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Fantasy (Floating Points Remix) - Radio Edit

Following on from the success of Jorkes's Sweet Dream EP on the influential Live At Robert Johnson label, a wealth of innovative electronic talents all serve up their own remixes of it including Paris Böhm, Alinka, ROTCIV, Hard Ton, and more.

German-born but Austria-based Jorkes runs the Freeride Millenium label with her muse, lover, and partner Daniel Rajcsanyi aka. Paris Böhm. Her provocative work centralizes gender, queer and egalitarian attitudes, and her Sweet Dreams EP showed the many different sides of her sound.

It is Radio8000 resident ParisBöhm who offers the first remix of 'CDEvaLo'. It's slow and sensuous, with intimate spoken word vocals and lithe synths while the bubbling melodies add color. Next up is Ukraine-born but Berlin-based Alinka, whose hard-hitting sounds have come on the likes of Rekids and Crosstown. Her version of 'Sweet Dream' is uplifting and glossy with busy arps rising up over prickly drums. Acid gurgles add extra texture to this classy floor filler. Freeride Millenium associates Snecker aka Berghain resident DJ nd_baumecker and musician, singer, songwriter, producer, performer, and DJ Snax tackle the same track. In their hands, it becomes a steamy house cut with floating synth motifs and crisp claps over a tantalizing beat that never stops building.

ROTCIV is another Freeride Millenium artist who has a cultured and colorful sound built on alternating arpeggios, automated synth melodies, and weird vocals. His remix of 'You Will Be Mine' is a zoned-out vocal disco chugger with a rugged bassline. The cosmic rays up top and silky arps help the whole track take off. Italian duo and accomplished disco queens Hard Ton are all about hi-nrg beats and screaming acid bass whenever they release on Freeride Millenium or the likes of Toy Tonics. They remix 'You Will Be Mine' in typically high-impact fashion as crashing hits and drums pump the party underneath astral synths and libidinous vocals. Experimental Berlin art trio New Hook then step up to rework 'Robot Lover' into something beautifully atmospheric and melancholic with thoughtful chords over nu-disco grooves. This package is completed with a final fantastic Форм Remix of 'CDEvaLo' that adds yet another perspective.

All bases are covered in head-turning fashion on this vital remix EP.

You Will Be Mine ( Hard Ton Remix ) 

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Jorkes - You Will Be Mine (Hard Ton Remix) - Snippet

effgee releases the third EP on his imprint fellice – Deep House meets Jazz with a warm, analogue touch. The three tracks featured include various production approaches: “New Disco Groove” evolved over time from a more Disco sounding track into a groovy and dreamy Deep House trip, whereas “Pain & Wine” and “Lying to yourself” take things in a slightly more Jazzy direction. “Lying to yourself” also contains recordings from effgee’s live drumming, with an emotive, Jazz influenced break beat groove.

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PREMIERE : Effgee - Lying To Yourself

Christian James, Jeff Swiff - Mpls Connection Pt. 2
BUY LINK : https://nicewonrecordings.bandcamp.com/album/mpls-connection-pt-2
Label: Nicewon Recordings (https://soundcloud.com/nicewon-recordings)

Nicewon comes through on the winter slump, with some phat and warm joints from Christian James and Jeff Swiff. This EP drips with the flavor you'd expect from these two. We hope you enjoy these four new cuts, strate outta flyover, USA.

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PREMIERE : Christian James - The S & J Shuffle

TB - Lovers' Dance On Caring Feet

DJ City - Black Nikes - Rhode & Brown X Benjamin Fröhlich Remix

BUY LINK: https://cosmocitiesrecords.bandcamp.com/music
V/A - Denshi Ongaku No Bigaku Denshi Ongaku No Bigaku / 電子音楽の美学 (The Aesthetics of Japanese Electronic Music)'' vol.2
Label: Cosmocities (https://soundcloud.com/user-796466527)
https://soundcloud.com/tomi_chair https://soundcloud.com/satoshi-fumi

Still on and about after years of the most intense crate digging, gem mining, desperate head-scratching and avid schooling, thirsty as ever for the next musical thrill to wrap our ears and brains around, here comes the fruit of our life-long love story with Japanese electronics, Denshi Ongaku No Bigaku Vol. 1 and Vol.2. From the soul-fulfilling first crush felt upon hearing the iconic soundtrack of ‘Merry Christmas Mr. Lawrence’ by Ryuichi Sakamoto onto our release of Inner Science ‘Cosmo Tracks’, through the life-affirming sets of Laurent Garnier at Dijon’s seminal club, l’An-fer, which have at all times nurtured and expanded our taste for Easternmost delicacies, the influence of Japanese music on our vision and endeavours was paramount to the development of our catalogue, whether directly or indirectly. 

