wow.. no comments on this? that's unfortunate.. highly doubt m+k will read but this is my favorite off of the album. you guys did really good :D

Vinyl Theatre's official audio stream for 'Breaking Up My Bones' from the album, Electrogram - available now on Fueled By Ramen. Download it now at http://smarturl.it/electrogram

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LYRICS
You've got a funny way of hanging around
A thief in the modern age of rhythm and sound
Take me to another place where clarity's found
'Cause all I hear is noise

It's breaking up my bones
I wanna lie, but I don't care to try
We're taking off
We're taking off, baby
We're taking off
I know you know

You found another way to keep me around
I dreamt of a thousand ways to alter the sound
A thief in the modern age of rhythm and sound
But all I hear is noise

It's breaking up my bones
I wanna lie, but I don't care to try
We're taking off
We're taking off, baby
We're taking off
I know you know

So many times we're staring down the barrel of a gun
I know you care these open eyes stare

It's breaking up my bones
I wanna lie, but I don't care to try
We're taking off
We're taking off, baby
We're taking off
I know you know

It breaks up my bones
This breaks up my bones

Breaking Up My Bones

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I've been writing music most of my life. Songs have always been the place where I've sorted out the events of day. If you trace these songs back far enough they tell a story of where I've been and what I've seen along the way. That said, most people don't have the time to sort through the hundreds of songs that have collected in the wake of my 20 plus years behind a piano, and that's why I love "Cecilia and the Satellite". As a song it encapsulate so much living against the back drop of a new life. Cecilia was written with the knowledge that my wife and I would soon meet our first child. With the hope of avoiding territory this type of song often treads, I tried to create a road map of the life I had lived leading up to that moment. One my daughter might look back on some day. A strange life of constant motion, spent traveling in the pursuit of music. A life I’ve nearly lost on more than one occasion and one which I am thankful for, now more than ever. Deep down this song is about more than me and where I’ve been, it’s about more than my daughter and what I want for her. It’s about being proud of where you come from and wanting the most for the people you share your world with.

Keep an eye out for tour dates on Monday!

LYRICS
I’ve locked myself in a hotel room
Then waited all night for the walls to move
I've loved some girls that I barely knew
I’ve made some friends, and I’ve lost some too
 
Crashed my car, I was seventeen
My mother in the seat riding next to me
The things I’ve learned from a broken mirror
How a face can change when a heart knows fear
 
For all the things my eyes have seen, the best by far is you
 
If I could fly, then I would know
What life looks like from up above and down below
I’d keep you safe, I’d keep you dry
Don’t be afraid, Cecilia, I’m the satellite
And you’re the sky
 
Oh, Oh
 
I've café crawled through Amsterdam
Been around the world with a punk rock band
And I’ve seen London, and I’ve played Japan
I’ve been knocked down, I got up again
 
For all the places I have been, I’m no place without you
 
If I could fly, then I would know
What life looks like from up above and down below
I’d keep you safe, I’d keep you dry
Don’t be afraid, Cecilia, I’m the satellite
And you’re the sky
 
Oh, Oh
I’m the satellite
And you’re the sky
 
For all the things my hands have held, the best by far is you
 
If I could fly, then I would know
What life looks like from up above and down below
I’d keep you safe, I’d keep you dry
Don’t be afraid, Cecilia, I’m the satellite
And you’re the sky
And you’re the sky
I’m the satellite
And you’re the sky
And you’re the sky


Andrew McMahon In The Wilderness

Cecilia And The Satellite

This Album Does Not Exist

Sweet Disaster

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Available Everywhere May 7th 



More Than Just a Dream

Fools Gold

For many bands, making music is all about the routine of recording an annual album, or being able to tour in progressively bigger venues.  Not Matt and Kim.  "Our goal is to make music we want to hear," says Matt Johnson, who co-founded the band with Kim Schifino. "When it comes time to make a new album, I'm just so excited, since I know we have all these ideas and I just want to get them out there."  As for the band's extra-emphatic live shows, which these days happen in large venues, he explains, "We've always just really enjoyed playing music, and things have kept growing." 
 
Matt and Kim's enthusiasm comes across loud and clear on the band's last album, Lightning, its most diverse and developed to date.  From the relentless drive of “Now” to the dance-fueled beat of “Let’s Go” to the more contemplative “Ten Dollars I Found,” Lightning is the strongest distillation yet of Matt and Kim’s unique sound: a spunky hybrid of indelible songs, an emphatic beat and almost tangible energy, mixed with the duo’s influence of listening nonstop to Top 40 Hip-Hop and pop-punk.
 
To make the album, Matt and Kim spent six months working in their home studio in Brooklyn, producing the record themselves. Lightning is a touch more minimal than their earlier work – with layers taken away, instead of added, enabling its intense performances and memorable tunes to really come to the forefront. “What’s made the songs on this album really strong is we’ve been able to pull a lot off – to not have so much going on – and still have a strong song,” Kim explains.
 
“It’s easier to make a song with a lot going on,” Matt adds. “It feels very safe. It’s like putting on a lot of clothes: you feel all covered up so no one can judge just one aspect of it, but when you try to break it down to be as simple as can be, you’re really baring it all.  When you can see clearly what’s going on, those are the times that the songs are easiest to connect to.”
 
Connecting with their audience is certainly a key focus for Matt and Kim.  The indie dance duo’s live shows – which are legendary for constant, in-your-face exuberance – feel more like vibrant, sweaty loft parties than traditional concerts, for both audiences and the band. “I think we’ve managed to continue to make them feel intimate,” says Matt. “When we first started playing venues instead of playing on the floor at parties, we tried hard to keep the vibe of ‘we’re all doing this together and having a wild time’ going.  The show is not just the two of us: it’s the 3002 of us, or however big the venue is.”  Or, as in the words of Rolling Stone: “Matt and Kim’s reputation as a live act precedes them – and justifiably so. Simply put, they are a two-person dynamo, frantic, tightly wound, and full of good cheer. Their performances are as physical as they are musical. . . . For sheer adrenaline-per-second, no other band comes close.”

The band started in 2004, essentially by accident when Matt and Kim were art students at the prestigious Pratt Institute, where they studied film and illustration, respectively.  When Kim wanted to learn to play drums and Matt (who'd been in bands before) was getting his head around a new keyboard, the band was born. Since then, they have earned a Gold Record for the upbeat, stick-in-your-head track "Daylight," played festivals like Coachella, Lollapalooza, and Bonnaroo, along with international festivals like V (U.K), Pukkelpop (Belgium), Fuji (Japan), Big Day Out (Australia), Primavera (Spain), Oya (Norway), SWU (Brazil), as well as hundreds of shows. They have won 3 MTV awards: a Breakthrough Video Music Award and mtvU Best Video Woodie Award for “Lessons Learned”, as well as a 2011 award for Best Live Band. Lightning is the band's fourth album, following Sidewalks, Grand, and their self-titled debut.
 
Matt and Kim have always been inspired by Brooklyn’s general urban din as well as the area’s artists, yet Matt points out, “I don’t think a place can define a person. We simply write songs about us and our life so that’s why where we live comes up.”
 
Indeed, there’s something universal about a song with a beat that grabs you, with a great melody, played by a band that simply loves to play music.  And that, in Williamsburg and way beyond, is the key to the universal appeal of Matt and Kim.

Glad I Tried

Matt and Kim

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