 1939) 
Laura (from LAURA, 20th Century-Fox, 1944)
As Time Goes By (from CASABLANCA, Warner Bros., 1942)
Medley from Warner Bros. musical pictures (next 5 selections)
(musical quote from) 42nd Street (from 42nd STREET, Warner Bros., 1933) 
The Shadow Waltz (from GOLD DIGGERS OF 1933 Warner Bros., 1933)
untitled garden scene melody (from GOLD DIGGERS OF 1935, Warner Bros., 1935)
By A Waterfall (from FOOTLIGHT PARADE, Warner Bros., 1933)
All's Fair In Love And War (from GOLD DIGGERS OF 1937, Warner Bros., 1936)
Oxford Street
Paramount On Parade (house theme, from PARAMOUNT ON PARADE, Paramount Pictures, 1930)
I n t e r m i s s i o n
(beginning missing) Where Or When (from BABES IN ARMS, M-G-M, 1939 of '37 B'way show)
Medley from Fred Astaire and Ginger Rogers RKO musicals (next 8 selections)
The Piccoloino (from TOP HAT, RKO, 1935)
Let's Face The Music And Dance (from FOLLOW THE FLEET, RKO, 1936)
Night And Day (from THE GAY DIVORCEE, RKO, 1934)
The Way You Look Tonight (from SWING TIME, RKO, 1936)
Change Partners (from CAREFREE, RKO, 1938)     
Pick Yourself Up (from SWING TIME, RKO, 1936)
They Can't Take Away From Me (from SHALL WE DANCE, RKO, 1937)
Nice Work If You Can Get It (from A DAMSEL IN DISTRESS, RKO, 1937)
Medley from Metro-Goldwyn-Mayer musicals (next selections)
Begin The Beguine (from BROADWAY MELODY OF 1940, M-G-M, 1940)
If I Only Had A Brain (from THE WIZARD OF OZ, M-G-M, 1939)
You Made Me Love You (I didn't Want To Do It) (1913) (featured in  BROADWAY MELODY OF 1938, M-G-M, 1937)
Isn't It Romantic (from LOVE ME TONIGHT, Paramount, 1932)
Medley (next 4 selections)
Taking A Chance On Love (from CABIN IN THE SKY, M-G-M, 1943)
The Boy Next Door (from MEET ME IN ST. LOUIS, M-G-M, 1944)
Love Is Here To Stay (from THE GOLDWYN FOLLIES, Samuel Goldwyn/United Artists, 1938)
Thou Swell (1927) (featured in WORDS AND MUSIC, M-G-M, 1948)
Medley from SINGIN' IN THE RAIN (M-G-M, 1952) (next 5 selections)
Broadway Rhythm
You Are My Lucky Star
Would You?
You Were Meant For Me
Broadway Melody
Paramount On Parade (house theme)

Jim Riggs- Oakland Paramount Pops- March 18, 1995

TOM HAZLETON- Stanford Theatre- July 5, 1998
ATOS National Convention 1998. 3/20 Wurlitzer. 
Sunday, July 5, 1998. Palo Alto, California, 9 a.m.
Recorded by William O. Schlotter, NorCal TOS/ATOS, on DAT tape. 
Transfer from DAT and slight editing by Matías Bombal, September 8, 2022.
Program:
Introduction- David Packard
The Lady Is A Tramp
You, You, You
Strangers In The Night
Pizzicato Polka
Medley of George Gershwin hits (next 5 selections)
Swanee
Summertime
I Got Rhythm
But Not For Me
Our Love Is Here To Stay
In A Monastery Garden
The Birth Of The Blues
I n t e r m i s s i o n
Introduction to the second half- Ken Double, convention emcee
I Can't Believe I'm That You're In Love With Me
Make Believe (some slight DAT digital dropouts are present) 
Button Up Your Overcoat
Lolita
I've Got You Under My Skin
Brig Fair
Sunday
The Lost Chord
God Bless America/I Left My Heart In San Francisco/San Francisco

