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Awesome track! So many feelings, i think this is best for my live <a href="https://www.gamesitehub.com/">game</a> streaming

Cheek Slaying Headquarters brought me here

Written and Produced by Cathedrals (Johnny Hwin and Brodie Jenkins)
Engineering by Max Savage (www.noisysavage.com)
Mastering by Twin Peaks Studios
Additional Guitars by Tim Wood (@popstack)
Photography by Hana Haley (www.hanahaley.com)

Debut EP out now on Neon Gold—

iTunes: smarturl.it/CathedralsEP

Vinyl: neon-gold-shop.myshopify.com/products/c…hedrals-ep

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Unbound

From the album CHANGING LIGHT out May 13, 2014 on Absolute Magnitude Recordings

Pre-Order the album here:  http://www.mirahmusic.com/changing-light
Visit www.mirahmusic.com for tour dates and more!

On her fifth solo album, Mirah breaks it down and builds it back up again with the street smarts that only years behind the wheel of love can inspire.  Ready with the maps and driven to the rhythms on the radio dial, Changing Light’s ten songs carry us from heartbreak to wholeness and all the places in between.

Uprooted from her home after a scorching break-up, Mirah spent four years rambling and recording.  Tracks were laid down in almost two dozen houses and apartments — from the Northwest to Southern California to the East Coast. Sparse demos were recorded with co-producer Christopher Doulgeris in Portland and Los Angeles.  Embellishments were then added by a slew of friends and collaborators, including Greg Saunier (Deerhoof), Mary Timony, Emily Wells, and Heather McEntire (Mount Moriah).  In Philadelphia, Mirah and her sister Emily Zeitlyn (Divers) penned “LC,” an homage to childhood inspiration Leonard Cohen.  Seattle-based composer Jherek Bischoff drew up intricate string arrangements which were recorded in the living rooms of each individual player.  And Tune-Yards producer Eli Crews co-produced several tracks with Mirah in her new hometown of Brooklyn, New York.

Changing Light’s reassuring compass is found in Mirah’s shimmering vocals and incisive descriptions.  There is yearning (“Gold Rush” and “Fleetfoot Ghost”) and hot anger (“Goat Shepherd”), but no shortage of lyrical and musical playfulness. Whether it be the T. Rex-inspired rough edges of “Radiomind,” the rollicking lo-fi bang-and-pop of “Goat Shepherd,” or the lush pop balladry of “Turned the Heat Off,” the album corrals string sections and vintage synths with horns, a multitude of guitar tones and overdriven drums.  With calm and clamor, Mirah brings us all closer together through her universal honesty and occasional use of the vocoder.

“It’s a break-up record.  It has some moments of darkness, some twists and turns, but ultimately, there’s a resolution,” says Mirah.  "So much can happen in four years, even forgiveness.”

While Mirah has been making independent pop records for well over a decade, Changing Light is the debut release on her new imprint, Absolute Magnitude Recordings.

Mirah’s Changing Light is out May 13th on Absolute Magnitude Recordings with support from K Records.

2014 TOUR DATES:
March 06 - San Francisco, CA @ Brick & Mortar Music Hall
March 07 - Oakland, CA @ The New Parish
March 08 - Los Angeles, CA @ The Satellite
March 10 - Scottsdale, AZ @ The Western
March 12 - SXSW
More tour dates to be announced soon!

Oxen Hope

Facebook: facebook.com/matingritualsounds
Twitter: twitter.com/ritualmating
Instagram: instagram.com/matingritual
Spotify: open.spotify.com/artist/4ZeB1hzT2mSZrf7wszOqHs

Mixed by Billy Pavone
Mastered by Joe Lambert

Toxins

Facebook: facebook.com/matingritualsounds
Twitter: twitter.com/ritualmating
Instagram: instagram.com/matingritual
Spotify: open.spotify.com/artist/4ZeB1hzT2mSZrf7wszOqHs

Mixed by Billy Pavone
Master by Joe Lambert


Game

Available now via South By Sea Music

iTunes: https://itunes.apple.com/us/album/plastic-flower-ep/id1050851337

Spotify: https://open.spotify.com/album/20QHy6C0YdSKt8pkiQyG3H

www.ofeliak.com
www.southxsea.com

As A Bell

Late Night (It's Okay)

Holy

From the album 'Virtual Islands' out Friday 05 August
Released by: Alsatian

Life

Spotify: https://open.spotify.com/track/0BB0PdKA4Gjr5kdO7a4TDX 
Facebook: https://www.facebook.com/dogorchestra
 iTunes: https://itunes.apple.com/us/album/club-fragil-feat.-lune-single/id1114502175
 
Dog Orchestra – “Broke”
Before there was Dog Orchestra, the electronic dream-pop collective, there was Dog Orchestra, the intriguing discovery. “We never wanted it to be about us. We wanted it to be about the band and the music as a separate entity,” says Daniel. “As much as I love being part of Dog Orchestra,” adds Niklas, “I want to enjoy it the same way an audience member might. No wall between the band and the listener—that’s the goal.”

With mutual interests in everything from indie rock to dance to hip hop, they joined a few pop bands, which ultimately imploded. Says Niklas, “It wasn’t until me and Daniel moved in together that I felt the music began to sound as good as it should,” with songs like “Broke.” The two alternated between laying down the musical groundwork and writing lyrics, a practice they continue today. “It was effortless,” Daniel continues. “We were inseparable after that, and I remember my sister telling me that my dad thought we were a couple.” 

Dog Orchestra started recording guest vocals for their EP in Stockholm, before relocating to Berlin. “It’s less restricted than Stockholm, where everything is clean and at a right angle—even the crooked ones are calculated,” says Daniel. Berlin’s grittier culture represented possibility. “It’s a city in shambles being rebuilt. The opportunities felt less policed. Like the whole city needs a good paint job, and no one is looking over your shoulder telling you how to paint it.” Their experience followed in kind.


SPOTIFY

Dog Orchestra - Broke

From 'Venn' (2017)

Third album 'Carousel' released on 7th February 2020.
Listen/buy here: https://clockopera.lnk.to/carousel

UK & EUROPE TOUR MARCH/APRIL 2020
All tickets: clockopera.com/live

Venn

Buy Album

Whippoorwill

I laid on my back / An echo of silence / Floating on top a shallow pool of self awareness / Or a lack there of when I saw your face and I knew / That you were drunk

I laid on my back / An echo of silence / Floating on top a shallow pool of self awareness / Or a lack there of when I saw your face and I knew / That you had just cum / And you were far from done

All we want to do is to be something, be something we're not / But all we really need is to have someone to hold us when we're drunk

It's more than just sex / It's more than our bodies / It's more than a movement made from self loathing and irony / But I don't know what to call quite just yet / So I'm gonna shut up / Cuz I'm so far from done

All we want to do is to be something, be something we're not / But all we really need is to have someone to hold us when we're drunk

Written by Ryan Marshall Lawhon
Produced by Ryan Marshall Lawhon
Mixed by Jason Suwito
Mastered by Gene Grimaldi

Game

Mating Ritual

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Accept Chaos By Choice or By Force

Accept Chaos By Choice or By Force

Accept Chaos By Choice or By Force

Arham Khan

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