psychedelic s2s2  took me to another atmosphere

🚂🚂🚂🚂🚂🚂🚂🚂🚂🚂🚂🚂🚂🇧🇷🏆✅🚨

🌬🔥🔥🔥🔥🔥🔥🔥🔥🚀💥

the virus

So many times pandemics have challenged humanity. But I never thought I would experience one. Just the untroubled free life, which many of us knew, no longer existed. The fear it could hit one from my closer environment, was not to be denied. Only a second vaccination helped to calm me down. 
Now the European Championship 2020 is finally over and the TV pictures of fans breaking through the station security to celebrate the victory with their peers are going around the world. 

Question: If all this is possible, a medium-sized techno event that goes on all night should also be possible? Or? What do you think?

the virus

Khainz - Running High (Jiggler Remix)

Felix Heermann - FLEX's Stairways To Mars (Original Mix/ Free Download)

'Signs' will come fully equipped not only with a stunning video directed by Ry X and Constantin Demner, but an arsenal of remixes from Kalabrese, Rødhåd and Radioslave (who also turn in a mix from their other guise Matom) to be released on white label early March.

Howling -  Signs (Rødhåd Remix)

Ben Klock - OK (feat. Elif Bicer)

Wonder (Original Mix)

Autumn Serenade (Demo)

Beautiful Day

I Want To Believe Part 1 (Sean )

Buy on bandcamp

Red Richards & Maximilian Beck - I Want To Believe Part 1 (Sean )

Etapp Kyle - Sakura

contribution for the 1st Hotze Comic Book Soundtrack "Hotze - Für Eine Handvoll Party"

2000 HSM19-6 Nagen & Saugen - Konsequent

https://www.discogs.com/Prince-Of-Denmark-8/release/9401170

Prince of Denmark - GS

More info: https://www.youtube.com/watch?v=TWmCR5_Vg54

Prince Of Denmark - GS [Forum]

Juan Atkins & Moritz von Oswald present Borderland
Transport Remixed (Tresor.298)

A. Transport (Carl Craig Remix - 12” Edit)
B. Transport (Carl Craig Remix - DJ Deep & Roman Poncet Rework)
Digital. Transport (Carl Craig Remix)

Closely following the release of the last Borderland single, the focus returns on Transport, the last collaborative album by Juan Atkins and Moritz von Oswald. 

Long time friend and studio partner of Moritz von Oswald, Carl Craig provides a new take on “Transport”. Extending and stripping the original sequence to its bone, the illustrious Planet E president and illustrious Detroit proponent also summons a stepping drum sequence and a swaying array of moving delays. This 12“ edit is cut on the A-side.

The full version of Carl Craig’s remix clocks just above 20 minutes and is available digitally. Both are available to anyone who purchases the record, through the enclosed download card.

On the flip, DJ Deep & Roman Poncet rework Carl Craig’s remix, adding their signature grooves and myriad of tough drums, to full effect.

Tresor.298 will release on November 3rd on 12” vinyl and digital.

Juan Atkins & Moritz von Oswald - Transport (Carl Craig Remix - DJ Deep & Roman Poncet Rework)

Tom Dicicco - Material Things (Patrick Gräser Mix)

w+p by M.Kohlbecker & B.Dewald
additional Edit by Ben "Shine" Dewald


whatpeopleplay

Ear Spankers - Ich Will Ben Shine Edit Snippet

Marionette

Everything in Felix's life has to do with music.
_____________________
Contact/Requests

If you have a Booking- request, feel free to get in contact. Please mail to info@uliversum-booking.de  !

More Info - http://www.uliversum-booking.de/live/flex

____________________________________
Bio

Having started making music as a youngster, such as playing in a punk band, it was in 1998 that he visited his first techno party. Never before had he experienced something like that. It seemed to him that everything was allowed in this new exciting music - old systems and musical rules did no longer exist. After his night of "aha" moment, Felix sold his bass guitar, bought his first synthesizer (Korg/M1) and started to produce electronic music. 

A lot has changed since then. He has performed LIVE throughout Germany with artists like Der Dritte Raum, D. Diggler, Tobi Neumann, Index ID, SONO, Norman, Frederico Melani, SQL, Neelix, Rico Loop, Sender Berlin, Tobi Dreher, Pan Pot, Peter Latino, Frank Lorber and others. 

