Name: RESTLESS! by MATTIA RISSONE TIA
Duration: 3 min 46 s
Description: a song for after fast dance time a relaxing moment with something depp inside

It's a fantastic and beautiful song ✨🎶

Lyrics:

I was king of the world, walked the land so free
Mountains bowed to me, no danger to see
But I felt the winds change, heard the sky break wide
A fireball’s coming, there’s nowhere to hide

The ground shakes beneath my feet
The air's grown stale, yet bittersweet
And I can see the end, it’s written in flames
Nothing we built will ever remain

I called the comet just a spark
A flicker meant to light the dark
I said that God would let us be
That fire was never meant for me
We crowned the beast and closed one eye
Then dared the world to split the sky
But soon the leopards bare their teeth
And tear the lies from underneath

We carved our thrones from wax and pride
Then struck the sparks we couldn’t hide
Laughed at crows that lined the wires
Mocked the smoke before the fires

The fireball splits the skies
To advertise my lies
are just maggots and flies

Now I see the end 
is written in flames
Nothing we built will ever remain

First came silence, fear and dread
The world shuddered and mourned the dead
Crows took flight with silver cries
To peck the rot and eat the flies

Then came the dawn, with truth ablaze
Children yelled through smoke and haze
Science grew roots, the wise made rain
And broke the world out from my chain

They scrawled my name on walls of shame
Unmasked the lies that fed my name
My echo burned, my shadow banned
No idols left, no thieving hand

I fed the lies until they screamed
I kiss the storm I make-believed
The old wax throne, just melt and bone
Ground to dust by minds full grown

The fireballs coming
I made it so
Truth is not a democratic show
It is a force of nature though
It doesn’t ask
It only shows

Fireball

Roots Machine

a song for after fast dance time a relaxing moment with something depp inside

RESTLESS!

PARENTAL MENTAL

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Nowhere

Download

Slow Motion [ Clip Vidéo YOUTUBE ] [123 BPM]

I decided to take another stab at this song (went down a rabbit hole for about 10 hours and completely re-played and re-sang the song).  I struggled with the vocals on my original version so I changed the key to E which made it easier to sing.   
****
Guitar:   strumming my Taylor 114CE
Organ: playing my midi keyboard with Native instruments clarinet organ
Wurlitzer 200A  Keys: playing my midi Keyboard with logic Wurlitzer sound.
Wurlitzer 200A:  EZ Keys 2
Bass: PG Music Real track
Drums: EZ drummer 3
****
Lyrics
In the planet of the ape’s movie in 1968
Astronauts crash landed on a planet that was in a sorry state
They stumbled across a society intelligent of apes who could speak
And there were humans, but they were mute and weak
They’d been asleep in their hibernation pods and 2006 years had elapsed
And somewhere during that time humanity had collapsed
And the astronauts didn’t realize they were on the planet where they’d been born as the apes hunted them and they hid in a field of corn
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that monkey fate, hope we smarten up
I wonder what those apes are thinking as they’re sitting in their cages at the zoo
Are they biding their time, making plans for what they’re goanna do
Are they dreaming of the day when they’re on the other side of that glass wall
Are they patiently counting the minutes, waiting for humanities downfall
The apes killed one of the astronauts and they stuffed him and put him on display j
Just like trophy hunters do with animals today
The Astronaut named Taylor, he got shot in the throat
He was unable to talk, so he got a pen and showed the apes what he wrote
The apes realized he was intelligent, and it shook them to their core
And the forbidden zone was a place they weren’t supposed to explore
Taylor met a girl he named Nova, she couldn’t talk but she was pretty.
A couple of apes helped them escape to what used to be New York city
And they rode together on a horse on a beach that looked like the west coast
Until they found that statue and realized humanity was toast
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that Monkey Fate, hope we smarten up
The planet of the ape’s is supposed to be science fiction
Let’s hope it doesn’t turn out to be an accurate depiction

Planet Of The Apes V 2.0

As I mentioned in another recent song post, @dough-factory and I have collaborated on a bunch of music in years past. This is the second recent song from us, eventually to be included on an upcoming album. 

Ryan came up with the original drums and bass seed of this song, sent it to me and I laid down some guitar and synth. He then arranged the pieces and added a killer vocal track. He also gets credit for the production work on this one. Thanks for listening, friends!

Here is a link our other recent track, Dive:
https://soundcloud.com/tea_are_sea/dive


Terms

Special Thanks

My heartfelt thanks go to my wonderful wife Nicole, and to the eleven amazing musicians and friends who took the time to listen to my new track and share their honest feedback:

Donna Dior, Michele Ansani, Jens Sieckmann, Andronix, Axel Menningen, Janne Hennie,  Beats by Luke, Neowakan (Aileen Asatouri), Stefan Kraft, Anastasya Ihnatovich, and Siamak Sarmadian.

Your support, thoughts, and recommendations mean so much to me and truly help me grow as an artist. Without such an inspiring community, this journey would not be the same. I deeply appreciate your openness and encouragement.
🎶❤️🎶

Yearning is a sorrowful and deeply melancholic piece that takes the listener on a journey of longing and inner conflict. The track unfolds slowly, carrying moments of pain and hope, and gradually builds into a powerful, epic finale.
It is music that makes emotions tangible – between darkness and light, silence and monumental grandeur.

Yearning ist ein wehmütiges und zutiefst melancholisches Werk, das den Hörer auf eine Reise voller Sehnsucht und innerer Zerrissenheit führt. Der Track entfaltet sich langsam, trägt die leisen Momente von Schmerz und Hoffnung in sich und steigert sich Schritt für Schritt zu einem kraftvollen, epischen Finale.
Es ist Musik, die Emotionen spürbar macht – zwischen Dunkelheit und Licht, Stille und gewaltiger Größe.

Note: This track was entirely composed, performed, arranged, and produced by myself – without the use of artificial intelligence.
Creating authentic music with real emotion and personality is important to me. Thank you for listening and for your support.
℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
Unauthorized use, reproduction, modification or distribution of this track is strictly prohibited and will be prosecuted under applicable law.

Yearning

In The Clurrb

they ask me to compose. What I compose u find on this profile after maybe will be remix or they use for song. Enjoy 
I Study harpsichords Geneva conservatory after finisbeig geologiust best oper for me is (Seixas Op Sonata no.24 D Minor )

RESTLESS!

MATTIA RISSONE TIA

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