Shlomi Aber & Guy Gerber -  Sea Of Sand (Cocoon)

Steady Note

A: Mark Broom & Brothers’ Vibe – “Mind/Feeling” (youANDme EDIT) – [2015 Master]

Cat: CUTZ#5

Releasedate: 16.02.2015 

Infotext:
CUTZ#5 features one classic youANDme EDIT of Mark Broom vs. Brothers’ Vibe which was a big club hit back in the days. We realized that this timeless track was not available anymore and that’s why we decided to re-release it again with a better mastering by Markus “Gaetano” Müller at Perla Audio.

Mark Broom Vs. Brothers Vibe: "Mind/Feeling" (youANDme EDIT) / CUTZ#5

It's been 10 years since their last release on 20/20 Vision, but it is with great excitement that we welcome Spirit Catcher back to the label with their aptly named Blast From The Past EP! 

As one of the corner stones of 20/20, their early singles and album are legendary label artefacts and these guys were total pioneers of the cosmic, disco infused house sound which then became prominent in following years. 

Blast From The Past has been getting heavy rotation in Ralph Lawson's sets over the summer and so we're really glad to finally see it reach the light of day. This one is a trip into hyperspace with cosmic synth pulses leading the way before a killer bass line takes you track straight to planet Spirit Catcher! 

On the flip Closer takes the trip further with more expert bass hooks being joined by vox pads and otherwordly fx. The EP is finished off with Routing Madness, a homeage to the duos love for analogue studio gear which you can hear in the intricate synth patterns which pop and weave through the tracks duration. 

Blast From The Past is out 18th January. 


1. Blast From The Past 
2. Closer 
3. Routing Madness 


VIS283 - Spirit Catcher - Closer

RADIO SLAVE - I DON'T NEED A CURE FOR THIS (KENNY LARKIN REMIX)

Stream/Download/Buy Vinyl: https://TurboRec.lnk.to/staycool

The product of a songwriting duo in the rich tradition of Tiga/Hulkkonen and Tiga/McCartney, “Stay Cool" marks a return of sorts to the classic Tiga sound, which is now the modern Tiga & Clarian sound. The kinda-underground acid techno grooves and magnanimously biting lyrics paint a picture so contemporary it threatens to make you live in the moment for the rest of your life.

What began organically with Clarian contributing material and production to Tiga’s 2016 No Fantasy Required LP has evolved into a contractually-mandated partnership. Having already worked with the likes of Jamie Principle, Felix Da Housecat and Guy Gerber, the Montreal-born musician is no stranger to “the hot collab," but was still taken aback by the rigorously enforced freedom he enjoyed during the "Stay Cool” sessions. “Tiga will be the first to tell you he has no ego in the studio, and in my experience that is the absolute truth,” says Clarian. “Every idea I have, every part I write, we split the credit right down the middle.”

“Stay Cool” is a real-time disintegration of the boundaries between Tiga’s public passion for music and his private obsession with digital entertainment currencies like Quarthonium Bronze and LavaBucks. “It occurred to me that what I could not stop myself from doing - typing 'HOLD YOUR POSITION' over and over in my crypto group chat - also served as an apt illustration of my heroic lifelong wrestling match with the idea of cool. And this epiphany has opened up my experience into a 360-degree panorama of creative possibility,” enthuses Tiga. “Soon, I'll be haggling over blueberries at the farmer’s market and Clarian will instantly turn in into the sound of the summer, whether you like it or you love it."

"You’re So Special” emerged from the songwriting team sitting around the drum machine in shirtsleeves with a pot of piping-hot coffee, waiting for piping-hot inspiration to strike. The lyrics ably grapple with the now, openly wondering about the direction of bleeding-edge compassion. “You see it everywhere, from airport bookstores stocked with variations on The Art of Not Giving a Fuck to airline pilots taking time off to work on themselves mid-flight,” hectors Tiga, wagging his finger for needed emphasis. “I don’t pretend to have all the answers, but what I also don’t pretend to have is patience for those who pretend to do.”

