Kopf, for ensemble (2020).
With a very special thanks to CHROMA for their performance on this workshop recording, and to Professor John Traill for conducting.

CHROMA:
Sarah O'Flynn – Flute
Stuart King – Clarinet
Caroline Balding – Violin
Cecilia Bignall – Cello
Roderick Chadwick – Piano

Recording taken from workshop performance at the Jacqueline du Pré Music Building, Oxford on 15th October 2020.

Kopf (for ensemble, 2020)

Unmeasured, for large ensemble and live electronics (2019).
With a very special thanks to Ensemble ISIS for their performance on this recording and to Professor John Traill for conducting.

Recording taken from workshop performance at the Faculty of Music, Oxford, on 31st January 2019.

Unmeasured (for large ensemble and live electronics, 2019)

Fog, for trombone and electronics (2019).
With a very special thanks to Sebastiaan Kemner for his performance on this recording.

Recording taken from performance at Modern Art Oxford on 2nd May 2019, as part of an event called 'The Art of Noises III'. This event was organised by the Electronic Music Practice Research Group (EMPRes), which is based at the Faculty of Music in Oxford. Special thanks to the creative director of EMPRes, Dan Hulme, for his organisation of the event.

Fog (for trombone and electronics, 2019)

Antecedent, for solo piano (2020-21).
With a very special thanks to David Palmer for his performance on this recording, and Harris Ferguson for setting up, monitoring and capturing the recording when I couldn't be there in person to do it myself.

Recorded from 4th-6th August 2021 at the Jacqueline du Pré Music Building, Oxford, in a series of recording sessions funded by the University of Oxford Music Faculty's Graduate Research Award scheme.

Antecedent (for solo piano, 2020-21)

With a very special thanks to Anna de Bruin and Aaron Parker for their performances on this recording.

Anna de Bruin – Violin
Aaron Parker – Vibraphone

Recorded at Brunel University London in September 2018.

Clockwork (for violin, vibraphone, and live electronics, 2018)

With a very special thanks to to Eleanor Brooks for composing the text especially for this work, and to Lia Harlin and Sally Goodworth for their performances on this recording. 

Lia Harlin – mezzo-soprano
Sally Goodworth – piano

Recorded at Brunel University London in August and September 2018.

Disenchantment (for mezzo-soprano, piano, and live electronics, 2018)

Emulated performance of composition on a Moog analogue synthesiser.

Nuance (for ondes Martenot and live electronics, 2018)

Composer and researcher.
http://mattcollins.uk

Matt Collins

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