Live Session • Jan Loup b2b Maquis son sistem

"DANCETRAX I" is the first installment in the DANCETRAX series by Belgrade-based producer & DJ: Neutron. Building upon the spirit of his club sound Neutron dives even deeper into big arena sound with this EP.

The progressive and deep aspects of his music blend with darker techno, culminating in a 4-track exploration of evolving sonic layers. Neutron continues to delve into the infinite potential of 909 and 303, drawing inspiration from the 90s.

This limited yet evocative electronic setup seamlessly intertwines the artist's vision with each session. The result is a rich tapestry of rhythms and textures, with "DANCETRAX I" immersing listeners in an even deeper exploration of Neutron's creative journey and genre-bending prowess.

NEUTRON - DANCETRAX 1.0 (HOUSE NATION)

4 tracks rescue from the vault produced in 1994-2016 by the legend J. Meurisse (Signal Out 42, Amnesia, DJPC, Pleasure game...), one of the pioneers from the genres new beat, EBM and early techno belgium sounds

B1 - In Da Place

This is the first chapter of my new mix series, featuring a collection of some of the wonderful exotic gems I discovered recently.

Bird Tribe - The River
Dream Dolphin - Image-Respect
Pieter Kock - Untitled #4
Sabda & Arthur Alfocéa - Pangea
Kadef Abgi - Rahma
Alexander Korostinsky - Altin Maske
Anatolian Weapons - To The Mother Of Gods
Maya Ongaku - Nuska
Joaquín Cornejo - Spirit Of Love
Isaac Birituro & The Rail Abandon - Told You So
Nino Katamadze - Olei
The Quiet Ones - Tentação
As Ganhadeiras de Itapuã - Maré mansa
Tewodros Mekonnen
Gigi Masin - Marilene (Somewhere in Texas)

Campfire Tales №1

Follow Nemanja Velimirović on SC: @ichbinklonen

happyandsadincapslock 002: Nemanja Velimirović³⁶⁹

First Yes signee - A//O is back for our 10th release! Is this acid sludge or industrial jazz ? Who gives a fuck anyway.

1. Future Discussions
2.Further Crimes 
3.Fourth Density 
4.Drums Ex Machina II Reworked 
5.Odd Opponent

Mastering:
Goran Simonoski @ La Plant Studio

@a-o-22

BUY NOW

YES010 - A//O - Drums Ex Machina (OUT NOW)

RADIO.D59B / ASYNC COMM #9 w/ Andria

Matej Rusmir debuts with a lot of style on WAXX TRAX with his 'Umiem EP'. This astonishingly talented young producer is only sixteen at the time of releasing this record, and he has been making music for the past 4 years. Incredible, right? He plays several instruments and is also in a band, so expect a lot of music from Matej in the time to come.

Now his music has taken shape, a shape that usually comes after years of raving and crafting sounds. Matej simply feels it, and makes his own sounds under strong influence of nights spent in Drugstore club in Belgrade and music by artists like Nina Kraviz & Bjarki. These influences are personal, but don't reflect the music that much. Matej has his own signature sound and a way of layering everything down.

Enjoy slow scapes and drone sounds of the undefined orient backed by solid machine groove.
Sound is rich, but not crammed, everything has it's place.
With bits of acid here and there and mad melting pads all the way, these tracks are meant to be experienced...

Your room or a dark club, it's up to you!

Support the artist and the label and buy the release!
Love, WAXX TRAX

Delivered by Label Worx: www.label-worx.com on behalf of WAXX TRAX: fb.com/waxxtrax

WAXX037 : Matej Rusmir - PCNL

another track with Eiji Shibata from "Tengu Moon"

Diji

Representing the city of Geneva here is Second Circle affiliate Androo (androo-3) with his "m'enfin?!" mix in the MFM series. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Androo, thanks for contributing. For the readers who haven't been to Geneva before, could you describe the city a bit in terms of culture?

A: Mmmh, there are many things to say about the city. I feel that my generation came just after a certain “golden age” of the “underground” music culture. Geneva had a lot of squats during the 90s and early 2000s but now the political situation isn’t the same. Today we don’t have many non-normative venues allowing experimentally and who aren’t based on economic profit. For me, there is a certain vision missing from various clubs in the city. It feels sad that filling the room seems more important than exploring and defend other ones. I feel the potential of night culture and dance which is based on the collective energy of a certain youth is channeled into a kind of apolitical and dull consumption. I wish one day, the night may serve to create more spaces for political and experimental moments! But there is something amazing going on in Geneva, it’s the sound system scene. 

MFM: Your music as Androo sounds quite melodic and touches many different styles in an oddball kind of way. Where does all that come from? 

A: I was playing the piano when I was a child but I wasn’t working really hard (what’s work when you play?), I always preferred composing little things. There was also music in church. Later, I’ve had some reggae bands. I have always been a bit romantic with music. But the real explosion was the discovery of the sound systems culture. Every two months there was the Dubquake organised by OBF in Geneva (it’s still going strong!). Their style was informed by new wave melodies and futuristic dub sound, their sound and musical explorations created something really physical, experience! Around the same time I discovered what the music studio can be. You mix a new song and the same night you play it out, without a fuss, dubplate style. Later I opened up to other stuff and soon tried to bring together irreconcilable things. For more than a year now, I dived deep into jazz piano and contemporary music. Every day I do exercises, scales, etc, some of them become musical compositions. 

MFM: Could you take us on a tour through your studio? What's the vibe like, what's in there?

A: There is a mixing console with external effects, everything is done live. This is how I learnt it from the dub. I don’t do much arrangement on the computer, the track is being built at the console: you remove the bass now and then put a delay on the piano, everything is recorded in one take. It’s about the hands. There are some mistakes and you let them be, that is what makes music alive. There are some synths and drum machines, boxes of matches, wood pieces. I am just trying things out, it’s kind of a space for experimentation. It’s about researching, letting problems appear, chance is also important. Not everything is smoothen out, it’s about acceptation. You throw stuff on the floor, you accept them and then start from there.

MFM: Are you keeping it strictly to writing and recording music?

A: For now I don’t do electronic live acts. But I do piano lives. I keep them raw and experimental, so in a way it’s also influenced by the dub. I have been DJing since quite some time now. I approach mixing a bit like editing in cinema, I try to do cuts, rapprochements and loose associations. DJing is also somehow about friendship, the fact of doing, of organising parties together. Djing is great but feels a bit repetitive most of the time so I try to propose other things with DJ May and other. We are both drawn to cinema and theatre. So we started to read texts in the middle of a set, adding small dance pieces or even mixing silence. For us it’s about proposing simple and non extraordinary little experiences.

MFM Mix 014: Androo

A collection of fine Hot Wheels OST from the games: World Race, Stunt Track Challenge & Acceleracers. 

Mixed by @djblech

Hottest Wheels (OST Compilation Mixed by DJ Blech)

Born in Belgrade Serbia in 2000. Now studying sound recording and sound design.
Currently on route of great expansion of his club consciousness.
In 2018 Rusmir started Drugstore event series called Insolence with Andria, as youngest representatives of the local club scene.
Since 2021 Rusmir is a part of Yes Belgrade label with few releases and Yes events in Drugstore.

matejrusmir@gmail.com

WAXX037 : Matej Rusmir - PCNL

Matej Rusmir

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