Photo: Stanford Theatre auditorium, www.StanfordTheatre.org

I am beholden to those kind folks that have contributed to the Go Fund Me campaign that makes possible my work in bringing these recordings to the internet for your listening pleasure. THANK YOU.
-Matías Bombal

Playback equipment service, maintenance and repair: Mark Pollock

Contributors to the Go FundMe:
Christian Elliott, Jeff Porto, Mark Fontana, Chris Nichols, Mark Herman, Luke Staisiunas, Christopher Attison, Mary Zeppa, Pete Poulos, Donald Binks, John Davey, Frank Vanaman, Richard Glazier, Donna Hill, Thomas Mathiesen, Stephen Ashley, Dennis Wilhelm, Michael Kinerk, Jeanne Nourse and 2 persons that wish to remain anonymous.
Again, THANKS!
Your contribution to the ongoing preservation and digitization of these recordings, that they may be heard in this fashion, may be made here:
https://gofund.me/00ff01ee

Tom Hazleton- Stanford Theatre- July 5, 1998

GUS FARNEY- Paramount Theatre after hours- 1958
Salt Lake City organist Gus Farney visits the Oakland Paramount after hours. 4/20 Wurlitzer Publix # 1
Recorded in STEREO by Tiny James on open reel tape.  
Transfer, slight editing and noise reduction of master tape by Matías Bombal, September 22, 2022

This is not a performance, just an informal visit captured on reel tape that only would have been shared between Tiny James, Larry Bray and Gus Farney.   At the time, the two from Salt Lake City were touring the USA to look at organ installations to assist with ideas for the Lawrence Bray Organ Loft "Colossus" organ.
There are incomplete selections and the sudden stopping and starting of the open reel deck.  You may hear the janitorial staff off the Paramount turning up seats in each row and sweeping the theatre throughout the recording. We have left it exactly as found on the tape from the collection of the Organ Loft, Salt Lake City entrusted to our care by Curt Wood.
Likely recorded by Tiny James, who made arrangements for Gus to visit the theatre after operating hours.  As far as we can tell, this is the earliest stereo recording of the Paramount's original installation.
Actually, it is quite miraculous that it exists at all.  After it served its purpose, Larry Bray used the first 15 min. of the reel to record over the Paramount recording with selections at Salk Lake City.  The Paramount recording starts after the portion recorded in Salt Lake City. There may have been more of the Paramount from this day, but that part is gone, but what remains is the most haunting and extraordinary audio archeology, in stereo no less. Having heard many stories the original Paramount installation was not ideal, this recording suggests that that viewpoint was perhaps a matter of opinion.
Tom DeLay assisted with pinpointing the date of the recording as he notes it was during a time that a non-Wurlitzer rank was installed in the organ; a Robert Morton English Horn.

Photo: The Oakland Paramount's Publix No. 1 console, one of only 10 made in this style, for Opus 2164, shipped to the Paramount on July 28, 1931.  Ron Downer took this photo in 1958. Geoff Hansen collection.

Vintage audio equipment used for transfer and digitization maintained and serviced by Mark Pollock.

Thanks to the contributors that make the transfer of these recordings possible, including: Simon Moran, Jack Rhine, Dick Taylor, Edwin R. Sinclair, Joe Owen, Randy Warwick, Esther Vasquez, Nick Grbac, Shane Franz, Thomas Klose, Michael Eastman, Christopher Booras, Larry Fenner, Christian Elliott, Ryoki Yamaguchi, Jeff Porto, Mark Fontana, Michael Fellenzer, Chris Nichols, Mark Herman, Luke Staisiunas, Christopher Attison, Mary Zeppa, Pete Poulos, Donald Binks, John Davey, Frank Vanaman, Richard Glazier, Donna Hill, Thomas Mathiesen, Stephen Ashley, Dennis Wilhelm, Michael Kinerk, Jeanne Nourse and 3 persons that wish to remain anonymous.  If so inclined, you may contribute to the ongoing transfer and uploading of rare theatre organ recordings in this fashion at our Go Find Me link:
https://gofund.me/00ff01ee
Alternately, here is a link if you prefer to use Pay-Pal:
http://paypal.me/mabhollywood
Or, postal mail if you wish to send a check: 
Matías Bombal
287 Cruise Way
Sacramento, California
95831-1006
USA
Many thanks!

