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James Welsh 'Standing/Slip'
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Stream, download elsewhere: lnk.to/jameswelshPH59
A. Standing
B. Slip
This is PH59 @phantasysound

Since 2015, James Welsh’s contribution to Phantasy as Kamera has delivered a series of releases shrouded in mystery, injected with the personal energy of both a hardcore and club heritage. Two EPs, ‘Arc’ and ‘Ventoux’, set a distinct tone, with the latter complimented by head-turning remixes from artists such as George Fitzgerald, Throwing Snow, Truncate and Yaleesa Hall. Now, the key Phantasy artist emerges from the shadows under his own name, in order to continue his uncompromising musical journey.

‘Standing’ throws listeners headlong into Welsh’s formerly anonymous industrial complex, generating a churning, relentless rhythm offset with a dry female vocal that recalls the sardonic stance of vintage electroclash. 

Follow James Welsh 
www.instagram.com/jameswelshmusic
open.spotify.com/artist/5t9EvjWdf5D0cx2uPij25Q
www.facebook.com/jameswelshofficial
twitter.com/_JamesWelsh

'Standing/Slip' [PH59]

Standing/Slip

Standing

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Mø6b (Edit)

‘Paul’s Horizon’ – @Ryan-Elliott’s first EP in six years – falls musically between Berlin and Detroit, between house and techno and between hypnotic repetition and unpredictability, revealing a subtle ear for groove and composition.

It’s the DJ’s perspective that has informed the Berghain / Panorama Bar resident's own analogue productions, with ‘Paul’s Horizon’ turning its focus toward deep and slick percussion. This is apparent from the get-go, with the title track’s triangle/clap interplay, funky 5-6 kicks per bar, and bleary-eyed atmosphere. From there “Martinsville Morning” slows down into an understated sunrise groover, led by bassline, strings and pads. EP closer “Grafton Road” turns up the pace again with gasps for hats, aggressive punctuating snares, and a modulating synth bubbling-up throughout.

Paul's Horizon

Buy 12"

Ryan Elliott | Paul's Horizon

Mø6b (Edit)

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