Turbo 196 - Stay Cool

Tiga & Clarian - You're So Special

Pardon Moi Power To The People Damon Jee Remix

Stop

48 Hour Crack In Your Bass

Nothing Much

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Terr & Daniel Watts - Disko Axiom
'Permament Vacation 6' Compilation
out now on Permanent Vacation Records.

https://www.beatport.com/track/disko-axiom-extended-mix/13580305

Permanent Vacation 6

Terr & Daniel Watts - Disko Axiom (Extended Mix)

Low Blow

Low Blow (Bug vs. Hawtin)

Mathew Jonson is a phenomenon in electronic music. For nearly 40 years he has forged a sound instantly recognisable on the dance floor – often copied but impossible to imitate. Raw, analogue, and alive, he is a master of real-time performance who shapes drum machines and synthesisers into unforgettable journeys, making every show a one-off experience. From underground clubs to sold-out concert halls and collaborations with orchestras, Jonson’s name guarantees a performance of rare intensity and musicality.

His career took off in the early 2000s with influential releases on Perlon, Kompakt, M_nus, Cocoon, and ITISWHATITIS Recordings, a label where he released his very first record in 2001 and which he later acquired. Anthems like "Marionette" and "Decompression" established him as a producer of rare vision, while his live sets quickly became must-see events, consistently ranked among Resident Advisor’s top acts. During this period he was voted Best International Producer twice in Germany’s Groove Magazine, a testament to his impact on the European techno landscape, and went on to appear on the covers of DJ Mag, Groove, Synmag, and other leading publications. Unlike many, Jonson avoids the use of samples for melodic content, instead writing, performing, mixing and producing everything himself – even contributing his own voice and percussion – giving his music a depth and identity that is entirely his own.

Jonson’s discography spans era-defining singles and albums across labels like Crosstown Rebels and Fabric, where his "Fabric 84" mix captured the spirit of his live sets with unreleased edits and classics performed in real time. His two solo studio albums, "Agents Of Time" (2010, Wagon Repair) and "Her Blurry Pictures" (2013, Crosstown Rebels), expanded his scope even further – balancing intricate dance floor energy with explorations of deeper, more introspective sounds. He is currently working on his third studio album, a collaborative project featuring many artists living in Lisbon, where he now resides. His remix work is equally renowned, covering a wide spectrum of electronic music’s most influential figures. He has reimagined The Chemical Brothers ("Believe", "The Boxer"), Moby ("Slipping Away"), Cybotron ("Clear"), Kevin Saunderson ("Good Life"), Plastikman ("Plastique"), VCMG – Vince Clarke & Martin Gore ("Single Blip"), Goldie ("Redemption"), Josh Wink ("Higher State of Consciousness"), The Martinez Brothers ("No Pop"), Rone ("Nouveau Monde"), Joseph Capriati ("Love Changed Me"), Stephan Bodzin ("Tron"), and Alan Fitzpatrick ("Something Wonderful"), as well as crossover work with Nelly Furtado. These remixes underline his rare ability to bridge underground innovation with mainstream resonance.

He has also expanded beyond the club and festival circuit, collaborating with the Zurich Tonhalle Orchestra and performing a sold-out show at the Berlin Philharmonie with Cobblestone Jazz. With that group, Jonson recorded two albums for the iconic !K7 label, further cementing their reputation as one of electronic music’s most respected live acts. Another landmark moment came with "Cinemix": a world premiere performance of a newly composed soundtrack for the silent film "Faust", created live by Jonson alongside Tyger Dhula, Danuel Tate, and Hrdvsion.

Beyond performance, Jonson has continued to innovate. In 2019 he launched Freedom Engine and its debut album "A Box Full Of Magic", followed by the creation of the Freedom Engine Academy – an educational platform built with handpicked mentors to pass on knowledge and foster collaboration. Now preparing to launch its 5th annual edition in 2026, the Academy has become a vital space for nurturing the next generation of electronic musicians.

Now, 25 years since his debut "New Identity" and nearly 40 years since first making electronic music, Jonson is preparing to celebrate a milestone anniversary in his career. Represented in Europe by LittleBig, his current projects include Freedom Engine, his collaboration with Âme, and his ongoing solo work as Mathew Jonson. A pioneer, a mentor, and an artist in constant motion, Mathew Jonson continues to shape the future of electronic music with every performance and release.

Decompression

Mathew Jonson

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