Gus Farney- Oakland Paramount After Hours- 1958

JIM RIGGS- Paramount Theatre Movie Classics- September 20, 1993, THE MUSIC MAN
Jim Riggs plays the house in for the September 20, 1993 screening of THE MUSIC MAN at the Oakland, California  Paramount Theatre of the Arts, PLUS Jack Bethards and Dec-O-Win.  4/27 Wurlitzer
Recording via suspended Paramount house cardioid microphones on to high bias cassette tape, collection of Jim Riggs. Transfer, with cassette Dolby B NR applied, by Matías Bombal, October  17, 2022.
Program:
-7:30 p.m.  console rises with:
If I Had A Girl Like You
Twenty Million People
Brother, Can You Spare A Dime?
But Not For Me
S'Wonderful
Love Is Here To Stay
Liza
Nice Work If You Can Get It
Embraceable You
I Got Rhythm
Jumping Bean
El Capitan
Nobles Of the Mystic Shrine
Seventy Six Trombones
Paramount On Parade (console down)
- 8 p.m. On screen (not recorded): Paramount Sound News, Warner Bros. Cartoon, Previews of Coming Attractions. 
-As the previews end, the Paramount Broadway Matinees/Dec-O-Win film snipe soundtrack that closes the preview reel may be heard as the organ console rises to accompaniment position and the orchestra elevator raises to stage level with the spinning Dec-O-Win wheel...
Dec-O-Win with JACK BETHARDS accompanied by JIM RIGGS featuring Shelly at the Dec-O Win wheel, and prize runners in the house; On the main floor- Steven Stich and in the balcony, Ken Walters.
Paramount on Parade- Console and orchestra elevator down, for start of THE MUSIC MAN.

Photo: Jim Riggs plays the house in for a Paramount Movie Classic- by Mitch Tobais

Vintage audio equipment used for transfer and digitization maintained and serviced by Mark Pollock.
Thanks to the contributors that make the transfer of these recordings possible, including: Edward Millington Stout III, Bill Taylor, Chris Nordwall, Paul Rutan, Jr., Neal Wood, Eddie Hulsey, Stephen Stich, Simon Moran, Jack Rhine, Dick Taylor, Edwin R. Sinclair, Joe Owen, Randy Warwick, Esther Vasquez, Nick Grbac, Shane Franz, Thomas Klose, Michael Eastman, Christopher Booras, Larry Fenner, Christian Elliott, Ryoki Yamaguchi, Jeff Porto, Mark Fontana, Michael Fellenzer, Chris Nichols, Mark Herman, Luke Staisiunas, Christopher Attison, Mary Zeppa, Pete Poulos, Donald Binks, John Davey, Frank Vanaman, Richard Glazier, Donna Hill, Thomas Mathiesen, Stephen Ashley, Dennis Wilhelm, Michael Kinerk, Jeanne Nourse and 3 persons that wish to remain anonymous.  If so inclined, you may contribute to the ongoing transfer and uploading of rare theatre organ recordings in this fashion at our Go Find Me link:
https://gofund.me/00ff01ee
Alternately, here is a link if you prefer to use Pay-Pal:
http://paypal.me/mabhollywood
Or, postal mail if you wish to send a check: 
Matías Bombal
287 Cruise Way
Sacramento, California,
95831-1006
USA
Many Thanks!