On this second volume, focus is laid on the boogier side of Japanese sonics, nimbly moving the cursor from jazz to Afro-house, via deep technoid wares and spaced-out funky business. Setting the tone without further ado, Seiji Ono’s sun-streaked chugger ‘Celebrate Your Life’ is the very epitome of a time-proof party anthem; a buoyant and catchy ode to Larry Levan’s Paradise Garage that keeps on giving even after the thousandth listen. A dynamic ride down memory lane, Uyama Hiroto’s Afro-Bossa number ‘Compass’ delivers a suspended moment in time, halfway the soothing ethereality of Brazilian folk and syncopated patterns of African music. Up with the very much sub-Saharan-influenced ‘Pray’, J.A.K.A.M. takes us on a luminous ride across endless dunes of sand and lush oases of melodic abundance and polyrhythmic flair.

Yuu Udagawa turns in the jacking ‘We Float’, a proper NYC-style piece of abstract hip-hop and Chicagoan house laced into one lithe dance-floor churner, whereas Jazztronik summons ancient woodlands spirits on the kalimba-heavy ’Neon Forest’, ushering us into a world of pure soulfulness where ghostly silhouettes float in a haze of shakuhachi flutes and vaporous pads. We all know a classic slab of piano house done the right way is hard to resist, but when Brisa opts for this tried-and-tested route on ’State of Mind’, he nevertheless injects it with the kind of refinement and oomph you simply have to bow down before. The Backwoods remix of Ryoma Takemasa ‘Deepn’’ opens a spacious window that looks out onto a dreamy skyscape where the stripped-back rhythmic grammar of atmospheric techno rubs shoulders with that of electronica’s deep focus.

Not just contributing the aforementioned remix, The Backwoods - alias DJ Kent, steps up with the big-room momentum of ‘Cloud Nine’ - an alt-rock-influenced piece of racing electronics bound for ecstatic after-partying and beachside boogie with your loved one at sunrise. In the hands of Hiroshi Watanabe, 909state ‘RaTaTaTam’ morphs into an entrancingly beautiful mix of slo-burning prog techno and neo-classical orchestration, just as sleek and elegant as it proves deadly in a club context. Graced with similar melodic accoutrements, Satoshi Fumi’s rework of Tomi Chair ‘Remorse’ offers a grandiose and mood-enhancing display of piano-riddled techno bravura, clearly geared up for climactic DJ use. A magmatic finale that lacks neither that stadium-sized oomph, nor Fumi’s hallmark of all-around compositional excellence.

PREMIERE : Tomi Chair - Remorse (Satoshi Fumi Mix)

For "Here Until Now", eclectic producers Luigi Sambuy and Kris Berle take a departure from the sound they are respectively are known for, blending influences from Omar S, Moodyman and Theo Parrish. The two have a lot in common, both being expats in the USA and Mexico. They both made strides in their respective scenes, organizing parties, hosting radio shows and writing music. The result is a balanced tool for the cross-genre DJ, blending elements of lo-fi, minimal and sample based 90s house music. The single will be the first self-release of both artists and will be out September 1st in occasion of Bandcamp Friday.

Luigi Sambuy and Kris Berle are two producers from Italy and Norway respectively. Their paths cross at Burning Man in 2022, after which they initiated a fond friendship sparkled by their love of record collecting and production. In November 2022 Luigi debuted a new concept of events in NY called "Metronome", for which Kris was the inaugural guest.

Artwork by Callin Mackintosh
Mastering by Ten Eight Seven Mastering

released September 1, 2023

Here Until Now

DEEP HOUSE INSTRUMENTAL DJ | CREATIVE COMMONS | FREETOUSE

Dead Zone Bass - Deep House Instrumental DJ

Eine arktisch-warme Deep-House-Reise: groovy, laid-back & driving zugleich – mit punchy/warmen Kicks, rounded Sub-Bass, subtilem Swing, soft Claps, Layer-Shakern, organ-/analog-Plucks, kurzen Melodie-Stabs und luftigen Texturen. Minimalistische Eleganz trifft Organic/Microhouse – perfekt für Sunset, Night Drive, Afterhours.

Kalaallit Nunaat (Greenland)

Dive into the rhythm of emotion. Deep, melodic, and hypnotic house tracks that touch the soul and move the body. Smooth beats, warm synths, and late-night feelings — this is Deep House Emotion by ISSAX.

Fantasy (Floating Points Remix) - Radio Edit

Matthew Herbert

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