Deep House Classic's & Fundamentals

Nachthorn

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Crustation were a short-lived trip-hop group with ties to Portishead and Massive Attack; their 1997 single "Flame" was a perfectly nice, totally innocuous, and mostly forgettable contribution to the drowsy downbeat catalog. The journeymen producers Mood II Swing put their characteristically light, funky touch on a club-friendly remix of the song, as they did hundreds of times during their run as New York's most dependable remixers. But Mood II Swing also had a murkier, more abstracted side; you can hear it in productions like "Move Me," "The Slippery Track," and the eerie "Inhale," which sounds like Gary Numan's "Cars" being sucked through a Teflon wormhole. But they outdid themselves on the "Borderline Insanity Dub" of "Flame," lacing a skipping, proto-U.K.-garage beat with hiccupping vocal loops and a lithe, shadowboxing bass line; the icing on the cake comes courtesy of a swirling fog of vocal harmonies that pans from speaker to speaker. Running out of phase with the beat, it lends a sense of tidal ebb-and-flow, throwing the time deliriously out of joint. The fact that Mood II Swing never produced anything else quite like it only makes this fluid, enveloping tune all the more irreplaceable. P.S.

Crustation - Flame (Mood II Swing Borderline Insanity Dub Mix)

Dark Entries digs deeper in to the archives of Severed Heads, one of the longest surviving bands to emerge from the Australian post-punk independent music scene. They began in Sydney in 1979, incorporating elements of ‘industrial’ noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. In 1986 the band released the 12” single “Petrol” on Nettwerk Records. We’ve decided to shed light on the evolution of “Petrol” with this EP showcasing four earlier incarnations of what became an instant synth pop classic. 

“Petrol”, originally titled “Lamborghini”, was written by Garry Bradbury and Tom Ellard in 1981. The first version of the song featured vocals by Finoa Graham and music by Tom Ellard.  “Lamborghini” was featured on a compilation of Experimental Australian bands titled “Entrave Et Étouffement, From Australia...” released by L'Invitation Au Suicide in April 1982. DJs in Chicago discovered the import compilation and “Lamborghini” became a proto-House secret weapon, traded on mix tapes. In July 1982, the band was invited to record several songs on Metro TV in Sydney to demonstrate the video synthesizer, a new piece of equipment played by Stephen Jones. The video synthesizer was installed into Metro's control room above the main studio to process the performance in real time on two cameras while recording to video. Tom Ellard and Garry Bradbury were using analog synths and tape recorders along with the screaming guitar work of Simon Knuckey, while Garry took over vocal duties. In 1984 Tom took another stab at the song, re-recording and singing “Petrol” for the compilation “Beyond The Southern Cross”, a double compilation album of Electronic and Post-Punk bands from Australia and New Zealand. Finally in 1985, the band went into the Terse Tapes studio with producer Robert Racic to record “Petrol” for a 7” single release on Volition Records. Featured here is the B-side of the 7”, a cut-up dub “version” remixed by Racic and packed full of intensity. 

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in a jacket featuring brightly colored, distorted, VHS graphics output by Stephen Jones' video synthesizer created by Tom Ellard video piece “Kato Gets The Girl” in 1985, designed by Eloise Leigh. Each copy includes a postcard with notes and original hand-written lyrics by Garry Bradbury. More than 30 years later Severed Heads are still paving the way for powerful imaginative challenging music far and wide.

Lamborghini (Petrol 1982)

st.etienne - only love can break your heart ( maw dub)

Music From Memory © 2018

Vinyl: http://www.musicfrommemory.com
Digital: http://music-from-memory.bandcamp.com/

Violet Eves - Listen Over The Ocean (4:19)

I'm Not Dancing

Anne

I Thought That I Could Get Away with It

Africa Oscura

Iniziazione Africana

Remember the house...

"Deep Burnt", is based musically on Freddie Hubbard's "Little Sunflower". 

Pepe Bradock - Deep Burnt

This has been uploaded before but this version seems to have an overall cleaner sound too it than the other versions on SoundCloud (and this space has been pretty sparse of house which is a serious crime).

Still it's such a big 90's beat that I have not been able to get enough of, enjoy!


24 hour sleep.

Round Two - New Day (Clean Vocal Club Mix)

A man with a repost button.

Now an Independent filmmaker.

Get at me.

Round Two - New Day (Clean Vocal Club Mix)

MauriceCarltonB

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