Funk/Disco

Holy Ghost! covers Hold On We're Going Home
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On Tour Now:
10/24 - Austin, TX - Emo's East - tinyurl.com/lmpnv4z
10/25 - Houston,TX - Fitzgeralds - tinyurl.com/my8p57c
10/26 - Dallas,TX - Club Dada - tiny.cc/j1340w
10/28 - Atlanta, GA - Terminal West - tinyurl.com/kmn4tc2
10/30 - Cambridge,MA - The Sinclair - tinyurl.com/k65dtq5
10/31 - New York, NY - Terminal 5 - tinyurl.com/l28vozx
11/1 - Washington, DC - 9:30 Club - tiny.cc/x5g10w
11/2 - Philadelphia, PA - Theatre of Living Arts - tinyurl.com/k65dtq5
11/4 - South Burlington, VT - Higher Ground - Ballroom - tinyurl.com/q2hyvhz
11/5 - Montreal, ON - Belmont on the Boulevard - tinyurl.com/ny9ej5y
11/6 - Toronto, ON - The Hoxton - tinyurl.com/l8tgbo3
11/7 - Columbus, OH - A&R Bar - tinyurl.com/ltx7so3
11/8 - Pontiac, MI - Crofoot Ballroom - tinyurl.com/lx674ld
11/9 - Chicago, IL - Metro - tinyurl.com/kd65u8u

Holy Ghost! -- Hold On We're Going Home (Cover)

At the beginning of February, we told you about the forthcoming full-length album by the sci-fi-lovin' bedroom producer known as Com Truise, called Galactic Melt. Still a ways off from seeing that record, we're going to be treated to the three-song Fairlight EP on May 3, courtesy of releasing label Ghostly. None of those homegrown, electro-tinged tunes come from Truise's aforementioned debut LP, and yet they do trick of tiding us over until it arrives. Take the hyper-compressed "Polyhurt," where '80s-inspired sonic motifs are infused with fresh compositional ideas and a reinvigorated soul, one that emanates as much heartache as neon glow. It'll certainly be enough to satiate our nostalgic urges until Com Truise unveils Galactic Melt on July 5.

Polyhurt

The second of the 12"s we recently announced is out now It includes previous digital release 'Take Me Away' featuring Only Girl http://www.soundcloud.com/onlygirlmusic  
B side contains new track 'U Know'

Limited edition vinyl coming soon
You can buy digital here:
iTunes: https://itunes.apple.com/gb/album/u-know/id902499944?i=902499951

U Know

Finally — a brand-new release. Some SnowCone MathFest tracks were resurrected from earlier ideas and lovingly remastered for the festival vibe, but “Story Prologue” is no such revenant. This chill, groovin’ tune was written specifically for SCMF and the opening beat of the narrative.

I love its haunting, hypnotic repetition—it floats in that weird pocket between synth and electric wood (that woody, resonant, almost-handmade tone that still hums with electricity). It’s a patient track, a lesson in holding your nerve: with each Volta, it opens just a little more, revealing new glints without breaking the spell. The pulse never shouts; it invites, rewarding listeners who lean in.

And because SnowCone MathFest is a story as much as a sound, the music is doing lore-work, too. In the prologue, there’s a moment when the stand is empty—no cones moving, just dew, neon, and the hum of possibility. Then, out of nowhere, the math ghosts pour in from a late show at the QuickServe Pavilion, buzzing with color cravings and flavor theories. Suddenly you’re not just scooping ice and syrup; you’re scoring a scene where choices matter, timing matters, and the groove is a guide. Each ghost wants something wild—mint squares, moon rings, triangle crests—and the track keeps the window warm while you work.

“Story Prologue” isn’t background—it’s backstory. It sets the tempo for how this whole world moves: patient, curious, a little eerie, and totally alive. Selling snowcones isn’t just a taste-and-color thing anymore; now it’s got a story, a soundtrack, a motion, a prologue—and this track is the door swinging open. 🌌🍧

Story Prologue

This remix of Trentemøller's song Tide was part of a remix swop, where Trentemøller remixed Efterklang's song Raincoats in return. Attached to the swop was also an artwork contest, where the winner's artwork would be used for the iTunes release of this remix swop. You can watch all the winners and submitted artworks at: http://www.flickr.com/photos/artworkcontest/

The original version of Trentemøller's song Tide, can be found on his album 'Into The Great Wide Yonder' - http://www.anderstrentemoller.com/

The original version of Efterklang's Raincoats can be found on their third album 'Magic Chairs' (2010, 4AD & Rumraket).


Trentemøller - "Tide (Efterklang Remix)"

Escapements

Better or Worse

Beams

Get The Rhyme Right

Fighting Is Futile

Your Loft My Acid

Release info: http://www.ghostly.com/releases/moving-mountains

Michna - Wanted Exotic

buy:
https://lastnightadjsavedmylife.bandcamp.com/

a sixpack remix package from Truenoys. 
a blend of "deep bass boogie badass beats". 
100% of earnings going to the "last night a dj saved my life" charity. 

lastnightadjsavedmylife.org 

written by @nightmares-on-wax 
produced, arranged, mixed by Truenoys.
additional keys by MIDM.
cuts by DJ Grazzhoppa.
mastered by Sam "Tradd".
additional artwork by Tim Lebacq. 

used by permission.

released December 21, 2018 via bandcamp.

Shout out all involved & mad respect to LNDJ & N O W making this world a better place.

04 Nightmares On Wax - Shape The Future (Truenoys Vintage Mix)

DCCD06 - Alan Fitzpatrick - Running Backwards - Drumcode clip

Trening na znanym samplu
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100% Pure Poison - Windy C. Sampled

Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He was the founding artist on both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

Sound design:
www.matthewdearsounds.com

Label: 
www.ghostly.com

- @audion -

Get The Rhyme Right

Matthew Dear

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