With the snares, they could have been a lot stronger, they're lacking a lot of power within the mid and lower mid frequency ranges, it might have been better to take out the kick drum once the snares are introduced as a sudden change of an element being removed and a new one being added can sometimes work out in favour for you and can create more energy and the sense of unexpectedness

Great work with the breaks, there's a lot of atmosphere within here such as the vocal chops with reverb and the orchestral style drums. The synth work is great also with the flute again and the plucks.

Great work with this build up. The snares sound a lot more powerful and clean compared to the snares towards the end of the intro if you notice yourself, it's mainly because the snares have more room to breathe, there's no kick underlaying them either. They could have used slightly more reverb however, but great job with this!

Great energy within the drop, bassline is clean and powerful, the kick drum could have been a lot more punchy especially within the low mid/lower end. The percussion such as the hi hats and the claps could have just been turned up a little also. You actually want your drums to be slightly louder than any other elements, which is a small tip

Again great build here leading into the second drop, and the snares, again, are a lot cleaner and punchier here, as mentioned in a previous comment, they have a lot more room to breathe, so if you can allow this, it actually creates more energy and tension! .. As the saying goes. Less, is sometimes, MORE :)

The lead synth layers are short stabby and carry just the right amount of reverb to give them that sense of atmosphere, great job with this, the only thing I can mention is that they could have used a little more stereo widening but other than that, great job with this and great job overall for a fantastic energetic track with a beautiful vibe within the breaks

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Comments

Charlie Reez

stranger things.

Alicja Bryguła

Funk Sake

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