Even if it doesn’t seem like it at first glance, Overdressed is more relevant than ever. Especially in this day and age, we are once again realizing that freedom cannot be taken for granted. Overdressed embodies the freedom to be anything you want – even if you are a pirate. And so TORTUGA parody various genres and clichés with rocking guitars and catchy melodies in their latest work from the perspective of a pirate and encourage you to sing along with their amusing lyrics. In Overdressed, pirates get into the craziest situations, some of which may be familiar to you. Pure slapstick! The sound of the album is characterized by laid-back rhythms, a groovy bass foundation and driving drums. English lyrics collide with melodic harmonies and a jokey pirate flair – lively, light-footed and, above all, captivating. Frontwoman Captain Mary Read moves appropriately between soft and rough, often polyphonic cleans, which emphasize the pirate jokes.

Desinfection Is My Satisfaction

Álbum de estudio llamado "Flotando" 2017

Guitarra y voz: Diego Chaher
Guitarra y coros: Pablo Tofful
Bajo: Nahuen Insaurralde
Batería: Gabriel Nardin

Música y letra: Diego Chaher

Grabado por Mateo Casella en Estudios CODA Reconquista (Sta. Fe) Entre Septiembre del 2015 y Diciembre del 2016.
Grabación en Infierno Record Rqta. (Sta. Fe) de bajo y guitarra en Track 2 y de bajo en Track 5.
Mezclado y Masterizado por Cristian Dalessandro en Estudio GNOSIS de Rosario.

Versos y nostalgia. Tregua (estudio 2017)

LETS GO

All Night Blood

Cognition

Weirdos

Six Feet Down

Ghost Story

The Spirit Matrix

In Motion

“Six Days to Die” is our second album — ten tracks of fury, rebellion, and raw truth forged in distortion and defiance. This second thrash metal record rips through history, myth, and modern decay with unrelenting precision. Every riff bleeds rage; every lyric drips with venom for the corrupt and reverence for the fallen.

🔥 Tracklist:

Prelude (instrumental)

No Mercy for False Gods

Six Days to Die

April’s Crimson Stage

Lucifer's Tears

The King’s Last Curtain Call

Iron Crown of Ice

Three Days in Hell (Gettysburg Inferno)

I Am My God

Endkampf

Lucifer's Tears

This style fuses the blunt-force intensity of hardcore punk with the crushing weight of modern metal. Guitars hit with metallic precision—down-tuned, distorted, and built for breakdowns—while punk’s raw speed and ferocity keep the momentum relentless. Drums shift between blast-beats, double-kicks, and rapid-fire punk rhythms, creating a sound that’s both chaotic and controlled. Vocals swing from throat-shredding screams to aggressive spoken shouts, carrying themes of rebellion, frustration, and cathartic release. The result is a hybrid that feels confrontational, loud, and unforgiving—music designed to hit hard and leave nothing standing.

Weirdos

Mathusalem Rex

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