Name: Decompression - Mathew Jonson (GMT Remix) by Mathew Jonson
Duration: 7 min 26 s
Description: GMT (Guy Gerber, Phil Moffa, Seth Troxler), Mike Shannon, Deadbeat, Natalia Escobar Remixes.

First out of two of Ly Sander's 'Landing' album samplers released on Special place, the package presents two tracks both serviced with a dedicated remix that offer a deep yet often unheard insight into what dance music can mean. 

Preoccupation about the impact of mankind on the planet is nothing new, as the radio excerpt at the basis of 'Marching to where' clearly exposes. Nevertheless, climate change or the war in Ukraine remind us cruelly how access to food at a reasonable price is currently at stake for parts of the world's population albeit our heavy colonization of the earth. Perspectives are rather gloomy and this track exposes just that, with a historical perspective. 

Jacques Bon was kind enough to take on remixing duties. He has released music on an array of high-rated record labels including Tim Sweeney's seminal imprint, Beats In Space, Mule Musiq, Giegling, Kann, Live At Robert Johnson and Smallville Records. Not just a solo flier, Jacques also co-produced choice deep-diving joints with the likes of Christopher Rau and Chicago House pioneers, Virgo Four. 

And if it's difficult to leave aside the seriousness of the topic of this track Jacques brought some hope and sweetness to his mix as well as his dreamy atmosphere. And with the increased bpm it's even dancefloor friendly, hurra!


https://soundcloud.com/jacquesbon
https://soundcloud.com/special-place-rec

https://www.instagram.com/jacquesbon_/
https://www.instagram.com/thelysander/


www.itsdelayed.com
www.instagram.com/_____delayed/
www.facebook.com/itsdelayed

PREMIERE: Ly Sander - Marching To Where (Jacques Bon Remix) [Special Place]

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Rising Sun - The Eternal EP (Echocord)". Out March 15th 2023. Buy here : https://echocord.bandcamp.com/album/the-eternal

Beloved Berlin producer Rising Sun delivers his new EP ‘The Eternal’ via Kenneth Christiansen’s Echocord in March 2024.
Over the past decade Rising Sun has firmly established himself as a purveyor of the finest deep, dubby and cinematic leaning house and techno, consistently delivering a sound that is distinctly his through labels such as Fauxpas, Freund Der Familie and his own numerous imprints Reality Used To Be A Friend Of Mine, Kristofferson Kristofferson and Beautiful Things Don't Ask For Attention under a variant of guises such as The Ambientist, Rising Sun Project, Rising Sun Psyche, Rising Sun Melancholia and simply
Rising Sun under which he returns here for Echocord.
As one has come to expect from a Rising Sun release ‘The Eternal’ has a firm foundation in emotive melodies and atmospherics across six alternate versions. ‘Eternal 1’ leads with muted drums, fluttering stabs and a preaching spoken word vocal. ‘Eternal 2’ edges into darked realms, merging expansive dub echoes with swelling subs and tension building strings before ‘Eternal 3’ dives head first into ethereal hypnotism via unfurling textures, soft stab sequences and a rounded kick.
‘Eternal 4’ opens the B-side with a subtly unfolding construction as vocals, chords and swinging drums run in unison. ‘Eternal 5’ then strips things back to a gritty statured feel with boomy percussion,
enchanting strings and nuanced stabs before ‘Eternal 6’ rounds out the release laying down murky, multilayered pads, widely dispersing reverberations and bubbling delays throughout.

Artist social media :

https://soundcloud.com/rising-sun
https://risingsunritual.tumblr.com
https://www.instagram.com/officialrisingsun

Label social media :

https://www.instagram.com/echocord_records
https://soundcloud.com/echocord
https://www.facebook.com/echocord.records
http://www.echocord.com

The Eternal EP

The Eternal

PREMIERE : Rising Sun - Eternal 3 (Echocord)

https://soundcloud.com/que-sakamoto
https://soundcloud.com/dsrptvrec
🛒 https://dsrptvrec.bandcamp.com
🔊 https://youtu.be/Tnp7BeHZdv4

Que Sakamoto and Noriyuki Takagi debuts in DSRPTV Records with their new EP "Kaijin". The release brings three extremely original tracks and two remixes by the Brazilian producers Numa Gama and Stroka.

PREMIERE: Que Sakamoto + NT - Kaijin [dsrptv rec]

B.Aac231 from Geneva, Switzerland, was surrounded by Disco, Funk, Techno and electronic music from an early age. Drawing inspiration from his experiences at Italo Disco parties, High NRG and various radio shows, he will take you on an atypical journey into a world of energetic, sensual and bewitching musical style.

