bumppleBeat

track off my unreleased mini-album EASY LISTENING for our FUTURE CHILDREN

Strangeloop // love all day

Fuck Larry the Cable Guy

my neighbor Waves [stephan ralescu] produced most of this track, I just put it together and fuxed with it. This dude has been quietly making all these incredible beats, and nobody knows about them! huhuhaua ... definitely will put something together with him for TeachingMachine (my new a/v collective). It feels almost like archetypal la beat stuff to me, wanted to share with you guys! available also on the unreleased beat release // new medicine http://strangeloop.bandcamp.com/

Erin in the Woods [ produced by Waves and Strangeloop ]

Working on a new tape... I don't think this one'll make the cut

fool.ish

the alternate version of "final impasse" from my debut LP. this version didnt' make the album because i recorded the vocals with a really shitty mic, but in retrospect... i kinda like this one better :)))

thx 

Final Impasse Take 2

Summer

Maximum Dopeness

Bavkness // Strangeloop & Austin Peralta [featuring Van Detta]

Micro (twist)

lil remix i did of jamie foxx and tpain's "blame it"

BLAME IT (GIL COOL MIX)

http://www.xlr8r.com/mp3/2013/07/looseleaf-head-full-juj-remix

Looseleaf Headfull - Earnest Blount (Juj Remix)

Satellite Images

Little tiger

Big track off my new LP "Feel Me" coming this month via Friends of Friends.

PRE ORDER HERE --- http://fofmusic.bigcartel.com/product/groundislava-feel-me

enjoy!

Cool Party

Essential Oils

Same Line

In anticipation of the release of his debut full-length album Breakthrough, the Gaslamp Killer offers a taste of the ominous urgency that infiltrates his sound with “Flange Face / Seven Years of Bad Luck for Fun.”

“Flange Face (with Miguel Atwood-Ferguson)” rattles into being from a scratchy dissonance and soon descends into a distorted, doom-filled drama. Twisted with tension and hemmed in by a smack of solemn strings, the track operates on a frequency of pure horror. “Flange Face (Low End Theory Edit)” takes it to the club, a bass-heavy gut puncher stripped down to the beats.

With loose drums and a rash of razor-covered synths, “Seven Years of Bad Luck for Fun (with Dimlite)” unsettles into a bath of cold shudders. Inky shadows lurk just beneath the surface, dark reflections of the monsters that are strung between the beats.

Suggestively sinister, the Gaslamp Killer’s latest release is a glimpse of the artist’s contorted sonic landscape, a frightening world of chattering evil and chills that bite into the spine.

The Gaslamp Killer - Flange Face (with Miguel Atwood-Ferguson)

Stereo Typing is the sum of the parts of a journey. Giovanni Civitenga, aka My Dry Wet Mess, composed his forthcoming album for Brainfeeder over a 15 month period (November ‘10 through January ‘12), between Barcelona and Berlin, in four different houses. And out of the many changes and different chapters, comes a densely layered body of work that - despite being a product of transition - stands as his most grounded and resolved work yet. 

The title derived, My Dry Wet Mess explains, “from the concept of typing for the stereo field, as in writing narration through sounds. Writing a story as a writer would do, but using sounds instead of words.” The 14 album tracks use live instrumentation, tweaked samples, slap-bass riffs, slanted beats and winding melodies to form playful narratives and plot shifts, leading the listener to places completely unexpected, and unknown. Twists and turns abound, each track is a journey in itself, at times traversing through intertwining synth lines in a buoyant underwater bassbin, other points diverting into R&B-sampled scifi wonderlands, filled with otherworldly sounds conversing. The album ends on sensory bliss, with the sublime "Prismas" and the daydream-inducing "Youth Reboot". 

Though his living situation changed throughout the album’s formation, there’s a inherent sense of family and home in the LP. His father plays guitar, Gianluca Pellegrino (an old friend and regular collaborator) plays various electric guitar parts, and his good friend in New York, Maryam Modarressi, sings on two songs, and her sampled voice makes an appearance throughout the album. The artwork was also created by his close conspirator, Berlin based illustrator Elliot Beaumont, a homage to one of MDWM’s favorite painters, De Chirico. “It's got this hard to define quality to it, a sense of "future nostalgia" that I love and that I find extremely appropriate for my music and the ideas behind it.”

Release Date: 11/12/12

My Dry Wet Mess - Berlin Stereo Hands

Stereo Typing is the sum of the parts of a journey. Giovanni Civitenga, aka My Dry Wet Mess, composed his forthcoming album for Brainfeeder over a 15 month period (November ‘10 through January ‘12), between Barcelona and Berlin, in four different houses. And out of the many changes and different chapters, comes a densely layered body of work that - despite being a product of transition - stands as his most grounded and resolved work yet.

The title derived, My Dry Wet Mess explains, “from the concept of typing for the stereo field, as in writing narration through sounds. Writing a story as a writer would do, but using sounds instead of words.” The 14 album tracks use live instrumentation, tweaked samples, slap-bass riffs, slanted beats and winding melodies to form playful narratives and plot shifts, leading the listener to places completely unexpected, and unknown. Twists and turns abound, each track is a journey in itself, at times traversing through intertwining synth lines in a buoyant underwater bassbin, other points diverting into R&B-sampled scifi wonderlands, filled with otherworldly sounds conversing. The album ends on sensory bliss, with the sublime "Prismas" and the daydream-inducing "Youth Reboot".

Though his living situation changed throughout the album’s formation, there’s a inherent sense of family and home in the LP. His father plays guitar, Gianluca Pellegrino (an old friend and regular collaborator) plays various electric guitar parts, and his good friend in New York, Maryam Modarressi, sings on two songs, and her sampled voice makes an appearance throughout the album. The artwork was also created by his close conspirator, Berlin based illustrator Elliot Beaumont, a homage to one of MDWM’s favorite painters, De Chirico. “It's got this hard to define quality to it, a sense of "future nostalgia" that I love and that I find extremely appropriate for my music and the ideas behind it.”

Release Date: 11/12/12


bumppleBeat

matt cobochuck