Hardgroove Techno

Himmelreich

Alte Zeit

Armageddon

Ehre Und Gewalt

Ihr Werdet Weinen

Balthazar

Zorn Amons

05h33 (Adagio, Piano Sonata No. 14, "Moonlight") - Beethoven Remixed

Various Artists - TERRA
Blue Hour Music [BLUEHOUR032]
2 x 12” Vinyl + Digital: Friday 10th October

Blue Hour presents TERRA – a carefully curated selection of original works from artists shaping the current landscape of modern techno. Bringing together eight unique voices, the compilation continues Blue Hour’s reputation for thoughtful curation, revealing an immersive journey through rhythm and sound.

 A1 Mathys Lenne - Oven
A2 Justine Perry - Nagari
B1 Red Rooms - Tesseract
B2 Uväll - Umbra
C1 Ādam - Uluwatu
C2 Sciahri - Let Them Go
D1 Kameliia - Delusion of Time
D2 Bidoben - Sleepwalk

Mastering Sugar @ Soundstuff Studio | Artwork Marco Maldarella

GTG Premiere | Justine Perry - Nagari [BLUEHOUR032]

Support: https://prtlwrx.bandcamp.com/

Duplicity is proud to present “Side Quest” by Deranged. Forthcoming on PRTL WRX 10.10.

Artist: Deranged
Album: Side Quest EP
Label: PRTL WRX
Catalogue: PRTL038
Format: Digital
Genre: Electronic
Style: Techno
Release Date: 10/10/2025
Mastering: PW Mastering (Mikrotakt)
Artwork: Mikrotakt

Support the artist
SC: @derangedtechno
IG: www.instagram.com/derangedtechno

Support the label
SC: @prtlwrx
BC: https://prtlwrx.bandcamp.com/
IG: https://www.instagram.com/prtlwrx/

PREMIERE: Deranged - Side Quest [PRTL038]

FUEGO! – an explosion of rhythm, heat, and groove. The Track ignites the dancefloor with driving percussion, hypnotic energy, and spanish vocal shouts that set your soul on fire.
Feel the pulse, move with the rhythm, and let the flames take over.

Fuego!

ANECHOIC

Stranger - Ommoord

Underground / Baguette

Dystopia

Deep Dimension - Wagging Tail (Reveillon Remix)

MONNOM BLACK 015_ Dax J_ Redemption EP

Vinyl Release Date - 13.07.2018

monnomblack.bandcamp.com/album/redemption-ep

A1. NO REDEMPTION 
A2. SIN AND SALVATION 
B1. OFFENDING PUBLIC MORALITY (DAX J DUB MIX)
B2. TWO FOOT SHALLOW (WRITTEN BY DAX J & CRESSIDA)

C1. VOLTAIRE
C2. THE TYRANNY 
D1. CONDITION THE MASSES 
D2. RUSSIAN BLOOD LINES 
D3. Digi. ACID ASCENTION (DAX J CLUB MIX)

MASTERED AND CUT BY MATT COLTON @ ALCHEMY MASTERING, LONDON

ALL TRACKS WRITTEN AND PRODUCED BY DAX J
B2 WRITTEN AND PRODUCED BY DAX J & CRESSIDA 
MONNOM015 - ALL RIGHTS RESERVED
INFO@MONNOMBLACK.COM
© & ℗ MONNOM BLACK 2018

No Redemption

SLAM - ARCHIVE EDITS LP ( @Soma DA124)

1. Nitzer Ebb - Join In the Chant (Slam Rework)
2. Slam - Scorpion (Live Edit) 
3. Slam - Memoriam (Original)
4. Silent Breed - Sync In (Slam Re-Edit)
5. Slam - 1001 (Original)
6. DK8 - Murder Was The Bass (Slam Re-Edit)
7. Terence Fixmer - Body Pressure (Slam Re-Edit)
8. Damon Wild - Rotary (Slam Live Edit)
9. Hertz - Recreate (Slam Rework)

Slam rework Nitzer Ebb Nitzer Ebb, Silent Breed, DK8, Terrance Fixmer and more for the final instalment of their Archive Edit series

Soma label heads Slam curate a specially designed package of tracks to finalise their Archive Edit project that sees them delve deep into Techno’s past to bring some of the genre’s best tracks into the modern age. The Archive Edit project started as a way for Slam to showcase and share the many different edits that had made their way into their DJ sets over the last few years. The pairing of Stuart McMillan & Orde Meikle have both raided their extensive collections, picking out tracks that have defined countless sets over their career. Tracks from luminaries such as Nitzer Ebb, Thomas P Heckmann (as Silent Breed), Damon Wild & Terrence Fixmer have been re-edited alongside some of Slam’s own unreleased material, showcasing the duo’s current sound; one that constantly naturally evolves, matures and demonstrates why the duo have been at the forefront of the global scene since its inception.

