Label one

Davydbarksdale

Before

ANALOG STUDIO JAM RECORDED IN 1 TAKE USING KORG MS20 + ELEKTRON ANALOG RYTM + ARTURIA BEATSTEP + SOME FX // FREE DOWNLOAD FOR THE WAREHOUSE AND THE BASEMENT RAVES

LIVE VIDEO : https://www.facebook.com/video.php?v=10155373890850434&set=vb.96704770433&type=2&theater&notif_t=like

20150326MS20RYTM120

Днепр шумный

distance

Mondscheinkarawane [Remastered]

Thank You (Instrumental)

Part III (Project_Z)

It’s fair to say that Boris Bunnik has made an impact in his short career. In less than a decade this dutch man, under monikers like Conforce and Versalife, has scaled Electro and Techno with subtle ambient touches and IDM echoes. And that’s exactly what he’s doing for the Singularity EP. Lush pads and flowing bars punctuated by crisp percussion, “Shine Eye” sets the scene. “Autobots” adopts those same brittle beats, this time using them to send dreaming strings skyward. Northern winds swirl around the colder chords of “MILnet”, chords that dawn into absorbing swirls of “Transgenics.” Masterful machine music.

Release date vinyl: 9th of May 2016
Release date digital: 30th of May 2016

Cat# SHIP034
All tracks written & produced by Boris Bunnik
Photography & Layout by Boris Bunnik
Distributed by Clone Distribution

Versalife - Singularity EP

It has been 13 years since The Parallax Corporation / Conservatives projects together with I-f. I-G hooked up with a new musical partner, the lovely and talented Pasiphae from Greece and together they deliver four very well-crafted tracks of contemporary machine-driven techno romance.

Buy vinyl: https://clone.nl/item42030.html
Buy digital: https://clone.nl/digital/item3296144.html

Hardwax

RHYTHM020 - Intergalactic Gary & Pasiphae - Made Of Glass

BLORP006 _ Serious A - Return me to Savara EP ___ Out Now!

A01   Serious A - RETURN ME TO SAVARA

когда бегаешь кабаном по району Сибуя

Santana Ringtone

From the Friction EP by Vertical67. Available now: https://mechatronica.bandcamp.com/album/vertical67-friction-ep

A longtime figure in the Berlin underground and frequent live act at Mechatronica club nights over the past 5 years, Vertical67 fuses inspiration from electrofunk, acid, breaks, jungle and IDM into a pressure cooker of an electro EP, with enough friction to move the mind and the floor.

@vertical67

Friction EP

Buy digital

Vertical67 - No Clear Picture [MTROND004]

Ryan James Ford’s productions are rarely anything other than inspired. Through regular releases on Marcel Dettmann Records, Answer Code Request and his own SHUT imprint, Ford has proved to be an exciting producer, capable of mangling sounds and styles to fit his wide-ranging musical vision.
The Berlin-based Canadian arrives on Happy Skull with a label debut that dramatically emphasizes the point. While each of the four tracks features audible nods to a wealth of influences and inspirations, the bold individuality of the resultant cuts all but renders such comparisons redundant.
For example, EP opener “Ormst Kaban”, whose wild, crashing, off-grid breakbeats and twisted, foreboding electronics aggressively spar with glacial chords and icy textures. The 16 bit arpeggio lines of 'Hobrv Kegdit' are underpinned by powerful sub-bass tones and industrial drum-breaks that merge to create a densely sprawling mass of dance floor melancholia.
This pattern continues throughout the EP, with “Slown Ridel” and “Nos Ummi” balancing skittish, noise-seeped percussion with the dreamy, glassy-eyed swell of classic ambient and pioneering early ‘90s IDM.

HAPSKL015

LISTEN ON YOUTUBE

PREMIERE : Ryan James Ford - Nos Ummi

November 9, 1993 will forever go down as one of the greatest days in hip hop history.  Two of the genre’s most revered albums dropped on the same day:  Wu-Tang Clan’s debut ‘Enter The 36 Chambers’, &  A Tribe Called Quest’s third LP ‘Midnight Marauders’.  I remember riding my bike to the mall, with money I had earned from my after-school job.  I had anticipated this day for awhile, and saved up in advance to pick up both albums (at that age $40 felt like $500).  For the months that followed, both albums fought for playing time on my boombox.  One moment, I was transported to the boulevard of Linden, and the next to the rugged streets of Shaolin.  Those albums stayed in my rotation forever (literally).
To mark the 25th anniversary of both LP’s, I thought it might be a good idea to try and take the vocals from Wu-Tang’s album, and blend them over the instrumentals from Midnight Marauders.  I wasn’t sure it would work at first, but as is usually the case, inspiration hit at midnight when I was trying to sleep (the coincidence of the timing is not lost on me).  A couple of hours later, I managed to pair up every single Wu-Tang vocal with a suitable beat from MM.  The intent was not to improve on the originals in any way….that would be impossible, as I consider them both to be perfect bodies of work.  Rather, it was about orchestrating a fun concept, and putting a totally new spin on these well-worn classics.  The contrast of Wu’s gritty street raps over Tribe’s jazzy production works in an unexpected way.  Now, I present to you my personal tribute to these legendary groups:   A Clan Called Wu - “Enter The Marauders”.

SOCIALS:
https://www.facebook.com/DJ-Filthy-Rich-572216909601122/
https://twitter.com/djfilthyrich416
https://www.instagram.com/djfilthyrich/ 
https://www.youtube.com/user/djfilthyrich1/videos

TRACKLIST
Da Mystery of Electric Relaxation
Down Ya Neck
Shame On Ya Lyrics
Cash Award
Wu Lives Thru
Ruckus at Midnight
Biko In Da Front
Nuthin Ta Chase
Oh My M.E.T.H.
Tearz On Your Hands
Suckas Be So Simple

A Clan Called Wu - Enter The Marauders

Wu-Tang VS A Tribe Called Quest : A Clan Called Wu - Enter The Marauders

Our next @DarkScienceElectro premiere comes to us from French label @Ukonx Recordings. On this premiere we focus our attention on Swedish producer @The-Kretz

Living in Stockholm, Jonas Lund has built his unique and recognizable style of producing since the C64/Amiga/Atari heyday. He has been producing music as @The-Kretz since 2012 and has been released on labels like @Anti-Gravity-Device, @Plonk-Label, @Battery-Park-Studio and more. The track selected by @DVSNME to premiere for @DarkScienceElectro is a  menacing Electro track featuring vocoded voices and dangerous melodies! Clocking in at a 140 BPM, this track is clearly aimed at the dance floor and absolutely hits the target. This 3-track digital release will be available starting the second of December and can be purchased through all the major digital retailers.

Link to purchase: https://ukonx.bandcamp.com/

Additional resources:
https://www.facebook.com/kretzsthlm/
https://www.facebook.com/ukonx/

Before

Mathew.

Recent comments

Intoodust

Nutsa__S ✩࿐ ❀*ੈ✩‧₊˚

René Najera

Fefe

Related tracks