#1 String instruments - selections for the discovery and dissemination of contemporary music

catherine lamb -- descensus trio (2020). i recorded each part by myself over the course of the pandemic.

catherine lamb -- decensus trio

This piece is the first of my own take of Pauline Oliveros "13 changes"
Stay tuned for the 12 others

Standing Naked In the Moonlight - Music Washing The Body / O vis Eternitatis

Program Note June 2021 (Cursus Concert):

In a post-apocalyptic era where humanity no longer exists, Iko, a three-dimensional audio speaker, is lonely and wishes to interact with a human being. It uses a part of its memory to recreate the image of his friend, the trumpet player, in order to communicate and ultimately play together. However, things take a wrong turn. Despite the image of the trumpet player being a part of his memory, the hologram of the musician isn’t merely a visual and a sonic reconstruction : his spirit finds a temporary virtual body.
QU is an on-going project based on an imaginary story. The title is inspired by the Japanese phrase kyūyū no chi - familiar haunts, or simply kyūyū - an old friend.  	
For this representation, we chose to work on the first few moments of the story : Introduction (lonely Iko), creation of the hologram and, consciousness of the hologram. 
The full-length project is planned to include clear mixed-music moments.    

*This audio includes the second and the third moment.

Trumpet : Clément Saunier
Video : Joseph Bona

QU_chapter2&3 (workinprog)

part 2/13 on my project gathering Hildegarde Von Bingen & Pauline Oliveros

Atomic Imagery - Rotating Molecules - Particles Dancing - Instantly Vanishing / O Rubor Sanguinis

for percussion in feedback and resonator

Avidi Lumi - Casale Rocchi

Percussions, Ivan Liuzzo

veglia(III mov. first version)

section X from Divisio Spiralis (2019)

JACK Quartet

February 25th-26th, 2021, Oktaven Audio, Mount Vernon, New York
Mastering engineer: Ryan Streber
Editing/Mixing: Christopher Botta and Christopher Otto

Catherine Lamb

Divisio Spiralis X (2019)

7/25/14 UUCA, Atlanta GA
John McCowen's Clarinet Quartet no. 1 featuring Spiral of Sound Crystal Bowl Choir

Derek Emch, Tim Fitzgerald, Jon Goodman, & John McCowen - clarinets
Mary Ackerman, Lucy Banks, & Candace Keach - crystal bowls 

Clarinet Quartet no. 1 feat. Spiral of Sound Crystal Bowl Choir

Daniel Costello, horn | Live at MicroFest Prague, 28.04.23

Azimuth

Work for electric guitar. This is a recording of the work done in a rush using a little fender amp. Sorry for the not very professional result, consider it a preview before I get the chance to record it properly. The work was commissioned by Maarten Stragier for the 2014 Boston Guitar Fest. This was possible through the valuable contribution of New Music USA.
Solo guitar: Maarten Stragier
Premiered at the Boston Guitar Fest 2014

[NI] Svanito Costrutto for electric guitar

Giorgio Tedde -Austro (1991) for alto recorder
Antonio Politano: alto recorder
(live recording: Switzerland 1996)


1 Austro for alto recorder by Giorgio Tedde

für 6 Stimmen
"Neue Vocalsolisten" 
Stuttgart, Theaterhaus, den 06.12.2015

3 für 6 Stimmen

Classical acoustic guitar & objects.
Recorded the 6 February 2017 in Marseille, France.
A piece by Clara de Asís.

Fais rien

02 Herbarium (2018): In My Volcano Grows The Grass for solo piano

Carlo Siega, electric guitar

versione integrale, Milano, 30.112019

La Sola Distanza 2015 (rev. 2019)

"Hermann Nitsch playing the church organ in the Jesuit church of Vienna, November 20th, 2013. Four heavy drone pieces, mastered by Martin Siewert. These four tracks of Nitsch performing solo on organ are made of sustained drones that are soothing and intense. Music is beautiful and meditative, as it slowly evolves and transforms, full trills that shimmer with celestial light and glide slowly into one another in a harmony that's at the opposite of Nitsch's jarring and disturbing Aktion pieces, though with a similar droning minimalism aesthetic."

TR160 - Orgelkonzert Jesuitenkirche "Satz 1"

United Instruments of Lucilin | Rainy Days Festival, Luxembourg, Neumünster Abbey, 30.11.19

Earthscape I - Watermark

Mattia Clera (Venice, 1987), after classical studies, graduated in Composition at the "Conservatory of G. Verdi" in Milan (A. Solbiati). He subsequently obtained a Masters in Music Composition and Theory at the Conservatorio della Svizzera Italiana in Lugano (N. Vassena, G. Verrando) and continued his studies at the Accademia Musicale Chigiana, where he obtained the Diploma of Merit (S. Sciarrino). Of enormous importance for the development of his compositional thought was the meeting with G. Netti and E. Turazzi.
The focus of his work is the exploration of the articulation possibilities of the sound event in relation to the instrumental practice, the sound in relation to playing, and the reflection on the listening qualities necessary to express this relationship, with particular attention to those acoustic phenomena which reside inert at the edge of the instrument.
His music has been premiered in international festivals such as Chigiana International Festival, Crossroads Festival, Darmstadter Ferienkurse, Impuls Festival, Sound of Wander, London Ear Festival, Milano Musica, Rondò, Festival Pontino, Urticanti Festival and performed by soloists and ensembles such as Alfonso Alberti, Maria Grazia Bellocchio, Laura Catrani, Matteo Cesari, Francesco Dillon, Relja Lukic, Carlo Siega, Divertimento Ensemble, MDI Ensemble, Quartetto Maurice, Quartetto Prometeo, and Schallfeld Ensemble.

Ivan Liuzzo is an italian musician active in various artistic fields based in Basel;

He mainly works as a composer in the contemporary classical field, and as a drummer/percussionist he has collaborated with many artist in the Italian avant-jazz(Manlio Maresca, eg.) and artist such James Chance;

He is also artistically active under the pseudonym of Luiz Vinoza and co-founder of Avidi Lumi.

https://ivanliuzzo.bandcamp.com/follow_me

La Sola Distanza 2015 (rev. 2019)

Mattia Clera

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