Tablet of Visitation 
Abdul Baha
Composer
Matin Peymani 
Boshra Project 
Georgia Philharmonic Orchestra 
Conductor
Mirian Khukhunaishvili 
Vocal soloist 
Sophio Dzidziguri 
 
مناجات لقا 
به مناسبت سالگرد صعود حضرت عبدالبها 
پروژه بشری 
اجرای ارکستر فیلارمونیک گرجستان

Tablet Of Visitation  مناجات لقا

Ghalamam Ra'beshkast

Hal Men Mofarregen

Tablet Of Visitation

Perspective is my journey through EA music which divided an octave into 1200 points and then manipulate the register's spectrum and space. 
you will experience a surreal landscape.

Perspective Stereo Version

ShooreTar is a deeply emotive piece that intertwines microtonal melodies with the rich, traditional sound of the Tar. This East-West fusion blends alternative tunings and micro-intervals to create a unique, cross-cultural soundscape. The melancholic, sad melody carries a heartfelt and emotional tune, set against a slow, narrative pace that unfolds gradually, telling a reflective and poetic story through music.

ShooreTar

Fading Memory is a minimalistic composition that evokes a subtle, simplistic atmosphere with its sparse, loop-based patterns. The repetitive, hypnotic structure draws the listener into a romantic, ambient space filled with warmth and emotion. The tactile elements create a textured, sensory experience, inspired by the delicate touch of fading memories. As the music explores the chill, icy ambience of submerged feelings, it resonates with the quiet introspection of testing the coldness of the water.

Fading Memory

I have always thought that working with and listening to microtonal scales requires a separate music theory and structure because they exist in a completely different world. Thus, I decided to create a series of compositions to explore this idea. 'Gilgamesh' is the first piece in my microtonal series, composed in 31-Division per octave. In this piece, I have attempted to design harmonic textures and sounds that align with microtonal music and the 31-division per octave"

"من همیشه با شنیدن و کار روی گام‌های میکروتونال به این فکر می‌کردم که باید یک تئوری موسیقی جداگانه و همچنین بافت‌بندی جداگانه‌ای برای این موسیقی درست کرد چون دنیای کاملاً متفاوتی دارند. پس چنین شد که دست به ساخت مجموعه قطعاتی زدم که این را تجربه کنم. 'گیلگمش' اولین قطعه از سری قطعات میکروتونال من است که در گام‌های ۳۱ قسمتی ساخته شده. در این قطعه سعی شده بافت هارمونی و صداهایی طراحی شوند که منطبق با موسیقی میکروتونال و گام ۳۱ قسمتی هستند."

GilGamesh-Vol I-31EDO

GILGamesh in Babel _Vol II , composed based on 19-EDO microtonal scale In this volume, the search for polyphony is inspired by strict polyphonies style and modal influences, while simultaneously following harmonic progressions through timbral changes. This piece is composed in a 19-tone equal temperament system per octave.

BandCamp:
https://matinpeymani.bandcamp.com/track/gilgamesh-in-babel-ii-19-edo
Spotify:
https://open.spotify.com/track/0zDodDEUk63rzVoLQNuMKQ?si=LBscx4ggSm-W4T1riusF2g&context=spotify%3Aalbum%3A5eZ4HfV0QPlSbDVwVkuh8K

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GILGamesh in Babel _II 19 EDO

GILGamesh In Babel  II 19 EDO

Gilgamesh in Babel Vol. III: This is the third piece in the microtonal Gilgamesh series, which explores the search for microtonal textures. Composed using a 13-division per octave scale, it creates an atmospheric ambiance with melodic elements, infused with repetitive minimalistic motifs and phasing shifts that drive the movement. The sounds and textures, shifting across space—from right to left, up and down—paint a microtonal musical landscape within a spatial framework.

GILGamesh in Babel _III 13 EDO

Gilgamesh in Babel Vol. IV: This is the fourth piece in the microtonal Gilgamesh series, exploring the intricate microtonal textures of a 46-division per octave scale. The composition revolves around a central melodic axis, where a sound moves forward, navigating through the intervals of the scale. Repetitive spatial variations create a meditative ambiance, evolving through phasing shifts and subtle changes in texture. Due to the proximity of the intervals in this scale, the density of sound becomes remarkably high, creating a richly immersive soundscape.

GILGamesh in Babel _IV 46 EDO

Iranian Dance with solo Ethno instrument
Composer: Matin Peymani

Lori_Kamancheh (Composer:Matin Peymani -Soloist :Alireza Meghrazi)

Kordi_Tar(Composer:Matin Peymani -Soloist :Matin Peymani)

Haft eqlim Tar&Orchestra

parichehr( Style of Hoshang zarif) Arreng for Orchestra and soloist Matin Peymani

flight of bumbel bee -Arreng and soloist Matin Peymani

Jimnastic musical (Style Of Alinaghi Vaziri) Arreng for Orchestra and soloist Matin Peymani

Pishdaramad afshari (Style of Aliakbar Shahnazi) Arreng for Orchestra and soloist Matin Peymani

torkaman (Style Of Hossein Alizade ) Arreng for Orchestra and soloist Matin Peymani

zarbi shoor (Style of Mohammadreza Lotfi ) Arreng for Orchestra and soloist Matin Peymani

Zarbi chargah (Style Of Jalil Shahnaz) Arreng for Orchestra and soloist Matin Peymani

Matin Peymani is a multi-stylistic composer with a Master's degree in Composition from The Royal Academy of Music. Since 2011, he has been actively composing, having produced six albums and  symphonic and chamber music pieces for festivals, orchestras. His work spans various genres, including folk, microtonal music, classical music, electroacoustic music, fusion, and film music.

Matin Peymani

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