Currently, he works on his solo project known as Felix Heermann (LIVE). 

"My music is made for LIVE experience. For me, everything is possible in music. It took me quite some time to get at where I am right now, but the work has always been very gripping, and it smoothed different ways of making music. I hope you enjoy my sound! For more music of Felix just visit the following links: 
http://felixheermann.bandcamp.com
https://www.mixcloud.com/felix-heermann/; https://soundcloud.com/felix-privat;
https://soundcloud.com/waffensupermarkt/flex"

Mathew Jonson is a phenomenon in electronic music. For nearly 40 years he has forged a sound instantly recognisable on the dance floor – often copied but impossible to imitate. Raw, analogue, and alive, he is a master of real-time performance who shapes drum machines and synthesisers into unforgettable journeys, making every show a one-off experience. From underground clubs to sold-out concert halls and collaborations with orchestras, Jonson’s name guarantees a performance of rare intensity and musicality.

His career took off in the early 2000s with influential releases on Perlon, Kompakt, M_nus, Cocoon, and ITISWHATITIS Recordings, a label where he released his very first record in 2001 and which he later acquired. Anthems like "Marionette" and "Decompression" established him as a producer of rare vision, while his live sets quickly became must-see events, consistently ranked among Resident Advisor’s top acts. During this period he was voted Best International Producer twice in Germany’s Groove Magazine, a testament to his impact on the European techno landscape, and went on to appear on the covers of DJ Mag, Groove, Synmag, and other leading publications. Unlike many, Jonson avoids the use of samples for melodic content, instead writing, performing, mixing and producing everything himself – even contributing his own voice and percussion – giving his music a depth and identity that is entirely his own.

Jonson’s discography spans era-defining singles and albums across labels like Crosstown Rebels and Fabric, where his "Fabric 84" mix captured the spirit of his live sets with unreleased edits and classics performed in real time. His two solo studio albums, "Agents Of Time" (2010, Wagon Repair) and "Her Blurry Pictures" (2013, Crosstown Rebels), expanded his scope even further – balancing intricate dance floor energy with explorations of deeper, more introspective sounds. He is currently working on his third studio album, a collaborative project featuring many artists living in Lisbon, where he now resides. His remix work is equally renowned, covering a wide spectrum of electronic music’s most influential figures. He has reimagined The Chemical Brothers ("Believe", "The Boxer"), Moby ("Slipping Away"), Cybotron ("Clear"), Kevin Saunderson ("Good Life"), Plastikman ("Plastique"), VCMG – Vince Clarke & Martin Gore ("Single Blip"), Goldie ("Redemption"), Josh Wink ("Higher State of Consciousness"), The Martinez Brothers ("No Pop"), Rone ("Nouveau Monde"), Joseph Capriati ("Love Changed Me"), Stephan Bodzin ("Tron"), and Alan Fitzpatrick ("Something Wonderful"), as well as crossover work with Nelly Furtado. These remixes underline his rare ability to bridge underground innovation with mainstream resonance.

He has also expanded beyond the club and festival circuit, collaborating with the Zurich Tonhalle Orchestra and performing a sold-out show at the Berlin Philharmonie with Cobblestone Jazz. With that group, Jonson recorded two albums for the iconic !K7 label, further cementing their reputation as one of electronic music’s most respected live acts. Another landmark moment came with "Cinemix": a world premiere performance of a newly composed soundtrack for the silent film "Faust", created live by Jonson alongside Tyger Dhula, Danuel Tate, and Hrdvsion.

Beyond performance, Jonson has continued to innovate. In 2019 he launched Freedom Engine and its debut album "A Box Full Of Magic", followed by the creation of the Freedom Engine Academy – an educational platform built with handpicked mentors to pass on knowledge and foster collaboration. Now preparing to launch its 5th annual edition in 2026, the Academy has become a vital space for nurturing the next generation of electronic musicians.

Now, 25 years since his debut "New Identity" and nearly 40 years since first making electronic music, Jonson is preparing to celebrate a milestone anniversary in his career. Represented in Europe by LittleBig, his current projects include Freedom Engine, his collaboration with Âme, and his ongoing solo work as Mathew Jonson. A pioneer, a mentor, and an artist in constant motion, Mathew Jonson continues to shape the future of electronic music with every performance and release.

Marionette

Mathew Jonson

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