yeaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaah

ja oder?

Phantogram "When I'm Small" (from Eyelid Movies)

02 the start of something

Our new single, "Shades," from our upcoming album, Cosmos, out 2/25 on Barsuk Records.

For more on Yellow Ostrich, visit: http://yellowostrich.com
Connect with us on Facebook: http://www.facebook.com/YellowOstrich
Follow us on Twitter: http://twitter.com/yellowostrich
-----
For more about Barsuk Records:
http://www.barsuk.com
http://twitter.com/barsukrecords

Shades

Ben Howard - Old Pine

Single off Split Screens' debut LP, Before the Storm, out 9/9/14

Jesse Cafiero: Vocals, Piano, Lap Steel, Synths, Autoharp
Phil Pristia: Electric Guitar
Rory O'Connor: Drums, Organ
Geneva Harrison: Percussion
Greg Waters: Tenor and Baritone Sax
Bill Smolik: Trumpet

Written by Jesse Cafiero
Produced and Engineered  by Jeremy Black 
Coyote Hearing Studios, Oakland, CA
Mastered by Brian Lucey 
Magic Garden Mastering Los Angeles, CA




Buy 

Stand Alone

After spending two years living on opposite coasts and pursuing their own creative projects, Ivan Howard and Kelly Crisp returned last spring to set to work on the sixth full-length album from the Rosebuds. Joining up with Bon Iver frontman Justin Vernon (a friend and former bandmate who, in a 2011 interview, noted that the Rosebuds make “some of the most important music in the world”), the North Carolina-bred duo spent a week in Vernon’s studio teasing out a batch of songs that effortlessly weave the hooky songcraft of classic jangle-pop, the cagey romanticism of new wave, and a refined yet full-hearted sensibility all their own. Featuring Vernon on guitar and synths—as well as Bon Iver drummer Matt McCaughan and and Sylvan Esso's Nick Sanborn on bass, both longtime pals and cohorts of the Rosebuds—the resulting Sand + Silence radiates both a graceful intensity and the loose, joyful energy that comes from making music with friends.

Extracting brilliance from easy collaboration is old hat to the Rosebuds, who formed in 2001 and carried out their first live shows as performance-art pieces that turned the stage into a replica of their own living room. “From the beginning we knew we weren’t going to be a regular band, that we wanted to keep it fun and creative, like an ongoing art project,” says Crisp. With their most recent releases including collections of original Christmas and Halloween songs and a record of Sade covers, the Rosebuds catalog reveals the restlessness of their creative appetites by shifting from the acoustic balladry of 2005’s Birds Make Good Neighbors to the dark synth-pop of 2007’s Night of the Furies to the dreamy indie-rock of 2011’s Loud Planes Fly Low. “One of the main things that’s kept this band going is we have no rules about what kind of music we should record or who can help us record it” says Howard. “We’ve always kept it free and open, and never been scared to go in strange directions. The songs themselves, whatever they want to become, are always first.” But despite the anything-goes approach, the Rosebuds invariably stay true to a melody-centric musicality that’s driven by their singular chemistry, delicately crafted songwriting, and untamable excitement about the possibilities in making art.

Co-produced by the Rosebuds, Vernon, and BJ Burton, Sand + Silence began when Howard (who had recently launched a solo project under the name Howard Ivans) came to New York in early 2013 to work with Crisp (who had newly entered Columbia University’s graduate program for fiction writing). While their original intention was to revamp a number of songs cut from Loud Planes Fly Low and turn those tracks into an EP, Howard ended up sitting down at a piano in the studio and sketching out a whole new series of songs. “I decided to quit trying to force the older songs into something that worked for us, and instead write some new ideas and just see what happened without any pretense,” he says. “Right away it just felt really good and sounded like a new Rosebuds record to me—the tone and melodies reminded me of the lightness of the early Rosebuds days, with this feeling of the music being new and inspiring but still so simple that almost anybody could play it.” Once they settled into Vernon’s April Base Studio in Eau Claire, Wisconsin, the Rosebuds devoted a week to bringing those new songs to life by recording live (a previously unexplored tactic for the band). “Everyone in the room we were working with is such a great musician, so we’d hit record and the whole thing would just sail,” says Crisp. “Everything would get done in just one or two takes, and the songs all ended up having this buoyancy to them.”

The Rosebuds - "Blue Eyes"

Young and Free from Loner by Sucré
http://itunes.apple.com/us/album/loner-ep/id911104449

Young And Free

With the band sharing a similar postcode to the Arctic Monkeys (before they buggered off to America) one would be forgiven for thinking that Sheffield's The Starkins were just aping (not even sorry) their home-town heroes, but whilst they might well have their roots in jangly mid '00s indie, the fact remains that when the aforementioned dropped their debut single in 2005, The Starkins hadn't even started high school. 

As far as bands go, they don't get much more fresh-faced than The Starkins, though we mean that in the literal sense. For all their youthful exuberance, the band have been together a little under four years, in that time amassing a handful of tracks in a career that belies their relatively young years. The most recent track to be added to their arsenal is 'Paper Cuts', and like each of their singles before it, shows listeners a different side to the band, and marks a notable step up in both production and composition.

Those of you familiar with The Starkins needn't worry though; the loose guitars haven't been tightened beyond recognition, and the track still harbours the same irresistible pop sensibility that endeared fans to them in the first place. There does seem to be a murmuring of a maturing process taking place however. Is this the sound of The Starkins growing up?

Paper Cuts

second gear

West Coast

Hey Marseilles - West Coast

Track from the split 7" by The Zolas and The Liptonians.
Released 11 October 2011 on Light Organ Records.
http://www.simkinartistmanagement.com/store/products/56

Coconut Record-s The Summer

Indie Playlist

Recent comments

Microsysteme

Related tracks