Performed by Ensemble Musikfabrik
Conductor: Aaron Cassidy
Photo by Félix Bonfils (1875)

More about the work with comments given by the musicians:
https://www.youtube.com/watch?v=BFrIfk4Bl0s

"Thousand Dead Bodies Under My Bed, All Cloaked with the Breath of the Living"

alto clarinet and a few other things
recorded in december 2021 at "studio guerra"

For Alto Excerpt

Produced during the residency "Rasgo" at "O Criatório/Glandula.Lab", Gravatá, Brazil.

Matthias Koole: Concept, Performance.
Cássio Sales: Recording
Emygdio Costa: Mixagem e Masterização

Rasgo:
Thelmo Cristovam & Cássio Sales: Artistic Coordination.
Beatriz Arcoverde: Production.
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Produzido durante uma residência em O Criatório/Glandula.Lab, Gravatá.

Matthias Koole: Conceito, Performance.
Cássio Sales: Gravação.
Emygdio Costa: Mixagem e Masterização.

Rasgo:
Thelmo Cristovam & Cássio Sales: Coordenação Artística.
Beatriz Arcoverde: Production.

-8.23810, -35.54782

another home recording with a stereo mic of a piece for one man and two instruments (trumpet and crackle synthesizer) played simultaneously.

Dancing Wiht Myself (Solo - 2017)

Impro II avec Tom Malmendier

A piece for electric guitar played with Chinese chop sticks and a few digital resonators triggered with a midi keyboard. The score is available.

autopaard (chopsticks & resonators)

Suspended Feeling - Concerto for percussion and ensemble
Performed by Ensemble Court-Circuit with Rémi Durupt (percussion)and Jean Deroyer (conductor).
Musica Festival, Strasbourg (France), October 6th 2017.

Suspended Feeling - for percussion and ensemble (2017)

fôsSê

fosSê  _ Marina Cyrino

Live-recording of the premiere of "Mirror Box Reflections" for dynamically amplified ensemble & live-electronics, by Ensemble Mosaik, cond. Enno Poppe. Kesselhaus, Kulturbrauerei, Berlin, 23/5/2019.
"Mirror Box Reflections" is an augmentation for 9 musicians with dynamic amplifications & live-electronics, of "Mirror Box", for saxophone, piano, percussion and live-electronics (2014-2015).

Mirror Box Reflections (Stefan Prins, 2015/2019)

Originalmente para sistema octofônico.
Realizada pelo programa de residência artística do Estúdio do Collegium Musicum - Conservatório de Música de Seia / Instituto de Etnomusicologia (Universidade Nova de Lisboa) /Festival Dias de Música Electroacústica
Vozes: César Lacerda, Deh Mussolini, Gustavo Amaral, Maria Raquel Dias e Nathália Fragoso

Cala

Performed by Arditti Quartet and SWR Symphonieorchester on February 8, 2020 at ECLAT Festival.
Conductor: Michael Wendeberg

About the work:

Named after a quotation from an essay written by Tim Rutherford-Johnson, in which he reflects on the research I had conducted at Hagia Sophia and the extent of its possibilities in unlocking the social memories of an architecture, “… like dissolving ancient amber and letting a trapped insect fly away” is a work composed for simultaneous string quartet and large orchestra that was premiered by the Arditti Quartet and the SWR Symphonieorchester in 2020 at the ECLAT Festival.  The work is simultaneous in the sense that it consists of two interdependent works, namely a string quartet and an orchestral work, which can be performed together or as stand-alone works. As such, the string quartet is not conceived as a concertino group, nor is it regarded as an ensemble of two violins, viola, and cello; but rather as a medium based on its own specific collection of gestures and movements.

“… like dissolving ancient amber…” is based on a hybrid structure modeled after the actual architecture of the Fatih Mosque and what I developed as the hypothetical architecture of the Church of the Holy Apostles. The intention behind this hybrid structure was not to simulate or to map out space, or to render a fixed point of observation for a specific narrative, but to develop a sonic-temporal architecture emerging from two spaces, as a form of resistance re-imagined through embodiment.

-8.23810, -35.54782

matthias koole

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