Jim Riggs- Paramount Movie Classic- September 20, 1993- The Music Man

JIM RIGGS- Paramount Theatre- March 28, 1992
Paramount Organ Pops Series- Oakland, California.  4/26 Wurlitzer
Recorded on the Paramount's house microphones.  Transfer from Maxell XLII  Type II high bias cassette from the collection of Jim Riggs, with slight editing by Matías Bombal.  November 28, 2022. 
Program:
-Introduction:  Jack Bethards and Peter Botto, underscored by Jim Riggs at the console in the pit
Paramount On Parade
High School Cadets
The One I Love Belongs To Somebody Else
Dreamsville
-Medley of Cole Porter hits (next 6 selections)
Let's Do It
You'd be So Easy To Love
What Is This Thing Called Love
You Do Something To Me
All Through The Night
It's All Right With Me
Her Name Is Mary
-Medley of Duke Ellington hits (next 3 selections)
I Got It Bad And That Ain't Good
Mood Indigo
Caravan
If I Had A Girl Like You
-Community Sing  "The Paramount's Uvula-Wagging Contest" (on 2nd slide) (next 3 selections)
Makin' Whoopee!
Lovely To Look At
Three Little Words
Brother Can You Spare A Dime?
I Love To Hear You Singing
-I N T E R M I S S I O N
Blue Is The Night
-Silent Movie Comedy Short "DOUBLE WHOOPEE" (Hal Roach/M-G-M, 1929) (accomp. not recorded)
Twenty Million People
When It's Sleepy Time Down South
On A Slow Boat To China
-Medley from THE BANDWAGON (M-G-M, 1952)(next 7 selections)
New Sun In The Sky
By Myself
Louisiana Hayride
Dancing In The Dark
I Guess I'll Have To Change My Plan
I Love Luisa
That's Entertainment
-Medley of Irving Berlin patriotic hits (next 3 selections)
This is the Army Mr. Jones
Any Bonds Today?
Oh!  How I Hate To Get Up In The Morning
God Bless America
-E N C O R E
Always
Paramount On Parade

Photo: Jim plays the concert finale at the Oakland Paramount in front of the garrison flag of The Presidio, lent to the Paramount by Major Fowler. 

Thanks to the contributors that make the transfer of these recordings possible, including: Gordon Belt, Edward Millington Stout III, Jasper Gong, Greg Owen, James Dawson, Judson Owens, Philip Lehle, Marti Johnson, Darren Ferreter, Terry Nace, Bill Taylor, Chris Nordwall, Paul Rutan, Jr., Neal Wood, Eddie Hulsey, Stephen Stich, Simon Moran, Jack Rhine, Dick Taylor, Edwin R. Sinclair, Joe Owen, Randy Warwick, Esther Vasquez, Nick Grbac, Shane Franz, Thomas Klose, Michael Eastman, Christopher Booras, Larry Fenner, Christian Elliott, Ryoki Yamaguchi, Jeff Porto, Mark Fontana, Michael Fellenzer, Chris Nichols, Mark Herman, Luke Staisiunas, Christopher Attison, Mary Zeppa, Pete Poulos, Donald Binks, John Davey, Frank Vanaman, Richard Glazier, Donna Hill, Thomas Mathiesen, Stephen Ashley, Dennis Wilhelm, Michael Kinerk, Jeanne Nourse and 3 persons that wish to remain anonymous.  If so inclined, you may contribute to the ongoing transfer and uploading of rare theatre organ recordings in this fashion at our Go Find Me link:
https://gofund.me/00ff01ee
Alternately, here is a link if you prefer to use Pay-Pal:
http://paypal.me/mabhollywood
Or, postal mail if you wish to send a check: 
Matías Bombal
287 Cruise Way
Sacramento, California,
95831-1006
USA
Many Thanks!

Jim Riggs- Paramount Theatre- March 28, 1992- Paramount Organ Pops

3/29 Wurlitzer organ, recorded 1965, Dot Records DLP 25656.

