i just put my makeup on at Sephora and vogued to Matthew dear to make all the enemies disappear 🫥

Lover's Cave (Dombrance Remix)

Factory Floor

"How You Say" (Daniel Avery Remix)

listen to Daniel Avery - http://soundcloud.com/danielavery

Factory Floor Tour Dates
4/7: Vancouver, BC @ Fortune Sound Club
4/8: Seattle, WA @ Barboza
4/9: Portland, OR @ Doug Fir Lounge
4/13: Indio, CA @ Coachella
4/16: San Francisco, CA @ The Independent
4/17: Los Angeles, CA @ Echo
4/20: Indio, CA @ Coachella
4/22: Montreal, QC @ Le Belmont
4/23: Brooklyn, NY @ Music Hall of Williamsburg
4/24: Washington, DC @ U Street Music Hall
4/26: Asheville, NC @ Moogfest
7/18-7/20: Chicago, IL @ Pitchfork Music Festival

DFA / FF

Factory Floor - How You Say (Daniel Avery Remix)


RESTER AVEC TOI (Feat. Miss Kittin)

1er single sortie le 18 septembre 2015

« Rester Avec Toi », mixé par Ash Workman (Metronomy, Christine & The Queens) avec Miss Kittin qui prête sa voix, est née d'une punchline : « Si je sors, ce n'est pas pour rentrer ! ».

Jo, chanteur, auteur, la note et le sait déjà, il tient là les prémices d'une chanson. Ce va et vient humide, ce cheval de brouillard qui hennit au loin, ce beat reptilien, la forme est à la fois entraînante, sensuelle, .. psychédélique.

Les Fils du Calvaire est un trio parisien (Jo, Damien et Clément), aujourd'hui partagé entre la capitale hexagonale et Berlin.

Ils sont aussi les créateurs de l'hybride électronique dOP signé sur Circus Company, le label ayant sorti le premier album de Nicolas Jaar.

« Rester avec toi » est le 1er extrait de « Fils de », le 1er album des Fils du Calvaire qui paraîtra début 2016.

Rester Avec Toi feat. Miss Kittin


One of Copenhagen’s most beloved artists Christian d’Or returns with new music, dropping a stunning track from forthcoming EP “Tough Soul”. 

On Friday 22 April, Christian d’Or will release the EP “Tough Soul” on Sound of Copenhagen. It is an EP that oozes d’Or, but also uncovers new musical layers of the renowned Copenhagen DJ.  As a musician he is steeped in styles such as psych, disco and jazz and on “Tough Soul”, d’Or shows a more sinister side. Musically, the five songs on the EP salute the 70s and 80s, while the lyrics’ timeless themes of love and hate are securely carried by d’Or’s dark vocals.

“Tough Soul” is the first single from forthcoming EP by the same name. 
- Cover Artwork by Maria Torp 
- Physical release: April 16.  
- Digital release: April 22. 
- Release Party at Jolene, April 21. 
 


 

Christian d'Or - Tough Soul

Buy Album ● https://paveldovgal.lnk.to/the-aura

More information: http://projectmooncircle.com/releases/pavel-dovgal-the-aura/

The Aura

Buy 2LP/Digital

Pavel Dovgal - Waiting For The Sun  (The Aura - Project: Mooncircle, 2016)

Oslo Girl

Strange Or Be Forgotten - Jono Ma Remix Even Stranger Version

Elegant, melancholic, sometimes menacing, with smoldering piano melodies, desolately whistling organs, and a jaunty jaw's harp loop; kissed by the golden Californian sun, or shrouded in gloomy, dreary fog: Sophia Kennedy is currently the most versatile composer in German pop music – not to mention the greatest singer. Her debut album "Sophia Kennedy" reveals her as a dramatic romanticist and distanced diseuse, as a deft lyricist and master of melody. In her eleven songs, she travels from doo-wop to dubstep, from classic crooning to breathless R'n'B, from Frank Sinatra to Beyoncé. Her talent for songwriting is deeply rooted in history, yet it seeks nothing but the present: both historically versed and timelessly beautiful at the same time.

Sophia Kennedy grew up in Baltimore. Upon arriving in Hamburg to study film, she instantly became a source of enchantment. On the single "Angel Lagoon", which she recorded in the autumn of 2013 with the keyboard-maestro Carsten "Erobique" Meyer, she sounded as lovely, enthralling and blasé like no other singer of the season. In the years that followed she mainly composed music for theater, feeling around for what would eventually become her own style: irony is not an important factor, it's more about appropriation and adaptation, and through effectively minimalistic means, to create space for the voice – for the singing.