“We resurrect nine cuts from our archive collective collections for your listening and spinning pleasure. Some are original material, some are live re-edits, some are well-known, others are not! They all have one thing in common, they all attempt to unashamedly destroy dancefloors, and thus featured heavily, (usually toward the end of our DJ sets) in the last year or so well known”. Now we share them with you!"

Slam open the album with an absolute monster track in the form of their rework of the legendary Nitzer Ebb’s ‘Join In The Chant’. The anthemic EBM/post-punk infused original is given a thrashing overhaul from the duo marking one of the standout tracks of this collection.  A special live rework of fan favourite ‘Scorpion’ drops before the previously unreleased ‘Memoriam’ delivers on a more emotive tip. Firing back into the edits is Thomas P Heckmann’s seminal ‘Sync In’, under his Silent Breed Moniker which is a fast-paced, Neo-Trance affair Slam then drop the manic ‘1001’ which takes the BPM stratospheric. DK8’s, Murder Was The Bass is up next and given a 2019 update as the duo's edit snatches up all the most perfect elements of the track leading nicely into a rework of French EBM legend Terence Fixmer’s ‘Body Pressure’ - driving through with its twisted beats and vocals. Another special live edit of the first Archive Edit release, Damon Wild’s Rotary makes an appearance as the album closes out with the rave infected, rework of the Hertz classic ‘Recreate’

All Tracks Mastered by Conor Dalton @ Glowcast Mastering

Silent Breed - Sync In (Slam Re Edit)

As the first Italian DJ to tour the world, he’s put his homeland on the global techno map. As the first DJ to mix live on the eminent BBC music show Top Of The Pops, he’s helped bring techno to the widest audience possible. As the man behind Meganite – one of Ibiza’s most successful and longest running nights – he has recruited some of the world’s most respected underground DJs as residents; Adam Beyer, Marco Carola and Chris Liebing.

This journey to legendary status began over 25 years, 700 releases and 7 million unit sales ago when he became the first Italian finalist in the world DMC championships in 1988. Galvanising this success the following year with a win on a live broadcast Italian DJ competition called The Walky Cup, his national crown as a premiership DJ was realised... And the world beckoned.

A string of sonic successes, dancefloor dominance and industry victories followed; early chart appearances as R.A.F and co- writing for myriad European house acts during the early 90s led him to become a partner Media Records, while his reptilian trilogy in 1998 elevated him to a global level; ‘Lizard’, ‘Iguana’ and ‘Komodo (Save A Soul)’ fused trance with techno on such a level they became hymns for the biblical superclub explosion during the last few years of the 20th century and charted in many countries. From this point onwards, the world could no longer ignore the dance music and techno phenomenon. And Mauro was driving from the front. As one of the most in-demand artists across the globe, he barely left DJ Mag’s illustrious Top 100 DJ list throughout the first decade of the 21st century.

Constantly searching for innovative developments – both musically and technically – Mauro expressed an early vision that is now common place within electronic music: his ability to bring the underground to the masses, to fuse melody, hooks and harmony with industrial strength drum dynamics, his innate understanding of widescreen DJ selections that cover the whole spectrum created a reputation that positioned him in all corners of techno.

This focus and attitude meant that as a DJ he’s been invited to perform the broadest possible range of peaktime sets from Berlin’s famed Love Parade to Turin Winter Olympics via Timewarp, Tomorrowland, MTV Festival, Awakenings, Sensation, Mayday, Ultra Music Festival, Space Miami, Ibiza and thousands more. As an artist this gave him the freedom to flex from major remixes of top tier acts like Freddie Mercury and The Pet Shop Boys while delivering extensive albums that explore every side of techno with daring experimentation with tracks such as ‘Baguette’, ‘Contaminato’, ‘Hong Kong’, ‘The Riff’ and ‘Asteroids’.

As well as his journeyman DJ sets and full spectrum productions, this vision is also evident in his two brands. Both established in the early 2000s and still going strong to date, his Meganite events and Alchemy label are both melting pots for evolution and development. Meganite at Privilege is one of Ibiza’s most infamous techno parties and has since gone on to take over clubs and arenas across Europe and the US while Alchemy has delivered cuts from the likes of Adam Beyer, Chris Liebing, Joseph Capriati, Paco Osuna, Popof, Sasha Carassi, The Advent, Steve Rachmad, Nicole Moudaber and many more. Not just a label, Alchemy has also given the world a successful festival in Mauro’s motherland Turin in 2010 and is the home to his hugely popular podcast series that is syndicated across the world and listened to by audiences of millions. 

Underground / Baguette

Mauro Picotto

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