Just 3seg and I felt into this deep sad feeling. I need this track for 2 hours at least.

chill

Download: http://www.xlr8r.com/mp3/2013/08/speed-dark-andrew-weatherall-rem

Download at XLR8R

Emiliana Torrini "Speed of Dark (Andrew Weatherall Remix)"

A high-class, sublime, percussive, introspective, dancefloor masterpiece from an all-star line-up that inaugurates a brand new label! Welcome to the world of Kilómetro 4.5.

Out of Tulum, Kilómetro 4.5 is birthed. Branching out from the Papaya Playa Project umbrella, its curators have created an extremely special home for electronic music idols and up-and-coming artists alike.

Kilómetro 4.5’s first voyage of sound navigates the airwaves as a compilation of unique tracks from pioneering producers created uniquely for Kilómetro 4.5.

"Compilation Vol. 1" features tracks by Dorisburg, Sebastian Mullaert, Wareika and Kalabrese.

Electronic music stalwart Sebastian Mullaert (Circle of Live/Minilogue) appropriately follows suit with incomprehensible and inimitable levels of depth on his appropriately titled track 'No Menace'. 4x4 kicks lull you into a continuous state of hypnotism that he has come to master over the decades of production he is so well known for.

"Compilation Vol. 1" is coming out on September 24th

Sebastian Mullaert on SoundCloud: https://soundcloud.com/sebastianmullaert
Sebastian Mullaert on Instagram: https://www.instagram.com/sebastianmullaert/

Kilómetro 4.5 on SoundCloud: https://soundcloud.com/km4punto5
Kilómetro 4.5 on Instagram: https://www.instagram.com/km_4.5/

www.itsdelayed.com
www.instagram.com/_itsdelayed_
www.facebook.com/itsdelayed

PPP001

PREMIERE: Sebastian Mullaert - No Menace [Kilómetro 4.5]

Dreadlock Tales - From The Earth

Anna Nova - Imagine (Mathew Jonson Remix)

almost like a real live set :)

art by Maari Soekov Illustration (https://www.facebook.com/MSoekovIllustration)

session 1304

The Monitors (Redux)

Protection

Former Ostgut Ton label manager, DJ and producer Nick Höppner releases his debut album ‘Folk’ on Ostgut Ton in March 2015. More info: http://ostgut.de/label/record/132

More info

Nick Höppner - Rising Overheads

Sebastian Mullaert & Patrick Seich - Genome I from part 1 of the Genome Trilogy released on Minus 27.10.2014

Get it : http://www.beatport.com/release/genome-i/1390849

Release Note: 

Sebastian Mullaert & Patrick Siech Announce Part One of Their Genome Trilogy Inspired in equal measure by analog synthesizer technology and the lush Swedish countryside, Genome marks the first collaboration between veteran techno producers Patrick Siech and Minilogue's Sebastian Mullaert, with part one of the three-EP series appearing on Richie Hawtin's Minus label. Recorded live to tape last spring, the four tracks that comprise Genome 1 make for a transformative dancefloor experience that morphs and swoops its way through soulful, sweaty analog techno with flourishes of 303-style acid. 

Sebastian Mullaert on Facebook: https://www.facebook.com/sebastianmullaert
Sebastian Mullaert on Youtube 
https://www.youtube.com/user/SebastianMullaert
Sebastian Mullaert on Resident Advisor: http://www.residentadvisor.net/dj/sebastianmullaert

Sebastian Mullaert & Patrick Siech - Genome I (Wa Wu We Reshape)[Minus]

Because this track wasn't on SoundCloud I decided to upload this beauty.

Released: December 2014

If you (artist/label) have any problem with a track I have uploaded, please contact me and I will remove it.

DJ Metatron - Oh Ah

Rhythm Path

Artist: Benjamin Damage
Label: 50Weapons

Buy: https://pro.beatport.com/track/monolith-original-mix/7002761

Benjamin Damage - Monolith

Enjoy & Follow!

https://open.spotify.com/user/colllos/playlist/1gLNQmUMlbzcCAiKlyKxOb

Substak - Confusion (Prince Of Denmark Edit)

Nebula Meltdown - Coherent Emotion

Mathew Jonson ‎-- Walking On The Hands That Follow Me
Label: Wagon Repair ‎-- WAG 050
Format: Vinyl, 12" 
Country: Canada
Released: Jun 2009
Tracklist:
A. Walking On The Hands That Follow Me 
B. When Love Feels Like Crying

When Love Feels Like Crying

Prince Of Denmark ‎– Soulfood
©Giegling ‎– glg staub 03
October 27, 2010.

https://www.discogs.com/Prince-Of-Denmark-Soulfood/release/2515787
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Uploaded in low quality. For listening purposes only*
~If either label, artist or third party copyright holder does not agree with their material being uploaded, please message me directly for any copyright issues and the recording will be removed immediately~

Email: manndarin@protonmail.com

princeofdenmark

Soulfood

Prince Of Denmark - Are You Ready Ralph

Mathew Jonson really is one of a kind.  
 
