pc-r5
http://data.pcmusic.info
Sup by @lil-data
PC Music

1. Change
2. Wondercoin (Part 1)
3. Temple
4. Wondercoin (Part 2)

MP3s: http://www.mediafire.com/download/1rcvzxg3zo0rlw5/Sup.zip

Lil Data - Sup

pc-s16
http://sxsw.pcmusic.info
Drop FM feat. @hannahdiamond
PC Music

A. G. Cook - Drop FM feat. Hannah Diamond

http://dogfood.pcmusic.info

@gfoty & @spinee777

Sunday 15th March - https://boilerroom.tv/pc-music-presents-dog-food

1. HUGE SPINEE 
2. BRAND NEW CAR 
3. PAPER BOYFRIEND 
4. DON'T WANNA SPIN

GFOTY & Spinee - Dog Food Mix 1

I discovered the magical nostalgia factory that is vaporwave about two years ago. This piece, a transcription and reinterpretation of "リサフランク420 / 現代のコンピュー" (shouts out to Diana Ross), is inspired by that discovery.

I'd like to give a huge thanks to the UNT Symphony Orchestra and to its director David Itkin for taking the time to read the piece. Also, thanks a ton to the conductor, Daniel Wiley, who did a fantastic job interpreting the work!

Sit back and enjoy the
A E S T H E T I C

LISA - Expression of a Theme Stolen by MACプラス

happy holidays from anamanaguchi
RYUICHI SAKAMOTO
https://en.wikipedia.org/wiki/Merry_Christmas,_Mr._Lawrence

Merry Christmas Mr. Lawrence

OUT APRIL 29 on Cantaloupe Music

From the liner notes: "Modernism scares people. Is it because it’s new? That can’t be the whole explanation, because everybody likes to discover new things, right? Maybe it's the amount of newness. While discovery always involves a degree of unfamiliarity, modernism can drive really far into unfamiliar territory, becoming distant from any known landmarks. So much unfamiliarity can be scary.

It can even be alienating. The unpopularity of Revolution 9 (by one of the world’s most popular bands) is the evidence that the Beatles' experimentation with found sound, tape loops, and studio technology pushed their fans away. Revolution 9 is modernist because it is a song that’s not a song, something so unfamiliar that it not only breaks with the past, but also breaks its own category.

Varèse’s Poème électronique must have also seemed like a categorical contradiction: poetry created on machines?! The piece—no less than its title—expresses his modernist zeal through never-had-a-past electronic sounds. 'The world is changing, and we change with it. The more we allow our minds the romantic luxury of treasuring the past in memory, the less able we become to face the future and determine the new values in it.'"

Purchase

Revolution 9 (The Beatles)

Inspired by my love of seedy 70s crime-thrillers and corny 80s slashers, HEADPHONE SPLITTER tells the story of an unassuming Brooklyn bird-watcher named Matt Marks, his girlfriend Baby Schenkerian, and a serial murderer the press has dubbed "The Headphone Splitter" who Matt discovers is systematically murdering headphone-wearing residents across Brooklyn. Set around various Brooklyn landmarks, HEADPHONE SPLITTER is a love letter to my adopted home, expressed through a series of grisly killings around its lovely, expansive terrain.

Headphone Splitter Ch. 1 - The Marine Park Salt Marsh (demo)

for solo percussion and electronics. Written for Ryan Pearson, September 2017

Slip

Composer/Horn player/etc. for Alarm Will Sound. Recent projects include pieces for LA Phil, Brooklyn Phil, Great Noise Ensemble, Cadillac Moon Ensemble, HERE Arts Center, The Bushwick Starr, and more.

Headphone Splitter Ch. 1 - The Marine Park Salt Marsh (demo)

Matt Marks

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