Rather wonderful mix of minimalism and new wave beat. Fantastic!

Track from the new Flunk album, "History Of Everything Ever", released May 28 2021.

I Get You (Recorded Live at Røaknekken Musikkbyrå May 2021)

Constance Amiot - Upside Down

Minolta

Terry Callier - You’re Goin’ Miss Your Candyman

MadMixMustang -- From The Heart Of Glass (Blondie Vs. Philip Glass)

◆ Spotify: open.spotify.com/intl-fr/artist/2l8W4VQzTWmSC6wvuG72J7
◆ Apple Music: music.apple.com/fr/artist/yao-si-ting/1723613893

Yao Si Ting, renowned for her ability to convey deep emotional landscapes with her crystal-clear voice, offers a stirring rendition of “Speak Softly Love,” the classic love theme from The Godfather composed by Nino Rota. Her interpretation of this iconic melody captures the essence of the film’s narrative of love, loyalty, and the complexities of family ties. Through her rendition, Yao Si Ting invites listeners into a world where love speaks louder than words, embodying the song’s poignant message with every note.

🎶 Listen to the full collection album → https://lnkfi.re/yao-si-ting-collection

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LYRICS
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Speak softly, love and hold me warm against your heart
I feel your words, the tender trembling moments start
We're in a world, our very own
Sharing a love that only few have ever known

Wine-colored days warmed by the sun
Deep velvet nights when we are one
Speak softly, love so no one hears us but the sky
The vows of love we make will live until we die

My life is yours and all because
You came into my world with love so softly love

Wine-colored days warmed by the sun
Deep velvet nights when we are one
Speak softly, love so no one hears us but the sky
The vows of love we make will live until we die

My life is yours and all because
You came into my world with love so softly love

☛ More about Yao Si Ting
https://lnkfi.re/YaoSiTing

Speak Softly Love

A tribute to one of my favourite literary characters.

Holden Caulfield medley: Smalltown Boy-Nightcall-"Big boys don't cry" (piano cover)

Buy on iTunes: https://itunes.apple.com/album/id1036936627
Taken from SAYCET « Mirage (B-Side) - EP »
Extrait de SAYCET « Mirage (B-Side) - EP »

Production: |
  Météores-Music

MIRAGES Acoustic version feat Juliette Armanet

From the album 'Music For Falling From Trees' by Peter Broderick released in 2009 on Western Vinyl.  Available soon as a limited edition 180 gram 45 rpm vinyl EP.

Vinyl:http://westernvinyl.com/shop/wv62
iTunes: https://itunes.apple.com/us/album/music-for-falling-from-trees/id377393049

Artist Page: http://westernvinyl.com/artists/peter-broderick
Website: http://www.peterbroderick.net/


2009’s Music for Falling From Trees, a 30-minute piece in seven sections, was created for a contemporary dance by London-based choreographer Adrienne Hart at Neon Dance. Adrienne was looking for a score of piano and strings, so Peter left the guitar and his voice aside and focused entirely on those two timbres.

The dance tells the story of a man in a psychiatric hospital, and his struggle to maintain his identity. The music is sometimes melancholic, sometimes playful, sometimes chaotic, but with the combination of piano and strings, full of beauty, reverence and awe.

“In late 2008, Adrienne Hart contacted me about scoring her new work, Falling From Trees. In Adrienne's words, ‘the piece is set in a psychiatric hospital and centered around one man's struggle to retain his identity in the most extreme of circumstances.’ There are four dancers in the piece. One male playing the patient, and three female hospital workers.

I had been making music for a variety of film projects, but the thought of scoring a dance was very exciting to me. I was on tour at the time, so I wasn't able to start writing the music until I had a break in early January. The dance premiered on January 21st, so I had about three weeks to create the score. I camped out up in the top of my father's barn with some minimal recording equipment, my violin and viola, and an old broken piano.

Given the time constraints, I approached the music in a very open way. Rather than sit down and try to compose something, I just set up a microphone and started playing. After coming up with a couple of themes on the piano, I started recording, using those small themes and improvising around them. Most of the sections have a small core that is composed, and then the rest is improvised. Luckily for me this method seemed to work. I would work all day and then send a sketch over to Adrienne, and every time her response was positive. So in this way we worked very well together. I give my hugest thanks to Adrienne for trusting me to create the music for her wonderful work.

Adrienne told me from the beginning she was looking for a score of piano and strings. So I decided to take this literally and make a rule not to use any other instruments. In the script it called for the sound of a ticking clock. I made this sound by tapping on the body of the violin with my fingernails. The sound of an electric shock given to the patient is depicted by a quick, distorted piano chord. And all other droning and bass tones were made by extending and processing violin and/or piano tones, etc. Thank you very much for listening.” – Peter Broderick, March 2009

Peter Broderick - "The Dream"

Live in Reading 9.12.1982

Eurythmics - This City Never Sleeps (Live in Reading, England, 9th December 1982)

Follow me on Facebook : https://www.facebook.com/pages/Vilmandy/139311932898922

MadMixMustang -- From The Heart Of Glass (Blondie Vs. Philip Glass)

Matty Hart

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