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2012 | Indie Discotheque

Brynjolfur
Brynjolfur - The Save EP

Faroese DJ and producer Brynjolfur is one of the leading lights of the Danish club scene, with energetic performances and a charmingly personal musical style. Having dropped the sun-drenched Chain Glass EP for Hamburg’s hafendisko at the height of the summer, he returns to the label fold once again with the shimmering disco delights of The Save EP.

"The Save" is an instant mash-up hit, combining disco cowbells and shakers, vintage house piano chords and rhythms, with the finely-tuned wispy vocals of synth pop. It hits the ground running, and build towards a big bright house breakdown that combines skilled songwriting with Brynjolfur's clubbier roots. 

"Time" takes an entirely different tack, emerging with a slow, brooding electro stomp at sultry tempo; it blossoms into instrumental track of cinematic proportions and suspense, that shifts into a cosmic-influenced beauty by the track's end.

Two sterling remixes round out the EP package, starting with a Dub Mix of "The Save" that gets it rough and ready for the dancefloor: the distinctive melody takes on a deeper unified tone, and new acid house elements get pushed to the fore; then a Kasper Bjørke remix of "Time" reworks it in the distinctive style of the deep nu-disco master, adding bright, uplifting melodies, but retaining the original track's slow, sultry tempo.

The Save (Original Mix)SNIPPET

We’re coming into the home stretch of finishing our album and we’d like to make ‘Take Me Home’ available for free to say thanks for the support over the first year and a half of our new project. Thank You. 

"Take Me Home" is out now on Aeroplane's "In Flight Entertainment" compilation! It will also be on our album which will be out this summer.

We shot a video for "Take Me Home" in Sedona Arizona on the first day of tour with The Rapture back in October 2011. Thanks to Scion A/V for making ithe video possible. See it here : http://youtu.be/eSYc7vZ1IEo 

Now back to the studio to finish our album!

http://poolsidemusic.com
http://facebook.com/poolsidemusic
http://twitter.com/poolside
http://soundcloud.com/poolside

In Flight Entertainment

Take Me Home

品番：MBIP-5505
アーティスト：Brothertiger  (ブラザータイガー)
タイトル：Golden Years (ゴールデン・イヤーズ)
発売日：12月 22日（木）＊国内盤2ヶ月先行発売
フォーマット：国内盤CD
定価：1680円（税込）/ 1600円 (税抜き)
発売元：melting bot / Inpartmaint
ジャンル : Rock / Synthpop / Chillwave
バーコード： 4532813635057

△▼△国内盤特典▼△▼
①デビューEP『Vision Tunnels』全４曲収録
②シングル"I've Been Waiting" ボーナス・リミックス4曲
＊初回盤プレス盤限定ダウンロード・クーポン
・I've Been Waiting (Millionyoung Remix)
・I've Been Waiting (Teen Daze Remix)
・I've Been Waiting (Teeel Remix)
・I've Been Waiting (Jessie Ruins) 

【Track List】
01. The Young Ones 
02. I've Been Waiting 
03. Wind At My Back 
04. Too Convinced To Care 
05. Reach It All 
06. Suddenly, Voices 
07. Golden Years
08. Lovers
09. Out Of Line
10. Turquoise (Skyline)
11. Summer House * 
12. You're Afraid * 
13. Vision Tunnels * 
14. Feel *

* ボーナス・トラック EP『Vision Tunnels』

- 80年代月9的胸熱合成大衆音楽 -

現行シンセ・ポップ大名曲間違いなしの80年代月9的胸キュン・カラオケ・アンセム“Lovers”は超必聴！
Washed Outのチル、Teen Dazeのポップさ、Neon Indianのユルさを兼ね備えたシーンの曲者Brothertigerが満を持してのデビューです！！

チルウェイブの初期より注目を集めるシーンの曲者Brothertigerのデビュー・アルバムが00年代にエレクトロニカで名を馳せた米[Mush]よりリリース。Washed Outの初期に見られた褪せたローファイ感やディープな空間を残しつつ、Teen DazeやBlackbird Blackbirdのキュートなシンセ・ポップ・サウンド、Neon Indianのサイケデリックな陽気さや80年代ディスコのキラキラ感も合わさった、 ドリーミーなチルウェイブから、ディスコ調のダンス・トラック、ゆったりとしたチルアウトなミドル・テンポのトラックまでが収録された幅広いアルバムとなりました。当時？のトレンディー・ドラマを想起させるヒット・ソング“Lovers”は現行シンセ・ポップを象徴するキラーチューン。シングル曲”I’ve been Wating”のリミックスにはシーンを賑わすMillion YoungやTeen Daze、海外メディアでも評価の高い日本屈指のインディ・ダンス・レーベル[Cuz Me Pain]や[Double Denim]からもリリースもある日本人アーティストThe BeautyとNites によるJessie Ruinsも参加するなど充実した内容です。