Follow: @seanp-456251960

Artwork: @silent-shouts

You can find the tracklist on our Instagram page: /blankwave.wav

Blank Wave Guest Mix 085: B.Aac231

Oldschool_Dubtechno .Producer - The Human Design System [2025]
Slope Point [slp056] 

All tracks mastered by Dal Güel. 
Original picture by Solen Feyisa. 
Cover design by Slope Point Team.

Oldschool_Dubtechno .Producer - Generator 2-4

Wok'Huut

• 𝗦𝗶𝗻𝗾𝗺𝗶𝗻 ─ Radiant Radar [COR-001] | 𝗖𝗮𝗿𝘃𝗲 𝗢𝘂𝘁 𝗥𝗲𝗰. •

Opening a new chapter in his artistic path, 𝗦𝗶𝗻𝗾𝗺𝗶𝗻 debuts his imprint 𝗖𝗮𝗿𝘃𝗲 𝗢𝘂𝘁 𝗥𝗲𝗰𝗼𝗿𝗱𝘀 with "𝘙𝘢𝘥𝘪𝘢𝘯𝘵 𝘙𝘢𝘥𝘢𝘳", a release that sets the tone for what’s to come.

“Radiant Radar” draws from techno’s weight and intensity but slows the tempo into a more spacious zone. Industrial edges cut through the mix, but they’re tempered by a luminous synth work that shimmer across the spectrum, keeping the rhythm warm. The textures carry an analog feeling, raw but finely balanced, giving the track both a tactile presence and a sense of mystery. The atmospherics lift the mood, turning that mystery into something inviting: hypnotic, uplifting, and ready for the dancefloor. 

🛒 Buy: 
https://carveoutrecords.bandcamp.com/album/radiant-radar

▷ Play on YouTube:
https://youtu.be/3qgiGRxaaEY

🎧 Artist:
✦ Sinqmin
https://soundcloud.com/sinqmin
https://www.instagram.com/sinqmin
https://ra.co/dj/sinqmin

💿 Label:
✦ Carve Out Records
https://soundcloud.com/carve-out-records
https://www.instagram.com/carve.out.records
https://carveoutrecords.bandcamp.com

Title: Radiant Radar
Artist: 𝗦𝗶𝗻𝗾𝗺𝗶𝗻 
Label: 𝗖𝗮𝗿𝘃𝗲𝗱 𝗢𝘂𝘁 𝗥𝗲𝗰𝗼𝗿𝗱𝘀 
Catno: COR-001

Format: Digital
Master: Scope 
Release Date: September 3, 2025. South Korea

_______________________________________

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Bandcamp

Sinqmin ─ Radiant Radar [COR-001]

Junior Boys - Like A Child (Carl Craig Remix)

Download for free: http://smarturl.it/NachschubRMX

This is a long lost remix I did Wolfgang Voigt back in 1999. ‘Nachschub’ was on a limited edition ‘Japan only’ 12" that ended up launching SPEICHER.

Michael Mayer online: 
Facebook: http://smarturl.it/MichaelMayerFB
Twitter: http://smarturl.it/MichaelMayerTW
Instagram: http://smarturl.it/MichaelMayerIG
YouTube: http://smarturl.it/MichaelMayerYT

Wolfgang Voigt - Nachschub (Michael Mayer Remix)

GMT (Guy Gerber, Phil Moffa, Seth Troxler), Mike Shannon, Deadbeat, Natalia Escobar Remixes.

Decompression - Mathew Jonson (GMT Remix)

AHPO94. 

A man who needs no introduction on our part - Ukrainian genius, Kirill Kirik.

https://soundcloud.com/kirillkirik
https://www.facebook.com/KiRiK.MUSIC/

-

Afterhours:
http://soundcloud.com/afterhours-uk-au
http://facebook.com/afterhrssyd
http://instagram.com/afterhoursuk_

Afterours.

Afterhours 094: Kirik ☁

Mathew Jonson really is one of a kind.  
 
He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another. 
 
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)
 
His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.
 
And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.
 
He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.
 
Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.
 
It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)
 
"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.
 
After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.
 
His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.
 
"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.
 
In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.
 
Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.
 
"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"
 
You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.
 
"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other.  You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne


Decompression - Mathew Jonson (GMT Remix)

Mathew Jonson

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