Sophia Kennedy produced and recorded the album together with Mense Reents, best known for his work with Die Vögel and Die Goldenen Zitronen. Together they developed the spartan arrangements and electronic textures that determine the willfully dense sound of this album. Often, Kennedy's voice is the only instrument that pursues a harmonic development over the repetitive structures. Then she doubles and multiplies her voice and sings alongside herself in a choir. She shines with bold syncopation over a hobbling piano, as well as in the field of the melancholic lament that suggests a late Beach Boys ballad. This results in multi-dimensional, highly individual music, which easily escapes all the traps of inwardness: just as her lyrics unfold from seemingly simple wordplay to subjective confessionals without ever regressing into the euphuistic pathos of romantic self-reflection.

This is the first songwriting record to be released on Pampa Records, and yet "Sophia Kennedy" is perfectly at home on this label, which for almost a decade has been making the connection between tradition and modernity, avant-garde inventiveness and pop sensibility. One can detect different traditions and historical impressions in every track – yet you can forego all the analysis and simply enjoy the craftsmanship with which Sophia Kennedy creates an absolutely contemporary musical language from her knowledge of classic songwriting: "I want to take tradition to the limits, to where it becomes extreme," she says, yet it sounds so easy and not at all preconceived. The unheard-of refinement of this music lies in its apparent simplicity: "You just can’t be afraid," says Sophia Kennedy, "that it turns out to be pop music."

01 - Build Me A House

Modafinil Blues finds Matthew Dear four years removed from his last LP and lost in the low-hanging gloam of Topanga Canyon. The producer and pop auteur wrote it there in the evening hours with Troy Nōka, a longtime Frank Ocean collaborator. The song hints at conceptual roadblocks requiring more than a simple or single solution; the manifestation of a meteoric spike in cognitive function, yearning for some form of collective freedom, followed by the inevitable descent into the complexity of the fix. Dear’s baritone verse acknowledges that this existential arc is flawed, and therein lies the blues. Moody and nuanced, slightly undone and hugging the curves of the canyon; a polyrhythmic glissade through cerebral fog.

Modafinil Blues

Junior Boys - Double Shadow (Laurent Leroy re-edit - unreleased)

Order the 12" here (USA): http://igetrvng.com/discography/127
Phonica (UK) : http://www.phonicarecords.com/product/view/107314
Juno (UK) : http://www.juno.co.uk/products/457797-01.htm

Digital - 
Beatport: http://www.beatport.com/release/hemisphere-je-mennuie/919436

Side A (45 RPM) - Hémisphère (7:18) 
Side B (45 RPM) - Je m'ennuie (8:19)

Returning to Beats in Space after their debut 12" (and the label's debut release) in the fall of 2011, Paradis offers "Hémisphère" and "Je m'ennuie", another pair of sophisticatedly crafted, noir-pop songs from the young Parisian duo.

On the two tracks of their second 12", Paradis self-reflect to find an escape hatch away from themselves. The A-Side, "Hémisphère", a macabre story of a lonely guest of life determined to leave everything behind, defies the narrative's convention and captivates with pop melodies and up beats abound.

On the B-Side, "Je M'ennuie", lovers settle into late-night melancholic routines soundtracked by a brooding bass line, an achingly affective synth lead, and vocals that grin behind the disaffected front. Ultimately, hope prevails as both tracks beg the listener to leave their headphones behind for the global village's dance floor. From Paris to Cologne, from Buenos Aires to New York, in the words of Michel Polnareff, "On ira tous au Paradis."

Each 12" from Beats in Space features original artwork in considerate & serial form. The first 12" features artwork by Denise Kupferschmidt, a Brooklyn-based artist finding inner / outer space in the movement of line and assemblage of color. The 12" packaging constructed by Will Work For Good features a vinyl BIS logo cling. The 12" will be available on May 22nd, 2012 from fine retailers worldwide. The digital version will be available May 29th, 2012 from the drab internet universe.

Order The 12"

Paradis "Je m'ennuie" - BIS Records 003

Depending on whom you ask, Matthew Dear is a DJ, a dance-music producer, an experimental pop artist, a bandleader. He was the founding artist on both Ghostly International and its dancefloor offshoot, Spectral Sound. He’s had remixes commissioned by The XX, Charlotte Gainsbourg, Spoon, Hot Chip, The Postal Service, and Chemical Brothers; he’s made mixes for the Fabric mix series and Get Physical’s Body Language. He maintains four aliases (Audion, False, Jabberjaw, and Matthew Dear), each with its own style and distinct visual identity. He straddles multiple musical worlds and belongs to none—and he’s just hitting his stride.

Sound design:
www.matthewdearsounds.com

Label: 
www.ghostly.com

- @audion -

Modafinil Blues

Matthew Dear

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