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One of the best-loved Ibiza anthems and club cuts of all time Café Del Mar gets brand new remixes from the original trance master Paul Van Dyk. It’s such a perfect fit that it begs the question: why has it taken nearly three decades to happen? 

Nearly 30 years ago, Paul M aka Kid Paul, recording as Energy 52, unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close. 

Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. One name that’s been strangely absent though is that of Paul Van Dyk: a trance icon and a seemingly perfect fit for remixing a record of this stature. 

Paul Schmitz-Moormann (aka Kid Paul) and Paul van Dyk were close DJ buddies in the early Berlin Techno scene, and played around a hundred DJ gigs together, all around Germany and Europe, before they moved on in different directions. Now nearly 30 years later he’s finally got the chance to remix this iconic record. 

For the new release, Paul Van Dyk delivers two scintillating remixes. The XOXO remix slows the tempo slightly and employs crisp percussion and deep, pulsing bass while still maintaining the out- and out exhilaration of that epic breakdown, while for the trance purists the Shine remix delivers the atmosphere of the late 90s alongside the sharp production aesthetics of the modern day. 

Paul Van Dyk’s Café Del Mar remixes mark the first new release on the label Superstition Records after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.

Energy 52 - Café Del Mar (Paul van Dyk´s SHINE Mix)

An old edit that I hold very close to my heart. Fought around with the highest sources available to make this, since this bootleg will most likely never see the light of day. The ending is a bit scuffed, but I might fix that later on for DJ friendly stuff. I just put this together in like... an hour so it might not be the best xP

(edit) sorry for the one minute silence at the end. Must have skipped through me :P

Rank 1 - Airwave (Porter Robinson Bootleg) [Spitty Re - Cut]

Rank 1 - Airwave (Max.E Remix) [Radio Edit]

[beatmania IIDX 7th style] DuMonde - Never Look Back

Cygnus x & Rank 1 - Superstring (The Joker Rework)

Komodo (Save A Soul) [V2]

This track unfolds as an expansive sonic journey, beginning with ethereal textures and subtle arpeggios that evoke a sense of introspection and mystery. It gradually builds into a driving, progressive soundscape, characterized by powerful, emotive synthesizers and an irresistible rhythmic pulse. Processed female vocals weave through the intricate melodic layers, adding a profound sense of human emotion to the digital tapestry. The composition skillfully navigates between moments of high-energy propulsion and introspective atmospheric breakdowns, culminating in an uplifting yet melancholic experience that resonates with themes of memory and discovery.

The Code v2

Illusions

Warcry

Armin Anthems (Ultimate Singles Collected)

Shivers

10 Years

The Sound Of Goodbye

As the first Italian DJ to tour the world, he’s put his homeland on the global techno map. As the first DJ to mix live on the eminent BBC music show Top Of The Pops, he’s helped bring techno to the widest audience possible. As the man behind Meganite – one of Ibiza’s most successful and longest running nights – he has recruited some of the world’s most respected underground DJs as residents; Adam Beyer, Marco Carola and Chris Liebing.

This journey to legendary status began over 25 years, 700 releases and 7 million unit sales ago when he became the first Italian finalist in the world DMC championships in 1988. Galvanising this success the following year with a win on a live broadcast Italian DJ competition called The Walky Cup, his national crown as a premiership DJ was realised... And the world beckoned.

A string of sonic successes, dancefloor dominance and industry victories followed; early chart appearances as R.A.F and co- writing for myriad European house acts during the early 90s led him to become a partner Media Records, while his reptilian trilogy in 1998 elevated him to a global level; ‘Lizard’, ‘Iguana’ and ‘Komodo (Save A Soul)’ fused trance with techno on such a level they became hymns for the biblical superclub explosion during the last few years of the 20th century and charted in many countries. From this point onwards, the world could no longer ignore the dance music and techno phenomenon. And Mauro was driving from the front. As one of the most in-demand artists across the globe, he barely left DJ Mag’s illustrious Top 100 DJ list throughout the first decade of the 21st century.

Constantly searching for innovative developments – both musically and technically – Mauro expressed an early vision that is now common place within electronic music: his ability to bring the underground to the masses, to fuse melody, hooks and harmony with industrial strength drum dynamics, his innate understanding of widescreen DJ selections that cover the whole spectrum created a reputation that positioned him in all corners of techno.

This focus and attitude meant that as a DJ he’s been invited to perform the broadest possible range of peaktime sets from Berlin’s famed Love Parade to Turin Winter Olympics via Timewarp, Tomorrowland, MTV Festival, Awakenings, Sensation, Mayday, Ultra Music Festival, Space Miami, Ibiza and thousands more. As an artist this gave him the freedom to flex from major remixes of top tier acts like Freddie Mercury and The Pet Shop Boys while delivering extensive albums that explore every side of techno with daring experimentation with tracks such as ‘Baguette’, ‘Contaminato’, ‘Hong Kong’, ‘The Riff’ and ‘Asteroids’.

As well as his journeyman DJ sets and full spectrum productions, this vision is also evident in his two brands. Both established in the early 2000s and still going strong to date, his Meganite events and Alchemy label are both melting pots for evolution and development. Meganite at Privilege is one of Ibiza’s most infamous techno parties and has since gone on to take over clubs and arenas across Europe and the US while Alchemy has delivered cuts from the likes of Adam Beyer, Chris Liebing, Joseph Capriati, Paco Osuna, Popof, Sasha Carassi, The Advent, Steve Rachmad, Nicole Moudaber and many more. Not just a label, Alchemy has also given the world a successful festival in Mauro’s motherland Turin in 2010 and is the home to his hugely popular podcast series that is syndicated across the world and listened to by audiences of millions. 

Komodo (Save A Soul) [V2]

Mauro Picotto