He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another. 
 
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dancefloor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into minimal clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)
 
His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time play—as opposed to mere playback—serves as a standardbearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth.
 
And despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, both in the groups Cobblestone Jazz and the Modern Deep Left Quartet, and with his Wagon Repair label, which he cofounded with Jesse Fisk, Graham and Adam Boothby, Frank Meyerhofer and Konrad Black.
 
He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band —thus laying both the melodic and the rhythmic cornerstones of his music today. (Plenty of musicians claim to be "classically trained," of course, rendering the phrase all but meaningless. But here's something you might not have known about Mathew: he's actually begun studying piano again, which suggests a musical seriousness that's rare in the world of auto-didact button-pushers.
 
Thanks to his father's work with sound technology, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.
 
It was in Victoria, when he was 19, that Jonson met up with the crew that would help guide his musical trajectory: Tyger Dhula, Danuel Tate and Colin de la Plante, who were playing and DJing parties around the area. The four started playing in clubs together, an early version of the group that exists today as Cobblestone Jazz and the Modern Deep Left Quartet. (The Modern Deep Left Quartet was the original name for the foursome; after de la Plante moved to Montreal, the remaining trio carried on as Cobblestone Jazz.)
 
"It was all improvised," says Jonson of the group's early days. "We never really worked in the studio, we would just meet at the nightclub and jam. That's how it started. We did that for quite a while, and then it morphed into a residency at a club, once every two weeks." To keep it interesting, they would invite other musicians—on trumpet, violin, bass, sax, and rhythm sections—to join them.
 
After de la Plante left town, Cobblestone Jazz began focusing its efforts more squarely on the dancefloor, moving away from purely improvised sets to include composed and rehearsed passages. And Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the city's techno parties.
 
His first record, in 2001, was the first release on the B.C. label Itiswhatitis, appropritately titled "New Identity." Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, "Alpine Rocket"—a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Itiswhatitis, Sub Static, Arbutus, Kompakt, M_nus—and every track an anthem.
 
"I had all that music kind of saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there.
 
In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his bandmates. Crucially, he moved to Berlin. Here, he and de la Plante—who moved over at the same time—have set up Cobblestone Jazz' European headquarters, providing not only the launch pad for European tours but, more importantly, the control center for the group's recorded activities. The studio is jawdropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. Jonson makes his own music essentially the same way—only with two hands instead of eight.
 
Those two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like "Marionette," "Return of the Zombie Bikers" and "Symphony for the Apocalypse," Jonson has increasingly turned his efforts towards more personal, introspective music. He hasn't left the clubs behind—his new album, Agents of Time, features a number of tracks that are as hip-windingy wily as anything he's produced yet, full-on tracks like "Girls Got Rhythm" and "Thieves in Digital Land." But he's also taken advantage of the longplayer format to stretch out and indulge darker moods and slower tempos.
 
"I like to have phrases that sound like they're major, but then they go minor when they turn around," explains Jonson. "You think that you're in a happy place, but suddenly you're not. I like playing with that tension. When I look at the music I've made, the best music is always music that can stimulate any kind of emotion. It's more like a key, towards opening up whatever is inside of you -a gateway"
 
You can expect him to be unlocking even more emotions soon—ones you may not have even known you had—when he ramps up with Midnight Operator, a collaboration with his brother Nathan Jonson, aka Hrdvsion. With Nathan also based in Berlin, the two are finding common musical ground, expanding upon the platform they established with their lone, 2007 EP for Wagon Repair as they begin work on an album.
 
"Obviously, you can look at what I do with my label and the bands I have, to see what's important to me," says Jonson of keeping it in the family, so to speak. "I'm lucky because I have so many friends who are strong musicians. We can all feed off of each other.  You know, when you're doing music, it's such a personal thing. To have an outlet with the labels to be able to release our music, and be able to all stay together, I think there's a lot of strength in that. Everybody is stronger as a group." – Philip Sherburne


When Love Feels Like Crying

Mathew Jonson

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