Spoon - You Got Yr. Cherry Bomb

A selection of 5 tracks from Wolf Gang's debut album Suego Faults
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Lions In Cages

People Say

Where The Kids Are

Available now on iTunes!
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Produced by Kennedy http://kennedykarate.com

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Candy

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Watch my new "Adderall" music video now: http://smarturl.it/AdderallVideo 
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Paranoia available now: http://smarturl.it/MaxFrostParanoia

Paranoia

THE TRUCK STOPS HERE
by Paul Scholten & Sharon Spivey

INTRO:
Man, that picture don’t do me justice
Wait .. what .. damn, I think I’m busted

Yeah, what you heard is true, I kissed her
But, honey, that girl’s more like a sister
We were drinkin’ shots on top of cold beer
She musta asked me to drive her home
Then sat too close and turned the music on
Next thing I knew she was helpin’ me steer

PRE-CHORUS:
I coulda put the brakes on
Shoulda changed gears
But no more excuses, time to man up now
The truck stops here

CHORUS:
Yeah, The truck stops here, I blew it, I’m sorry
Swear I won’t do it again
I took a wrong turn, but, honey, I learned
That road I took was a dead end
I forgot to duck, yeah I messed up, but I’m back where I belong
The truck stops here, yeah the truck stops here ..
here at home

SOLO:
That's right.. home .. where I belong
What's that baby.. you're not convinced?

A picture’s worth a thousand words
Add to that what you already heard
And it's clear now things got out of hand
If I’d a left, this wouldn’t have happened
But temptation caught my conscience nap-pin’
And the proof got posted up on In-sta-gram

PRE-CHORUS: Repeat

CHORUS: Repeat

SOLO:
Whatdya say honey .. can I come home?

THE TRUCK STOPS HERE

Black Sun is the first single off of Death Cab for Cutie's upcoming album Kintsugi, out March 31st

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Black Sun

From the new EP 
WE WERE THE WEIRDOS
Out Now!

WE WERE THE WEIRDOS

Please No More

When It Was Now

Atlas Genius - Trojans

The Blow - True Affection

For many bands, making music is all about the routine of recording an annual album, or being able to tour in progressively bigger venues.  Not Matt and Kim.  "Our goal is to make music we want to hear," says Matt Johnson, who co-founded the band with Kim Schifino. "When it comes time to make a new album, I'm just so excited, since I know we have all these ideas and I just want to get them out there."  As for the band's extra-emphatic live shows, which these days happen in large venues, he explains, "We've always just really enjoyed playing music, and things have kept growing." 
 
Matt and Kim's enthusiasm comes across loud and clear on the band's last album, Lightning, its most diverse and developed to date.  From the relentless drive of “Now” to the dance-fueled beat of “Let’s Go” to the more contemplative “Ten Dollars I Found,” Lightning is the strongest distillation yet of Matt and Kim’s unique sound: a spunky hybrid of indelible songs, an emphatic beat and almost tangible energy, mixed with the duo’s influence of listening nonstop to Top 40 Hip-Hop and pop-punk.
 
To make the album, Matt and Kim spent six months working in their home studio in Brooklyn, producing the record themselves. Lightning is a touch more minimal than their earlier work – with layers taken away, instead of added, enabling its intense performances and memorable tunes to really come to the forefront. “What’s made the songs on this album really strong is we’ve been able to pull a lot off – to not have so much going on – and still have a strong song,” Kim explains.
 
“It’s easier to make a song with a lot going on,” Matt adds. “It feels very safe. It’s like putting on a lot of clothes: you feel all covered up so no one can judge just one aspect of it, but when you try to break it down to be as simple as can be, you’re really baring it all.  When you can see clearly what’s going on, those are the times that the songs are easiest to connect to.”
 
Connecting with their audience is certainly a key focus for Matt and Kim.  The indie dance duo’s live shows – which are legendary for constant, in-your-face exuberance – feel more like vibrant, sweaty loft parties than traditional concerts, for both audiences and the band. “I think we’ve managed to continue to make them feel intimate,” says Matt. “When we first started playing venues instead of playing on the floor at parties, we tried hard to keep the vibe of ‘we’re all doing this together and having a wild time’ going.  The show is not just the two of us: it’s the 3002 of us, or however big the venue is.”  Or, as in the words of Rolling Stone: “Matt and Kim’s reputation as a live act precedes them – and justifiably so. Simply put, they are a two-person dynamo, frantic, tightly wound, and full of good cheer. Their performances are as physical as they are musical. . . . For sheer adrenaline-per-second, no other band comes close.”

The band started in 2004, essentially by accident when Matt and Kim were art students at the prestigious Pratt Institute, where they studied film and illustration, respectively.  When Kim wanted to learn to play drums and Matt (who'd been in bands before) was getting his head around a new keyboard, the band was born. Since then, they have earned a Gold Record for the upbeat, stick-in-your-head track "Daylight," played festivals like Coachella, Lollapalooza, and Bonnaroo, along with international festivals like V (U.K), Pukkelpop (Belgium), Fuji (Japan), Big Day Out (Australia), Primavera (Spain), Oya (Norway), SWU (Brazil), as well as hundreds of shows. They have won 3 MTV awards: a Breakthrough Video Music Award and mtvU Best Video Woodie Award for “Lessons Learned”, as well as a 2011 award for Best Live Band. Lightning is the band's fourth album, following Sidewalks, Grand, and their self-titled debut.
 
Matt and Kim have always been inspired by Brooklyn’s general urban din as well as the area’s artists, yet Matt points out, “I don’t think a place can define a person. We simply write songs about us and our life so that’s why where we live comes up.”
 
Indeed, there’s something universal about a song with a beat that grabs you, with a great melody, played by a band that simply loves to play music.  And that, in Williamsburg and way beyond, is the key to the universal appeal of Matt and Kim.

Please No More

Matt and Kim

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