Name: Stage Lights by Matthew That
Duration: 2 min 9 s
Description: Big, bold, and unapologetically theatrical — "Stage Lights" blends glam-pop-rock energy with Broadway drama. Think soaring male vocals, brassy horns, dramatic piano, and a catchy chorus made for a Vegas stage. Inspired by the flamboyance of Brendon Urie and the vintage flash of showtime jazz-pop, this track fuses irony, grandeur, and raw emotion into one retro-modern spectacle.

Lost In Space

Now Available on Streaming- a song about running from the law, dregs in pocket.

Bad Habit

"Lost Love" is an emotional journey through the remnants of a once-beautiful connection, now faded into memory. With haunting melodies and heartfelt lyrics, the track captures the ache of longing and the bittersweet nostalgia of letting go. Layered with ambient textures and soft, melancholic tones, it creates a cinematic atmosphere that pulls listeners into the quiet sorrow of heartbreak. Perfect for late-night reflections, this song speaks to anyone who has loved deeply and lost painfully, resonating like a whispered goodbye in the wind.

Let me know if you'd like a visual scene or lyric video style based on this.

Lost Love

Big, bold, and unapologetically theatrical — "Stage Lights" blends glam-pop-rock energy with Broadway drama. Think soaring male vocals, brassy horns, dramatic piano, and a catchy chorus made for a Vegas stage. Inspired by the flamboyance of Brendon Urie and the vintage flash of showtime jazz-pop, this track fuses irony, grandeur, and raw emotion into one retro-modern spectacle.

Stage Lights

obsessed.mp3

How long has it been
How long do you want it
You got my attention
My attention
Oh
Girl
You know it
I know it
But I wanna hear it from you

[Verse]
Here we go
One
Two
Three
This is for "Until the end of time"
When I was young
I was so sure
Love was a thing of the past
They always said
Nothing will last
You never find your true match

[Pre-Chorus]
But then you came and you proved me wrong
Changed my mind
Now I'm singing a new song

[Chorus]
You showed me that true love is real
As long as it's with you
I believe in eternity with you
I believe in true love with you
Until the end with you
(Until the end)
You showed me that forever's true

[Verse]
Ah
They say love's only meant for the lucky
But I
I'm so blessed to call you my baby
Some say the word's a myth
Ah
But I exist
Ah
'cause I believe
And if you don't believe me

[Chorus]
I'm tellin you whoa oh oh
You showed me that true love is real
As long as it's with you
I believe in eternity with you
I believe in true love with you
Until the end with you
(Until the end)
You showed me that forever's true

[Bridge]
Once in a lifetime
A miracle happens
Two souls collide
And a fire ignites
For some it burns out
But we found a way
To keep ours alive
Until the end of time

[Verse ]
Ah
I
I'm aware of the risks
But I don't care
I still believe
Ah
I've been prepared for this
Ah
I've been dreamin' since a kid
Ah
I was made for this
And if you don't believe me

[Pre-Chorus]
I want you to know oh
You came along and you proved me wrong
You changed my mind baby oh
Now I'm singing a new song

[Chorus]
I'm tellin you whoa oh oh
You showed me that true love is real
As long as it's with you
I believe in eternity with you
I believe in true love with you
Until the end with you
You showed me that forever's true

[Outro]
How long has it been
How long do you want it
You got my attention
My attention
Oh
Girl
You know it
I know it
So say it baby oh whoa oh
So say it "Until the end with you"
'Cause you know it
I know it
Whoa oh oh 
Until the end with you

Until The End

“Caught in Between” is a dreamy, melancholic blend of alternative R&B and lo-fi soul. With soft, emotional vocals floating over smooth hip-hop grooves and warm vintage textures, the track tells a story of distant love — tender, nostalgic, and just out of reach. A gentle saxophone solo flows through the mix like a quiet memory, adding warmth and intimacy to the spacious, airy production. Inspired by the rhythms of the late 60s and early 70s, but reimagined with a modern feel, this song captures that hazy space between longing and letting go.

Perfect for late-night drives, introspective moments, or anyone who feels too much and says too little.

For fans of: Frank Ocean, James Blake, Tom Misch, Daniel Caesar, Jordan Rakei, Teddy Swims, Men I Trust.

Caught in Between

Tom Foolery 2

UNDER THE HOOD

Are You With Me

Walk Out on Me

Disco Estrella Vol. 19

Cake By The Ocean

Hello and welcome!)
Thanks for listening — feel free to follow and subscribe if you enjoy what you hear.

The Long Way is the Real Way
There are two ways to make it in music:

Let the show-business machine shape and sell you.

Or do it yourself — slowly, honestly, with heart.

I’ve always chosen the second path. It takes time, but it builds something real — and that’s what matters most.

Who is Yevhen Briukhatskyi?
Also known as: Matthew That
Born: 1990, Kyiv, Ukraine
Age: 35
Roles: Producer • Composer • Arranger • Multi-genre Artist

Music has been my lifelong companion — from classic rock in my teens to a wide spectrum of genres that shaped my taste over the years. I’ve always listened to everything: from progressive rock and metalcore to funk, soul, blues, indie, ambient, and electronic music. All of those sounds inevitably find their way into my own creative voice.

Where I’ve Been
Until around 2016, I was creating music in many different styles — mostly electronic. It was an experimental time, full of searching for my sound. Then came a long stretch of working quietly at home, without much inspiration or sharing my work with the world.

Where I Am Now
In 2025, something changed. I came back — with new energy, fresh ideas, and a vision that feels more alive than ever.

Now I write music across many directions: groove-driven tracks with funk, soul and blues rock energy, deep electronic cuts, and even indie-psychedelic songs with a hypnotic pulse. Every track feels different — but they’re all built on my own melodies, my own ideas, and my own voice.

With the rise of AI, I can finally unleash my full potential: using it to shape textures and arrangements, but always keeping the heart of the music fully mine.

Stage Lights

Matthew That

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