ANNA's track IDs

Souldancer Refueled

Heiko Laux - Souldancer (hlx Re-Construct)

Release date (vinyl & digital): 10th of March 

After a string of acclaimed releases on Token and a selection of remixes, Ø [Phase] released his debut album 'Frames Of Reference' on Token last fall. It earned him outstanding reviews at Resident Advisor ("a display of real power and finesse" 4/5), in DJmag ("a calculated masterpiece" 9,5/10), at XLR8R ("sticks out as an alternate route to the heart of machine music's appeal" 8/10), Groove Magazine ("pulsating techno in which every sonic details fits") and more.

Following the first single “On The Edge / Perplexed” & the second single “Dirtro II” (including the stellar ‘New Device Remix’ by Robert Hood), we now present you the last segment of the series with 2 remixes. On the A-side Rødhåd delivers an epic 10 minute interpretation of the first single ‘Perplexed’, while Robert Hood delivers a second, more minimalistic take on “Dirtro II” for the flip.

TRACKLISTING
A. Perplexed (Rødhåd's Extended Mix)
B. Dirtro II (Robert Hood's Redeemed Mix)

www.tokenrecords.com
www.facebook.com/ashleyphase
www.facebook.com/tokenrecords


Remixed

Ø [Phase]- Perplexed (Rødhåd's Extended Mix)

Vril - Torus XXXII

Re-upload of "In A Straight Line" Unreleased Raw Version
from from The Inner Citadel EP. Syncrophone 014.
2012

In A Straight Line (Raw Version)

Riccardo De Polo - Ascension - COR12177

The epochal energy of "Ascension" captivated us from the very first moment, making it an ideal intro track. With its cinematic soundtrack reminiscent of "Vangelis", Italian producer Riccardo De Polo has crafted a sublimely ethereal experience that transports listeners into the vast expanse of space. As stars and planets drift by, the music beckons us to explore further, to surrender ourselves to the moment. The low strings serve as a booster until the rocket engine roars to life and the spaceship disappears into another galaxy.

Subsequently the polyrhythmic sequence of "Wahnstimmung" spirals abstractly far below the cerebral cortex. The driving bass drum, paired with shakers and percussion, propels the composition forward at a steady pace. The tension intensifies, painting a picture of liquid metal pouring into a melting pot. Pure, stripped-down techno as we know it from its origins.

"Inception" hypnotically takes you into a deep state of trance, engulfing you in a tribe's energy. It’s truly a classic Cocoon sound that has its very own place in Sven's sets. The vigor is palpable, the shimmering sequence will make the dust visibly glow above the open-air dance floors while the air begins to shimmer. Noisy snare drums heat the narrowed arrangement to the absolute boiling point. This is the energy we have been looking for!

Ascension

Riccardo De Polo - Wahnstimmung - COR12177

Vinyl : http://bit.ly/1NBniCm
Beatport : http://btprt.dj/1F3eG2I
Itunes : end of April
Spotify : end of April

selected feedback:

Paul Brtschitsch / Rootknox
this is something different, more than just a tool… state of the art electronic music production. interesting to analyze those sounds in their clearness based on floating arrangements…flashback for me into a time where i asked myself what will i become once? …outstanding release!

Slam / Soma Records
very cool tunes – cool label

Nadja Lind / Lucidflow, Soma, Darkroom Dubs
full support. in love with prelude and something together… and the rest :D

Audiofly ( Get Physical )
sick ep. will definitely find some music here for my sets

The Advent / Tresor
nice groovy jams .. like a few thanks..

Danny Tenaglia / Twisted America Records
Support!!!!

Florian Meindl
What Will We Become & Dusk And Beyond are cool

Thomas Schumacher / Electric Ballromm/Noir/Pets
Something Together for me. Niceness.

Axel Bartsch (Sportclub Music)
awesomeness!!!

Pig & Dan (Cocoon)
really love the prelude thanxs

Toni Rios / Cocoon Recordings
what will we become sounds good. will try it.

Luciano Esse / Safari Electronique, Out-Er, Leftroom, Material Series
Can’t stop listening to the last 3 minutes of PRELUDE… I love it!!

Maetrik / Maceo Plex (Mothership, Dumb Unit, Crosstown Rebels, Treibstoff)
downloaded for maceo plex, thanks for the music!

Alex Tolstey / Triangle Eyes/Boshke Beats Records
KILLER, Justin Berkovi never gets its wrong even when its mellow it still kicks ass! thanx

Gel Abril / Be As One
quality ep from Justin will test all tnx!

Laurent N. / Atavisme, House Nation Radio
I love this Ep with a TOP stuff by Justin Berkovi. All tracks are great for me. Will play & ALL MY SUPPORT !!!

Anton Banks / The Vault Radio Show
Justin’s music never ceases to impress me. It never goes the way I think it will- often for the better. I like Prelude best but will try the rest as well.

Steve Ward / Kiss FM
AMAZING RELEASE by Justin! Big fan of his work. Support on my chameleon radio show and in ze clubz

Justin Berkovi / Traum/Trapez
I’m very happy that Lucidflow saw something in my music for their label!

