Calming but with an ominous vibe creeping in.

EZEKE GREY aka 'THE SUNSHINE MAN EZEKE' Sadly Died on Monday 21st March in Jamaica
I will always respect and love him for the unconditional help and support he gave to me with my Music. So sorry for the Great Loss of our Friend. 
BLESS YOU EZEKE AND THANK YOU Dear Man

HOME of Sheila G-La

Rest in Peace our Friend EZEKES RAGGAMUFFIN

Dreamy Sequence

A Murmuration of Starlings

"The Egerton Manuscript listed a 'murmuracyon' back in 1468 & most subsequent lists from the 15th Cent include this entry. As with many terms describing flocks of birds this one is inspired by the sound the birds make when they flock together."
[Chloe Rhodes]

Bill Boethius: guitars.
Guitar used is a Fender Stratocaster hardtail.

Composed, performed & produced by Bill Boethius

A Murmuration of Starlings

Many thanks to Vincent (Event 49) for the wonderful track 'Sultry'.

https://soundcloud.com/event49/brom?si=28a49449a9a841f5b3ec4196996b8faa&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

SULTRY - Cyclone Mix [Event 49]

short.PV↓↓
https://www.instagram.com/reel/C6wDGC0yrJK/?utm_source=ig_web_button_share_sheet&igsh=MzRlODBiNWFlZA==

Struggle and live..
Let's live in this world we live in now with our feet on our feet!!!👍✨

Struggle and live...

Check out our second video:

https://www.youtube.com/watch?v=uQ5uX4p2GWc&ab_channel=LowTechniqueCovers

Cast of Characters:

John_Anthony-- @john-anthony-871225464 --guitar, mandolin

The Mysterious Decibel-- @themysteriousdecibel – vocals

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and harmony on the end vocals

TexMex Shaman–@texmex-shaman –Stephen– banjo, production, and mix

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, melody and harmony on the end vocals

This song began with John, who is a verifiable expert in all things Jimmy Page, asking Josh and the Eclectic Collective if they'd like to cover another Led Zeppelin song to follow Hey Hey What Can I Do? Of course, the Eclectic collective is always down to sink their teeth into some of the best rock and roll ever made. John found us recordings of the original Zep version that were separated into their individual tracks, so as we were adding, we could hear what our part would've sounded like playing with the original band. What a thrill!
  Ken was first to complete his part, and did a great job of capturing the frenetic energy of Bonzo. John was up soon after, amazing us with a note for note interpretation of Page on both the guitar and mandolin. Josh came next, after nearly deciding that JPS's part was too difficult. It wasn't. Then, when the bulk of the music was recorded, MD came through and stunned us with a brilliant interpretation of Plant's vocals. To bring it to a boil, Stephen then laid down his magical banjo in there, too. Lasty, Ken and Josh polished it off with some background vocals at the end. 
  Of course, every great song needs a great producer, who in this case was Stephen. He managed to even it out and get it to sound not only like the album, but very dynamic, as well. 
  This is the EC's second collaboration with John, and we're all stricken by how proficient he is at playing Page's material. If you dig what we did here, you can check out the video, too, right here, of us playing. It's on John's YouTube page, which also contains scores of other favorites from Zep, Floyd, and others. If you are interested in seeing how your favorite Zep tunes were played, it's definitely worth a stroll through and watch.  Here's the link to his page. Also, you can find us doing Hey Hey What Can I Say? on there, too.  https://youtube.com/@johnanthony5720?si=7YqvUXLKkuXT4qjy
  We hope you enjoy listening to this song as much as we enjoyed making it.

Gallows Pole-Eclectic Collective( Led Zeppelin Cover)

Composition and Sampling collage by Synline.
Art Work by summerstock

Urbanicity

Better, Better

'I Wanna,I Need It'.

Collision

Tip to Toe

A collection of tracks I made in the last couple of years that resonated with me, showcasing a more ambient and lyrical side of my project

It can be envisioned as the soundtrack of an imaginary video game, movie, or a meaningful experience about growth

Some of them had early incarnations in the exclusive mixtape I did a while ago for Ex Magazine: soundcloud.com/ex-magazine/ex002-zero-crossing-point-1

cover made using Midjourney and a bunch of product and fashion pictures as references

On your own (initiative)

*Instrumental*Video game*Soundtrack*Metal*              
~~~Link to buy my books (music theory)~~~
https://www.amazon.com/stores/author/B0CJLDQX5Y/allbooks?ingress=0&visitId=f732dec9-9a96-45e0-b5bd-b481d674275e&store_ref=ap_rdr&ref_=ap_rdr

Dreamy Sequence

matauwus

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