This was a 'One Mic... One Take' Improvisation by guitarist Tim Elliot and myself! 

I was playing his ancient Upright Grand Piano and he was on his Telecaster with Fender Tube Amp.  

So remember, this is a Live recording of us 'Falling off a Cliff' together whilst playing our chosen instruments and Listening to each other as if our lives depended upon it!  ;-D

We can only hope that you too, will dare to simply Let Go... and enJOY!

© Gary Courtland-Miles & Tim Elliot 2023 2025
℗  Gary Courtland-Miles & Tim Elliot 2023 2025

Under The Heavens *

All things will pass away

Somewhat doom-laden reflection of the prospect....but cheering up, it may never come down to a rogue algorithm sparking it all off!! Hooray!......
Blues track:
Synth; Tenor saxes; Soprano saxes; flutes; alto flutes(bridge); oboes; clarinets (bass parts).
Beats and explosions c/o Garageband.

Pic. 'Silicon Cities' by Heiko Hellwig c/o Pinterest

Algorithmic - Armageddon Blues

In this track, we worked with @noxpox21 to explore the theme of teleportation. We imagined what it was like for Rob's character Riven to learn to teleport.

We were heavily inspired by Portal 2's soundtrack.

Thanks for listening to this wild chaotic science experiment of a track. And thank you noxpox for the collaboration!

We made it creative commons and remixable, so feel free to make a noncommercial version of it if you like.

Realm III [Instrumental Prologue]

Parallax Shift- Instrumental

Made in August 2025

Video; https://youtu.be/dxttsP5pm_M

Dark Souls

A bit of Ukulele colored with some fantastic throat-singing by Brian, he is here:
https://soundcloud.com/brian-butts-565934842
and his original track is here:https://soundcloud.com/brian-butts-565934842/throat-singing-7-17-25

August Angst

Marco Lucchi : synthesizers and tanpura & tabla app

E.F.S. chautaal in C#

Paul Amlehn - Libretto, composition, arrangement, production
Paul Freeman - Narration
Michaela Damrau - Aria
René Magritte - Painting: "The Lovers"

Libretto:

"I'm thinking of your message and the brutality of it," she said. "Why do you communicate with anyone, if every time you do, you leave a trail of corpses behind you?"

All our betrayals that leave undone.

Your voice
A bell
At bottom of
A crystal well.

And you will not find me
When you look for me.

We had drinks at DeBretts and then went to the Derek Jarman exhibition at the Gus Fisher Gallery. Omnia showed me the Rose Chatouillé oil paint she had purchased earlier this afternoon. "It's such a beautiful colour," she said.

No. We didn't go to DeBretts for drinks, nor did we go to the Jarman exhibition together. The communication broke down between us so it did not happen. Although we did go, a week later, to Le Garde-Manger. And it was there, in the outdoor courtyard, over wine and escargots, that she said we should go to a hotel and have wild sex.

"Fffffff-f-fuck me yeahhh
Fffff-f innocent f-fuck meal soft
Learn
More
Fucking
Meal
You'll be my new lover!"

Omnia's smiling face is the surgical spoon that I use to eat my own brains for breakfast.

"Would you like a second helping?" she asks.

She towers high above me, on altitudinous limbs, gazing down from immeasurable heights.

Her long tresses billowing in the stiff breeze. 

Her bare, barbarous breasts banked with pearl-grey clouds.”


VB - 63

Bratta Axon

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