Buy at Deejay.de

A1 Justin Berkovi - Prelude (Vinyl Cut)

Desert Lines & Gisella Engel-Suna-(Mellon Place Records)

Buy on Beatport: https://www.beatport.com/release/windmaker/1775322

Sebastian Mullaert is well known for his work as one half of the highly respected Swedish duo Minilogue, responsible for killer releases for the likes of Cocoon, Crosstown Rebels and Wagon Repair, alongside breathtaking live shows as a solo outfit as well as their joint live act with Matthew Jonson.

Working from the idilic setting of the mystical Swedish forest, Sebastian Mullaert has has been making serious waves on his solo artist journey, lending his signature hypnotic sound to labels like Mule Musiq, Drumcode, Minus, Kontra-Musik and Ovum. His one of a kind spellbinding live show is illuminating the world’s finest stages such as Panorama Bar - Berlin, Concrete - Paris, Fabric - London, Labyrinth Festival - Japan, Black Market - NYC to name a few and can be witnessed on his recent Boiler Room and XLR8R sessions. 

At nearly 13 tantric minutes long, ‘Windmaker’ bubbles and teases with freestyle keys with an almost Middle Eastern flavour, as Mullaert plays snake charmer to his machines, coaxing out deft melodies, airy cymbals and on point beats and percussion.  It’s a track to completely get lost in, crafted with fine sonics and a gloss that only an artist like Mullaert can achieve with ease.

The enigmatic Ukranian producer, Vakula, is drafted in to give a re-interpretation of ‘Windmaker’; edgy phased stabs puncture the minimal techno beat, bouncing and reverberating off the kick drum to create a glorious wall of dubby sound that compliments the original mix a treat.  Vakula has always impressed with his creative and original music for labels like Firecracker, Dekmantel and his own Leleka imprint, so it’s a privilege to have him remix on Hypercolour.

Windmaker

Buy on Beatport

Sebastian Mullaert - Windmaker [Hypercolour]

Marcel Dettmann - MDR 013 - Rush (PAS Deep Release Remix)

MDR 13

MAYDAY REMIXES PT. 1

Tracklisting:
1. Overthrow (Boys Noize 303 Overdub)
2. Mayday (Club Version)
3. Dynamite feat. Benga  (Dub Mix)
4. Euphoria feat. Remy Banks (Boys Noize x MXM Remix)
5. 2 Live (Boys Noize Silent Mix)
6. Starchild feat. Poliça (Reprise)
7. Boys Noize & Hudson Mohawke "Birthday" feat. Spank Rock (Rockwell Remix)

BNR Store - oioioi.berlin

Mayday Remixes Pt1. - smarturl.it/MAYDAYRMXS 
Spotify - smarturl.it/Maydaypt1_Spotify
YouTube - smarturl.it/BoysNoizeYT 

Download Mayday Remixes
iTunes - smarturl.it/MaydayPt1_IT
Amazon - smarturl.it/Maydaypt1_Amazon
Google Play - smarturl.it/MaydayPt1_GP
Beatport - smarturl.it/Maydaypt1_BP 

Boys Noize "Jams" Playlist on Spotify
smarturl.it/BoysNoizeJamsSP

Follow Boys Noize:
Website - smarturl.it/BoysNoizeSite
Facebook - smarturl.it/BoysNoizeFB
Twitter - smarturl.it/BoysNoizeTW
Instagram - smarturl.it/BoysNoizeIG
YouTube - smarturl.it/BoysNoizeYT
Soundcloud - smarturl.it/BoysNoizeSC
Beatport - smarturl.it/BoysNoizeBeatport
Snapchat: fuckboysnoize

Follow Boysnoize Records:
Website - boysnoizerecords.com
Facebook - www.facebook.com/boysnoizerecords
Twitter - www.twitter.com/boysnoizerec
Spotify - smarturl.it/BNRSpotify
Soundcloud - @boysnoizerecords

Get it here

Boys Noize - 2 Live (BOYS NOIZE SILENT MIX)

This track is part of thew compilation celebrating E-Missions' 3rd rotation!

Fire It Up

Deciduous Dubs EP

Terraforming

Four

This City (feat. Lazarusman) (Sterac Remix)

Marionette

Miss Anthropocene

So Heavy I Fell Through the Earth (ANNA Remix)

www.datapunk.de

"Back Home" was the first release of the label Datapunk in the year 2003 and in the year 2004 on the CD Album "Popkiller" by Anthony Rother

Cover Artwork by Rafael Heckmann www.fuku.org
Mastering By Tony Calhoun www.m3mastering.com
Vinyl cut by Andreas Kauffelt www.schnittstelle.ws
Manufacturing by Handle With Care www.handlewithcare.de

Anthony Rother - Back Home

Mathew Jonson really is one of a kind.  
 
He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another. 
 
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)
 
His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.
 
And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.
 
He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.
 
Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.
 
It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)
 
"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.
 
After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.
 
His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.
 
"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.
 
In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.
 
Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.
 
"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"
 
You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.
 
"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other.  You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne


Marionette

Mathew Jonson

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