【ブラザータイガー・バイオグラフィー】

元々は Monoteque という名前で2006年頃から活動していたオハイオ州はタレド出身の John Jagos (ジョン・ヤゴス)が、2009年から始めたソロ・プロジェクト。数年前よりBandcampで楽曲を発表し続け、自主リリースのEP「Vision Tunnels」に収録された代表作“Lovers” (2010)がヒットとなり、Washed Out, Toro Y Moi,  Neon Indian,  Small Black, Memory Tapes, Blackbird Blackbird, Teen Dazeと並びチルウェイヴ /グロファイの初期よりシーンの代表アーティスとして注目を浴びる(ウィキペデイアにも記載)。今年に入ってからは同郷のレーベル[Collective Crowd Records]から初のフィジカルとなる12”をリリース、TeclaやBlackbird Blackbirdのリミックス、最近ではアテネのインディ・シンセ・デュオKeep Shelly In Athensのリミックスも手がけるなど、  精力的な活動が目立つチルウェイヴ / シンセ・ポップの若手筆頭注目株。

Soundcloud: http://soundcloud.com/brothertiger
Bandcamp: http://brothertiger.bandcamp.com/

_______________________________________________
Released by melting bot
http://www.meltingbot.net/

Manufactured & Distributed by Inpartmaint.com
http://www.inpartmaint.com/

P&C 2011 Mush Records
Under exclusive license from Mush Records
http://www.mushrecords.com/

Brothertiger - Out Of Line

Beams

Headcage

Fighting Is Futile

everything is out of place

The Sun & the Neon Light

Numbers

Earthly Powers - Pollyester 

out may 2011



Concierge d'Amour

From "Drop Me A Line" (2011), available from Permanent Vacation via Beatport: http://www.beatport.com/release/drop-me-a-line/689166

http://midnightmagicsounds.com
facebook.com/midnightmagicsounds
instagram.com/midnightmagicny
twitter.com/MidnightMagicNY

Midnight Magic - Drop Me A Line

♬ Click for more ☞ http://trndmusik.de/2018/10/ein-abschnitt-meines-lebens-kid-simius-bringt-die-ep-planet-of-the-simius-raus/

⚡ Follow us on YouTube ☞ https://www.youtube.com/c/TrndmusikDe
🌃 Follow us on Spotify ☞ https://spoti.fi/2jzGmv2 

Get Kid Simius' album on Jirafa Records here: 
Beatport ➟ https://bit.ly/2pLH77o

Nach einer intensiven Festival-Saison 2018 ging es für den Wahlberliner Jose Antonio Garcia Soler, besser bekannt unter seinem Alias @kidsimius, zurück ins Studio – und heraus kam ein neues Album. Die erste Skizze zu „Planet of the Simius“ fertigte der Produzent im Sommer 2016 an: „Man sammelt Songs, man spielt rum und irgendwann ist es fertig. Ich release die Sachen selber, deswegen habe ich keine richtige Zeitdruck.“ (...)

🎧 More Music in our Playlists on Spotify ⤵
💃 Dance: https://spoti.fi/2FjcR9k
⚡ Deep House: https://spoti.fi/2JVCgJH
🌃 Disco: https://spoti.fi/2qMavuY
🍍 Downtempo: https://spoti.fi/2K0w7vN
 👯‍♀️ Electronica: https://spoti.fi/2qJt0A9
💥 Tech House: https://spoti.fi/2vrVN0W
🌌 Techno: https://spoti.fi/2qMRUOy 

🐧 trndmsk's weekly Spotify charts: https://spoti.fi/2sgrlms

Click for more ♬

Kid Simius - Planet of the Simius

CITIZENS! met, tragically, at a house party. Lawrence was trying to chat up the host, Tom was there trying to impress a date. They both failed miserably. But Tom did walk in on Lawrence and Mike sitting, drunk, and, alone, listening to music. They foolishly decided to form a band. So, thanks to a couple of providential female rejections CITIZENS! came into existence.

They say there are a few things that they all agree on: 
‘We actually enjoy hanging out with each other.’ (Martyn)
‘Some of us are too mal-adjusted to be able to do anything else, and the rest of us are getting there fast.’ (Thom)
‘There are two things that really, really piss us off: REVIVALISM and UGLY POP. Bands only make two kinds of music these days: Pointless revivals of subcultures past, or ugly, inhumane cynical pop.’ (Tom)
 ‘Pop is not a dirty word. It’s a holy one.’ (Mike)
‘Death to Guetta’ (Lawrence)
They thought that a band needed to come along with the guts to make imaginative pop music, but to do it with soul and integrity, 
In order to be able to make this music they had to make what Tom calls ‘some stupid decisions.’ ‘Stupid,’ because it means Tom is still working as a kitchen porter, Lawrence is still making coffees and Martyn is still on the dole.
They signed to an indie label who ‘wouldn’t tell us what to do,’ recorded the album in a house, played the whole thing live, got drunk, fought over lyrics and didn’t edit out the mistakes.
The name is a call to arms, a statement, a mark in the sand.

‘It’s us against the world,’ Lawrence says, ‘we make our own rules and we take them very seriously. But it works because we don’t take ourselves seriously while we do it.’

They treated recording like a game, an experiment. They asked questions that other bands weren’t asking, and mixed elements they hadn’t heard mixed before. Most importantly they wouldn’t allow themselves to mimic any particular moment from decades past.
Instead of REVIVALISM, they stand for ECLECTICISM.
Tom says ‘We all live in London. It was supposed to be an impression of the different experiences of living in the city. That was the plan, but now its finished all the songs seem to be about sex. I wonder what that says about us?’


Citizens! "True Romance"

Suzan- Pantha du Prince

Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He was the founding artist on both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

Sound design:
www.matthewdearsounds.com

Label: 
www.ghostly.com

- @audion -

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Fighting Is Futile

Matthew Dear

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