Ten Cents a Dance
Mountain Greenery
Where or When
Manhattan
No Other Love
Mimi
Bewitched
There's a Small Hotel
Falling in Love with Love
You Have Cast Your Shadow on the Sea
You Are Too Beautiful
Oh, What a Beautiful Mornin'

In the notes on the back of my preceding all-George Gershwin album I promised you that the next would be made up of Cole Porter's music. So here, true to form and typical, is a collection of songs by Richard Rodgers! 

Through the years I have observed with great interest how the general tone of Richard Rodgers' music would change, depending upon the lyricist with whom he collaborated.  The songs he wrote with Lorenz Hart seemed to be lighter and yet extremely romantic, while most of those written with Oscar Hammerstein are a bit more serious, at times even in an almost classical vein. 

In arranging this music for the organ, I have tried in most instances to keep in mind the close association of the song lyrics with the music. However, if you use your healthy imagination, I'm sure you'II have little difficulty in imagining that the locale of "Ten Cents A Dance" was purposely shifted from an early l930s taxi dancehall to a latter-day burlesque theater, complete with runway, blue spotlights, and rather strong emphasis on the bumps and grinds aspect of such an establishment.  

Incidentally, all of the drums and cymbals you'lI hear are connected to the organ, as are all the other percussions and effects.  No, Mrs. Jones, we did not hire a batter of drummers to “bump along with George.”

You will notice additional deep, mellow bass, for this is the recording debut of a Skinner 16’ Wood Violone which has just been added to the unenclosed Pedal division of my studio organ.  Also new to the organ for this recording is a 50-year-old rank of Hope-Jones Tibia pipes which were rescued by Roy Gorish and Dick Hull from the organ of the old Isis Theater in Denver when that building was demolished. This set of Tibias will be heard on the left channel in Stereo. 

I'd like also to call attention to the cool-sounding Flute Celeste stop which backgrounds the Trumpet solo in "There’s a Small Hotel," a rather refreshing sound, I think, in comparison with some of the bombastic, strident colors used in "Bewitched" and "Mountain Greenery."

Included in this album are what are to me two of the most tender and touching popular love songs ever written: "Where or When," written with Lorenz Hart, and "No Other Love," the latter adapted from "Beneath the Southern Cross," from the Rodgers instrumental score for the "Victory at Sea" television series . . . two completely different yet effective approaches to that fascinating subject called L-O-V-E. 

Once again, as with the Jesse Crawford album tribute, I was faced with choosing twelve songs from a tremendous output of outstanding music.  What to do about it?  I simply chose some of my own Richard Rodgers favorites, hoping they might be your favorites too.

George Wright

George Wright Plays Richard Rodgers on the Wurlitzer Pipe Organ

4/29 Wurlitzer, Chicago Theatre, July 4, 1977.  Amateur recording, source unknown.

00:00 Valencia
01:28  Totem Tom-Tom
04:11  Zigeuner
07:46 Veil Dance (Friml)
12:09  Spring Fever
14:01  All Through the Night
18:37  Holiday in Rio
21:26  Feelings
24:44  Black Moonlight
28:22  One Night of Love
32:30  Two Guitars
36:21  The Whistler and His Dog
39:15  American Bolero
43:28  I'm Confessin' (incomplete)
45:10  The Hustle
47:21  So Blue
50:36  FLYING DOWN TO RIO Selection:
            Flying Down to Rio; Orchids in the Moonlight; The Carioca
55:34  Wonderful Baby
58:13  Basin Street Blues
62:37  Roller Coaster (incomplete)
64:08  Moonlight on the River
67:55  My Romance
71:44  PATRIOTIC MEDLEY:
            Yankee Doodle; Dixie; America the Beautiful; Home Sweet 
            Home; God Bless America
77:57  Chicago

Jim Riggs- Paramount Theatre- March 28, 1992- Paramount Organ Pops

Matías Antonio Bombal

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